With an introduction by Steve Harvey and a foreword by David Foster The Grammy-winning founder of the legendary pop/R&B/soul/funk/disco group tells his story and charts the rise of his legendary band in this sincere memoir that captures the heart and soul of an artist whose groundbreaking sound continues to influence music today. With its dynamic horns, contrasting vocals, and vivid stage shows, Earth, Wind & Fire was one of the most popular acts of the late twentieth century—the band “that changed the sound of black pop” (Rolling Stone)—and its music continues to inspire modern artists including Usher, Jay-Z, Cee-Lo Green, and Outkast. At last, the band’s founder, Maurice White, shares the story of his success. Now in his seventies, White reflects on the great blessings music has brought to his life and the struggles he’s endured: his mother leaving him behind in Memphis when he was four; learning to play the drums with Booker T. Jones; moving to Chicago at eighteen and later Los Angeles after leaving the Ramsey Lewis Trio; forming EWF, only to have the original group fall apart; working with Barbra Streisand and Neil Diamond; his diagnosis of Parkinson’s; and his final public performance with the group at the 2006 Grammy Awards. Through it all, White credits his faith for his amazing success and guidance in overcoming his many challenges. Keep Your Head to the Sky is an intimate, moving, and beautiful memoir from a man whose creativity and determination carried him to great success, and whose faith enabled him to savor every moment.
Yellowstone Cougars examines the effect of wolf restoration on the cougar population in Yellowstone National Park—one of the largest national parks in the American West. No other study has ever specifically addressed the theoretical and practical aspects of competition between large carnivores in North America. The authors provide a thorough analysis of cougar ecology, how they interact with and are influenced by wolves—their main competitor—and how this knowledge informs management and conservation of both species across the West. Of practical importance, Yellowstone Cougars addresses the management and conservation of multiple carnivores in increasingly human-dominated landscapes. The authors move beyond a single-species approach to cougar management and conservation to one that considers multiple species, which was impossible to untangle before wolf reestablishment in the Yellowstone area provided biologists with this research opportunity. Yellowstone Cougars provides objective scientific data at the forefront of understanding cougars and large carnivore community structure and management issues in the Greater Yellowstone Ecosystem, as well as in other areas where wolves and cougars are reestablishing. Intended for an audience of scientists, wildlife managers, conservationists, and academics, the book also sets a theoretical precedent for writing about competition between carnivorous mammals.
This twenty-two volume set presents the appearance and behavior of thousands of species of animals along with species population and prospects for survival in a arranged alphabetically and easy-to-read format.
Appropriate for undergraduate and graduate-level courses, this volume covers language of alchemy, early chemical terminology, systematic nomenclature, chemical symbolism, and language of organic chemistry. "Authoritative." ? Isis. 1962 edition.
In seven representative episodes of black masculine literary and cultural history—from the founding of the first African American Masonic lodge in 1775 to the 1990s choreographies of modern dance genius Bill T. Jones—Constructing the Black Masculine maps black men’s historical efforts to negotiate the frequently discordant relationship between blackness and maleness in the cultural logic of American identity. Maurice O. Wallace draws on an impressive variety of material to investigate the survivalist strategies employed by black men who have had to endure the disjunction between race and masculinity in American culture. Highlighting their chronic objectification under the gaze of white eyes, Wallace argues that black men suffer a social and representational crisis in being at once seen and unseen, fetish and phantasm, spectacle and shadow in the American racial imagination. Invisible and disregarded on one hand, black men, perceived as potential threats to society, simultaneously face the reality of hypervisibility and perpetual surveillance. Paying significant attention to the sociotechnologies of vision and image production over two centuries, Wallace shows how African American men—as soldiers, Freemasons, and romantic heroes—have sought both to realize the ideal image of the American masculine subject and to deconstruct it in expressive mediums like modern dance, photography, and theatre. Throughout, he draws on the experiences and theories of such notable figures as Frederick Douglass, W. E. B. Du Bois, Booker T. Washington, and James Baldwin.
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