SHORTLISTED FOR THE POETRY PIGOTT PRIZE IN ASSOCIATION WITH LISTOWEL WRITERS' WEEKThroughout these poems, with their roaming sense of first-person, the speakers' minds are cavernous and echoic, primal and sophisticated, observant and raw, in and out of control of themselves. The effect is unpredictable and thrilling, at once a dark art and an illumination of unease and loss and wishfulness. The collection features disquieting songs of a mutable self alongside poignant elegies, interior journeys and subtle (and not so subtle) ripostes to the legacy of Trumpism - while elsewhere encounters with ghostly feet and tongues of fire consort with riffs on Baudelaire, Rilke and Laforgue. These poems twinkle with mischief and humour, making for a pungent and haunting read. Riordan - a poet whose strong, rippling influence is felt by all in his wake - affirms his reputation at the forefront of contemporary poetry.
These poems report on worlds both robust and delicate, from boisterous pub-bluff to the oxygen bubble of an exquisite underwater spider. Whether situated in the quiet lanes of his native Co Cork or amid the bustle of his adopted London, Riordan's poems exist between many states, poised at once in the grip of both activity and stillness, concerned with speaking and listening to what he hauntingly describes as 'the unwonted quiet'. There are tributes to the departed and the living, the befriended and the estranged; there are also conversations with poets, in memory and in translation, from the Spanish and from the Irish. The collection concludes with 'The Pilgrim' - that hovers eerily 'in patrol of the edges', wherever they may be located. But just as these poems can be sage, they are also mischievous, fun-loving, gregarious creatures who like nothing better than to sing or to joke at your ear. The Water Stealer is a book full of invention and delight, whose hypnotic stories remind us of the variousness and the enchantment of the world.
The poems in Maurice Riordan's second collection are unusual in their recourse to the humanist belief in poetry as one of the forms of knowledge, imparting information about the observable world; but they also mix ancient wisdom (signs and wonders) with the open-ended science of the quantum age. Riordan's vision is syncretist. The old and new coexist - interrogating the book's epigraph that 'time is what keeps everything from happening at once' - and this informs his more personal poems: childhood memories of rural Ireland and poems of irretrievable loss nuanced with the restorative intimation that time's arrow is not, perhaps, relentlessly linear.
SHORTLISTED FOR THE POETRY PIGOTT PRIZE IN ASSOCIATION WITH LISTOWEL WRITERS' WEEKThroughout these poems, with their roaming sense of first-person, the speakers' minds are cavernous and echoic, primal and sophisticated, observant and raw, in and out of control of themselves. The effect is unpredictable and thrilling, at once a dark art and an illumination of unease and loss and wishfulness. The collection features disquieting songs of a mutable self alongside poignant elegies, interior journeys and subtle (and not so subtle) ripostes to the legacy of Trumpism - while elsewhere encounters with ghostly feet and tongues of fire consort with riffs on Baudelaire, Rilke and Laforgue. These poems twinkle with mischief and humour, making for a pungent and haunting read. Riordan - a poet whose strong, rippling influence is felt by all in his wake - affirms his reputation at the forefront of contemporary poetry.
Harold Hart Crane was born in Ohio in 1899. In 1923 he became a copy-writer in New York. White Buildings, his first collection, appeared in 1926, and in 1930 his most famous work, The Bridge, was published. A reaction against the pessimism in T. S. Eliot's The Waste Land, The Bridge was a love song to the myth of America and its optimism a much needed boon to post-Wall Street Crash America. Hart Crane committed suicide in 1932.
