This introduction to Greek tragedy, the origin of much of our modern drama, is the work of a remarkable scholar who is also a practical man of theater. The author of magisterial studies of Ibsen, Strindberg, Chekhov and Shaw, and of symbolism in the theater from the nineteenth century to our times, Maurice Valency has written for the stage and for television, and he translated, adapted and collaborated in producing two great Broadway successes–Giraudoux's the Mad Woman of Chaillot and Durrenmatt's The Visit.
Here is the quintessence of Giraudoux's extraordinary imagination and style. A shy girl applying for a job at the Office of Inventions learns from a nondescript man that she can have her way with any man if she declares that he is as handsome as the nonexistent statue of the Apollo of Bellac. The play is alive with wry and trenchant observations on the comical attitudes and truths that men assume in life.
THE STORY: Howard Taubman's description of At the outset he shows us the radiant Alcestis greeting King Admetus, her husband, returned from the wars after another victory. Her acceptance of her duty to honor and adore her master knows no questioni
THE STORY: The time is the present, the place the ruins of Agamemnon's palace at Mycenae, where a guide points out matters of interest to a group of tourists. As they move on, a young man stays behind to speak to the young girl who has been silentl
THE STORY: In the sinister recesses of her kitchen, Mother Rigby, the witch, fashions a scarecrow and then, christening him Lord Feathertop, she sends the scarecrow off to the house of Judge Gookin, a rich and haughty man who has repeatedly claimed that no young suitor in the town is good enough for his daughter. Lord Feathertop impresses Gookin as a person of refinement and importance, and he quickly invites the town's leading citizens to meet this most eligible of young men. His daughter, Polly, who is already in love with another, is not equally taken with the mysterious stranger, but her father, sensing that Feathertop's supposed connections with the powerful lords of England will be of benefit to him, flatters and cajoles his guest and even offers to betray his rivals in the Colony. Having little in his head to begin with, Feathertop has even less to say in response to all this, which convinces everyone that he is indeed a wise and weighty man. Then Polly catches a glimpse of him in a mirror, and what she sees is not the glittering Lord whom the others have deluded themselves into accepting but the scarecrow that he really is. Polly faints at the sight of him, and Feathertop, struck with the sham of his existence, forces the others to look too, and then goes back to Mother Rigby in sad dismay. He no longer wants to live knowing what he is and what others are like beneath their veneer, and casting his pipe aside, he becomes once more the straw-filled scarecrow—albeit one with a real tear of human emotion trickling down his painted cheek.
THE STORY: The scene is a mountain pass in ancient Greece, on the road to Thebes. The pass is guarded by a priestess from the temple of Hera and by a sphinx who must ask a riddle of all who pass. If the traveler cannot solve the riddle he is hurled to his death, but if he can he is allowed to pass—and proceed to his doom. A young man approaches, and while the priestess pleads that he be allowed to turn back, or to pass unchallenged, the sphinx is adamant that the riddle must be posed. The priestess retires, and the sphinx accosts the young man, Oedipus, who has come from Delphi, where he has consulted the oracle. At first he denies this, but the sphinx knows his story without his telling it—and foretells what lies ahead for him as well. In keeping with the casual, offhand mood of the play, Oedipus attempts to treat these disclosures lightly, but inevitably he cannot. The riddle is asked, and solved, the sphinx vanishes forever, and Oedipus proceeds to the awful fate that the gods have ordained for him.
The study of "soft matter" materials with complex properties has raised a number of interesting problems in basic physics, biology, and materials science, all of which promise new and important technological applications. After a review of chemical bonds and phase transitions, the authors treat topics such as surface phenomena, stability of colloidal systems, structural properties of polymers, and topological defects. The monograph's emphasis on underlying physical principles offers a coherent treatment of the great variety of research in the field.
The Soil-Plant System in Relation to Inorganic Nutrition focuses on the soil-plant system in relation to the inorganic nutrition of plants. More specifically, the book investigates the dynamics of ion uptake in relation to those physical and chemical processes that must be considered both in understanding any observation made on the soil-plant system and in predicting the results of any stress placed on the system. This volume is organized into two parts encompassing seven chapters and begins with an overview of the inorganic nutrition of plants grown in the soil-plant system. This book then discusses the uptake of nutrient ions from the soil into the plant system. The emphasis is on fundamental aspects of ion movement from the soil into and through the soil solution, then into the plant root, and finally into the shoot. The next chapters consider the more practical aspects of the supply of nutrients to plants grown in the soil-plant system and how it can best be supplemented. This book examines the use of isotopes with respect to solid-phase-soil-solution relationships; movement of ions to the roots, into the roots (active or passive), and translocation to the shoot; the mobility of nutrients; laboratory, greenhouse, and field evaluation of soil nutrient supply; and when, where, and what kind of fertilizer to apply. This book will be of interest to botanists, biologists, students, and research workers engaged in the physical and biological sciences.
Appropriate for undergraduate and graduate-level courses, this volume covers language of alchemy, early chemical terminology, systematic nomenclature, chemical symbolism, and language of organic chemistry. "Authoritative." ? Isis. 1962 edition.
Maurice O'Connor Drury was among Wittgenstein's first students after his return to Cambridge in 1929. The subsequent course of Drury's life and thought was to be enormously influenced by his teacher, from his decision to become a doctor to his later work in psychiatry. The Selected Writings of Maurice O'Connor Drury brings together the best of his lectures, conversations, and letters on philosophy, religion and medicine. Central to the collection is the Danger of Words, the 1973 text described by Ray Monk as 'the most truly Wittgensteinian book published by any of Wittgenstein's students'. Through notes on conversations with Wittgenstein, letters to a student of philosophy and correspondence of almost 30 years with Rush Rhees, Drury gives shape to what he had learned from Wittgenstein. Whether discussing methods of philosophy, Simone Weil or the power of hypnosis, he makes fascinating excursions into the bearing of Wittgenstein's thought on philosophy and the practice of medicine and psychiatry. With an introduction presenting a new biography of Drury, analysing the relationship between him and Wittgenstein, The Selected Writings of Maurice O'Connor Drury features previously unpublished archival sources. Beautifully written and carefully selected, each piece reveals the impact of Wittgenstein's teachings, shedding light on the friendship and thinking of one of the most important philosophers of the 20th century.
An elementary text that can be understood by anyone with a background in high school geometry, Invitation to Combinatorial Topology offers a stimulating initiation to important topological ideas. This translation from the original French does full justice to the text's coherent presentation as well as to its rich historical content. Subjects include the problems inherent to coloring maps, homeomorphism, applications of Descartes' theorem, and topological polygons. Considerations of the topological classification of closed surfaces cover elementary operations, use of normal forms of polyhedra, reduction to normal form, and application to the geometric theory of functions. 1967 edition. 108 figures. Bibliography. Index.
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