At the heart of Maurice Riordan's third collection is a sequence of eighteen dramatic idylls set in rural Cork in the 1950s, in which the subdued microcosm of farm and smallholding - of boundary, townland and parish - is defined through the individual voices of the poet's father and assorted friends, farmhands and neighbours (Moss, Dan-Jo, Davey Divine, the Bo'son, Uncle Tom the Buck, the Gully). The settings of these loosely contiguous fragments almost casually define a historical community, ranging around farm and fields, through furze and ragwort, headland and plantation, haggard and Bog - tracing the immemorial scenes of traditional farming life: cutting drains, harvesting, fencing, potato planting, beet topping â?" and their close and intimate topography is recalled with a Proustian fidelity to names (the Long Field, the Kiln Field, the Small Fields, the Hill Fields, Higgs's Field, the Passage, the old Deer Park, the Orchard, the Bottom Glen) The tentative oral fluidity of these remarkable poems flickers on the borderline of prose, resolving complexities into an impression of timeless pastoral life, at once archaic yet precisely pitched in time. Other poems in The Holy Land proffer alternative forms of capture and recapture, and resemble light-sensitive plates storing and restoring what one poem refers to as 'the understory'. Thus the stilled life of 1950s rural Ireland is recreated, with echoes of classical models such as Theocritus, or of traditional Irish materials from the Fenian cycle, celebrating 'the music of what happens'. As Patrick Kavanagh wrote in his poem 'Epic': 'I have lived in important places, times when great events were decided: who owned that half a rood of rock...
These poems report on worlds both robust and delicate, from boisterous pub-bluff to the oxygen bubble of an exquisite underwater spider. Whether situated in the quiet lanes of his native Co Cork or amid the bustle of his adopted London, Riordan's poems exist between many states, poised at once in the grip of both activity and stillness, concerned with speaking and listening to what he hauntingly describes as 'the unwonted quiet'. There are tributes to the departed and the living, the befriended and the estranged; there are also conversations with poets, in memory and in translation, from the Spanish and from the Irish. The collection concludes with 'The Pilgrim' - that hovers eerily 'in patrol of the edges', wherever they may be located. But just as these poems can be sage, they are also mischievous, fun-loving, gregarious creatures who like nothing better than to sing or to joke at your ear. The Water Stealer is a book full of invention and delight, whose hypnotic stories remind us of the variousness and the enchantment of the world.
In a series of timeless and modern-day renditions, Maurice Riordan brilliantly introduces us to the poems that founded Ireland's rich literature. Memorable and accessible, these early lyrics are presented in their classic incarnations by literary giants from both sides of the Irish Sea: in examples by W. H. Auden, Flann O'Brien, Alfred Lord Tennyson, John Montague, Robert Graves and Frank O'Connor. But the anthology is much more than a survey of canonical texts; through a series of specially commissioned poems, fresh eyes are brought to bear on these ancient poems: by Seamus Heaney and Eiléan Ní Chuilleanáin, by Paul Muldoon and Kathleen Jamie, by Ciaran Carson and Christopher Reid, and many others. The experience is enhanced still further by the enabling hand of Riordan himself, in a sweep of exquisite translations of his own made especially for this publication. Unforgettable and inspirational, a book for giving and for keeping: The Finest Music by some of the art-form's finest players.
The poems in Maurice Riordan's second collection are unusual in their recourse to the humanist belief in poetry as one of the forms of knowledge, imparting information about the observable world; but they also mix ancient wisdom (signs and wonders) with the open-ended science of the quantum age. Riordan's vision is syncretist. The old and new coexist - interrogating the book's epigraph that 'time is what keeps everything from happening at once' - and this informs his more personal poems: childhood memories of rural Ireland and poems of irretrievable loss nuanced with the restorative intimation that time's arrow is not, perhaps, relentlessly linear.
This title was first published in 2000. This work examines Irish government towards European integration in the second post-war decade by concentrating on crisis points or flash points, it does this in a fairly subject-oriented manner concerning Dublin's decision-making processes. The central themes of this study are concentrated on economic matters, but they deal with other tenets when relevant too, be they of a cultural, diplomatic, ideological, military, political or social nature.
This analysis explores the social history and politics of mega-events from the late 19th century to the present. Through case studies of events such as the 1851 Crystal Palace Expo, the 1936 Berlin Olympics and the 1992 Barcelona Olympics, Maurice Roche investigates the impact Expos and Olympics have had on national identities, on the marking of public time and space, and on visions of national citizenship and international society in modern times. Historical chapters deal with the production of Expos by power elites, their impacts on mass culture, and the political uses and abuses of international sport and Olympic events. Chapters also deal with the impact of Olympics on cities, the growth of Olympics as media events and the current crisis of the Olympic movement in world politics and culture.
Lisa Maurice examines screen portrayals of gods - covering Greco-Roman mythology, the Judeo-Christian God and Jesus - from the beginning of cinema to the present day. Focussing on the golden age of the Hollywood epic in the fifties and the twenty-first century second wave of big screen productions, she provides an over-arching picture that allows historical trends and developments to be demonstrated and contrasted. Engaging with recent scholarship on film, particularly film and theology as well as classical reception, she considers the presentation of these gods through examination of their physical and moral characteristics, as well as their interaction with the human world, against the background of the social contexts of each production.
Prepared in the Intelligence Branch of the War Office, and originally published in 1887, this book gives a detailed account of the 1882 Egyptian campaign, which was a rapid affair, commencing with the bombardment and subsequent occupation of Alexandria in July; the near defeat of the British advance force by the Egyptians at Kassassin, and terminating with the British victory at Tel-El-Kebir on September 13th 1882. The eight appendices offer considerable reference material including an alphabetical list of all British and Indian Army Officers engaged, with their services, honours, medals and decorations for the campaign. Regimental lists of killed and wounded for all actions, and a detailed Order of Battle. Statement of troops (Regimentally) conveyed to Egypt and the Transports (named) in which they proceeded. A further appendix has been added to the original text which contains a nominal roll of all ranks killed and wounded at Tel-El-Kebir. A short-lived, but lively, Victorian campaign.
Books in the Life of a Child explores the value of books and reading in the stimulation of children's imagination and their fundamental importance in the development of language and true literacy. It examines not only the vast range of children's books available but also how to introduce young people to the joys of reading in the home, the school and in the community. The book has been written as a resource for all adults, especially teachers, student teachers, librarians and parents, and those who care about the value of literature for children. It is a comprehensive and critical guide, with chapters on the history of children's literature and an analysis of its many forms and genres, from poetry, fairytale, myth, legend and fantasy, through realistic and historical fiction, to humour, pulp fiction and information books.
A guide to Latin American history includes a chronology of key events from pre-Columbian history through the present, a thematic survey following each topic (economic change, cultural development, politics and government) across time, and 300 biographies of Latin Americans throughout history.
Salt, Fat and Sugar Reduction: Sensory Approaches for Nutritional Reformulation of Foods and Beverages explores salt, sugar, fat and the current scientific findings that link them to diseases. The sensory techniques that can be used for developing consumer appealing nutritional optimized products are also discussed, as are other aspects of shelf life and physicochemical analysis, consumer awareness of the negative nutritional impact of these ingredients, and taxes and other factors that are drivers for nutritional optimization. This book is ideal for undergraduate and postgraduate students and academics, food scientists, food and nutrition researchers, and those in the food and beverage industries. - Provides a clear outline of current legislation on global ingredient taxes - Demonstrates effective protocols, sensory, multivariate and physico-chemical for salt, fat and sugar reduction - Outlines reduction protocols, with and without the use of replacer ingredients for salt, fat and sugar reduction - Illustrates the full process chain, consumer to packaging, and the effects of reformulation by reduction of ingredients
A Handbook for Sensory and Consumer Driven New Product Development explores traditional and well established sensory methods (difference, descriptive and affective) as well as taking a novel approach to product development and the use of new methods and recent innovations. This book investigates the use of these established and new sensory methods, particularly hedonic methods coupled with descriptive methods (traditional and rapid), through multivariate data analytical interfaces in the process of optimizing food and beverage products effectively in a strategically defined manner. The first part of the book covers the sensory methods which are used by sensory scientists and product developers, including established and new and innovative methods. The second section investigates the product development process and how the application of sensory analysis, instrumental methods and multivariate data analysis can improve new product development, including packaging optimization and shelf life. The final section defines the important sensory criteria and modalities of different food and beverage products including Dairy, Meat, Confectionary, Bakery, and Beverage (alcoholic and non-alcoholic), and presents case studies indicating how the methods described in the first two sections have been successfully and innovatively applied to these different foods and beverages. The book is written to be of value to new product development researchers working in large corporations, SMEs (micro, small or medium-sized enterprises) as well as being accessible to the novice starting up their own business. The innovative technologies and methods described are less expensive than some more traditional practices and aim to be quick and effective in assisting products to market. Sensory testing is critical for new product development/optimization, ingredient substitution and devising appropriate packaging and shelf life as well as comparing foods or beverages to competitor's products. - Presents novel and effective sensory-based methods for new product development - two related fields that are often covered separately - Provides accessible, useful guidance to the new product developer working in a large multi-national food company as well as novices starting up a new business - Offers case studies that provide examples of how these methods have been applied to real product development by practitioners in a wide range of organizations - Investigates how the application of sensory analysis can improve new product development including packaging optimization
The second edition of this sourcebook brings together a comprehensive selection of the principal international, European and domestic sources of environmental law, together with commentary and extensive references to secondary sources (including relevant websites). The new edition has been fully revised and extended to include the major developments in this rapidly evolving area of law. In particular, at the international level there is now consideration of the Kyoto Protocol 1997, the Aarhus Convention 1998, the Basel Protocol 1999 and the Biosafety Protocol 2000. At the European level, there is coverage of the changes introduced by the Amsterdam Treaty; the 2000 Water Framework Directive; the new Air Quality Directives; and the EC White Paper on Environmental Liability. There is also discussion of the proposed Sixth Environmental Action Programme. The domestic coverage includes consideration of the Pollution Prevention and Control Act 1999, the Countryside and Rights of Way Act 2000, the implementation of the contaminated land regime, together with coverage of the new UK waste strategy. The book now also includes extensive consideration of the impact of the Human Rights Act 1998 on environmental law. Recent case law is included throughout. This unique work will provide an extremely valuable resource for all those studying, teaching and working in the field of environmental law.
Maurice Ashley immigrated to New York from Jamaica at the age of twelve, only to be confronted with the harsh realities of urban life. But he found his inspiration for a better life after stumbling upon a chess book and becoming hypnotized by the game’s philosophies; his dedication would eventually lead him to break the chess world’s color lines by becoming an International Grandmaster in 1999. During his ascent to chess’s pinnacle, Ashley realized that chess strategies could be used as an educational tool to help children avoid the pitfalls often associated with growing up. In this book, he serves up compelling anecdotes about how chess has positively affected young players. He also offers tips on technique, how to make the game fun for children of all ages and levels, and how to overcome the myth that chess isn’t cool. Through his guidance and references to various developmental theories, readers will understand how chess strategies can improve a child’s mental agility, creativity, and problem-solving skills. Chess for Success is a much-anticipated resource for parents, teachers, counselors, youth workers, and chess lovers.
Following the murder of Thomas á Becket, King Henry II came to Ireland. He decreed that an abbey be founded in his memory, and the monks that founded it were to be free from city taxes and rates. This ‘Liberty’ expanded and took in the part of Dublin which today is known as the Liberties, one of Dublin’s oldest and most interesting parts of the capital, occupying a unique place in Ireland’s social and cultural history.In this book, author Maurice Curtis explores this fascinating history and its significance to the people of Dublin.
For as long as we have records, Temple Bar has been at the heart of Dublin's cultural life. Its history is one of design, craft, publishing, the performing arts, coffee houses, political debate and great colour and energy. The world's favourite oratorio and chorus – 'Hallelujah' from Handel's Messiah – had its world premiere in Temple Bar in 1742 in Neals' Musick Hall, and a tradition of great musical vibrancy has continued there over time. Today, it is one of the central tourist areas of Dublin, and one of the most visited sets of streets on the island of Ireland. This is its history.
In the midst of great expansion and economic growth in the eighteenth century, Ireland was deeply divided along racial, religious, and economic lines. More than two thirds of the population were Catholic, but nearly all the landowners were Anglican. The minority also comprised practically the entire body of lawyers, officers in the army and navy, and holders of political positions. At the same time, a growing middle class of merchants and manufacturers sought to reform Parliament to gain a real share in the political power monopolized by the aristocracy and landed gentry. Irish Politics and Social Conflict in the Age of the American Revolution remains one of the few in-depth studies of the effects of the Revolution on Ireland. Focusing on nine important years of Irish history, 1775 to 1783, from the outbreak of war in colonial America to the year following its conclusion, the book details the social and political conditions of a period crucial to the development of Irish nationalism. Drawing extensively on the Dublin press of the time, Maurice R. O'Connell chronicles such important developments as the economic depression in Britain and the Irish movement for free trade, the Catholic Relief Act of 1778, the rise of the Volunteers, the formation of the Patriot group in the Irish Parliament, and the Revolution of 1782.
The Changing Organization provides a multidisciplinary approach for studying the management of change under conditions of complexity. Single-discipline approaches frequently miss essential elements that reduce the possibility of coherence within a multi-agency organizational setting. Combining a systems and cybernetic 'living system' perspective, Guo, Yolles, Fink, and Iles offer a new agency paradigm designed to model, diagnose and analyse complex, real-world situations. Its capacity to anticipate patterns of behaviour provides useful means by which the origin of crises can be understood, and resolutions reflected upon. Scholars and graduate students in fields as diverse as management, politics, anthropology and psychology will find numerous applications for this book when considering socio-political and organizational change, and it offers an invaluable guide for consultants who may wish to apply advanced techniques of contextual analysis to real-world situations.
Considering that one of the core tasks of academia is to provide social critique and reflection, universities have an undeniable role to formulate the contours of a more inclusive academia in contrast to visible and normalised structures of exclusion. Translating such ambitions into transformative practices seems to be easier said than done. Academics need mutual inspiration and exchange of thoughts and practices to reflect on their actions and their own knowledge productions. The authors in this book mirror the challenges and achievements of academics and practitioners in three national contexts, which could serve as a foundation for academia to move towards dismantling elitist and privileged-based assumptions, and formulating new forms of knowledge production and institutional policies, inside and outside academia. The book aims to help create a more inclusive society in which academics, students and practitioners can engage, learn and transform structures of inequality, exclusion and disconnection where it seems to have the biggest impact.
The Evolution of a Western God: 30,000 B.C.E. to the Now" is the story of an exploration into the beliefs, visualizations, and perceptions of God over the millennia. The story is limited to the influences affecting the dominant visions of God in Europe and the Americas. The book is in three parts. "Part One" looks at the many meanings together with the emotional and bias of critical words like spirit, myth, science, and religion. "Part Two" traces the visions of God(s) in the Middle East and Europe from the Neolithic through to the present. It traces the way people thought of God from the Great EarthMother of Old Europe, the beginning of the patriarchy, the single universal God, to the present complex mixtureof visions of God. "Part Three" is an analysis of current philosophies and visualizations of God found in Europe and the United States. It concludes with the hope that religions, sciences, politicians, and academics can work together to produce a set of proposals for sustainable, zero growth cultures on a stable planet.
Maurice Riordan's subjects are often homely: family excursions and rows, items of food or furniture. But the rueful, story telling voice carries one into unexpected territory - the plight, perhaps, of two children waking up after the accidental death of their parent, or the way of life of an entire community which on occasion will take to the treetops to sing. These poems have an unusual, near-scientific alertness to the terms of our physical destiny and they address, in measured, lyrical tones, the pathos of the human adventure.
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