Olender investigates the unsuspected links between erudition and race, showing the affinities between the social sciences and the concept of "race." The book provides an accessible and lucid pathway through the labyrinth of race and erudition and examines how to deal with diversity without the problematic heritage of racial stereotypes.
Michel Foucault observed that âeoethe birth of philology attracted far less notice in the Western mind than did the birth of biology or political economy.âe In this penetrating exploration of the origin of the discipline, Maurice Olender shows that philology left an indelible mark on Western visions of history and contributed directly to some of the most horrifying ideologies of the twentieth century. The comparative study of languages was inspired by Renaissance debates over what language was spoken in the Garden of Eden. By the eighteenth century scholars were persuaded that European languages shared a common ancestor. With the adoption of positivist, âeoescientificâe methods in the nineteenth century, the hunt for the language of Eden and the search for a European Ursprache diverged. Yet the desire to reconcile historical causality with divine purpose remained. Because the Indo-European languages clearly had a separate line of descent from the biblical tongues, the practitioners of the new science of philology (many of whom had received their linguistic training from the Church) turned their scholarship to the task of justifying the ascendance of European Christianity to the principal role in Providential history. To accomplish this they invented a pair of conceptsâe"Aryan and Semiticâe"that by the end of the century had embarked on ideological and political careers far outside philology. Supposed characteristics of the respective languages were assigned to the peoples who spoke them: thus the Semitic peoples (primarily the Jews) were, like their language, passive, static, and immobile, while the Aryans (principally Western Europeans) became the active, dynamic Chosen People of the future. Olender traces the development of these concepts through the work of J. G. Herder, Ernest Renan, Friedrich Max Müller, Adolphe Pictet, Rudolph Grau, and Ignaz Goldziher. He shows that, despite their different approaches, each of these men struggled more or less purposefully âeoeto join romanticism with positivism in an effort to preserve a common allegiance to the doctrines of Providence.âe With erudition and elegance, Olender restores the complexity and internal contradictions of their ideas and recreates the intellectual climate in which they flourished.
One of the world’s leading anthropologists assesses the work of the founder of structural anthropology As a young man, Maurice Godelier was Claude Lévi-Strauss’s assistant. Since then, Godelier has drawn on this experience to develop a profound and intimate grasp on the writings of his former teacher, one of the most influential thinkers of the twentieth century. Meticulously researched, Lévi-Strauss: A Critical Study of His Thought will prove indispensable to students of Lévi-Strauss and to structural anthropologists more generally. It is a compelling and comprehensive study destined to become the definitive work on the evolution of Lévi-Strauss’s ideas, at the heart of which lies his analysis of kinship and myth.
Michel Foucault observed that âeoethe birth of philology attracted far less notice in the Western mind than did the birth of biology or political economy.âe In this penetrating exploration of the origin of the discipline, Maurice Olender shows that philology left an indelible mark on Western visions of history and contributed directly to some of the most horrifying ideologies of the twentieth century. The comparative study of languages was inspired by Renaissance debates over what language was spoken in the Garden of Eden. By the eighteenth century scholars were persuaded that European languages shared a common ancestor. With the adoption of positivist, âeoescientificâe methods in the nineteenth century, the hunt for the language of Eden and the search for a European Ursprache diverged. Yet the desire to reconcile historical causality with divine purpose remained. Because the Indo-European languages clearly had a separate line of descent from the biblical tongues, the practitioners of the new science of philology (many of whom had received their linguistic training from the Church) turned their scholarship to the task of justifying the ascendance of European Christianity to the principal role in Providential history. To accomplish this they invented a pair of conceptsâe"Aryan and Semiticâe"that by the end of the century had embarked on ideological and political careers far outside philology. Supposed characteristics of the respective languages were assigned to the peoples who spoke them: thus the Semitic peoples (primarily the Jews) were, like their language, passive, static, and immobile, while the Aryans (principally Western Europeans) became the active, dynamic Chosen People of the future. Olender traces the development of these concepts through the work of J. G. Herder, Ernest Renan, Friedrich Max Müller, Adolphe Pictet, Rudolph Grau, and Ignaz Goldziher. He shows that, despite their different approaches, each of these men struggled more or less purposefully âeoeto join romanticism with positivism in an effort to preserve a common allegiance to the doctrines of Providence.âe With erudition and elegance, Olender restores the complexity and internal contradictions of their ideas and recreates the intellectual climate in which they flourished.
Olender investigates the unsuspected links between erudition and race, showing the affinities between the social sciences and the concept of "race." The book provides an accessible and lucid pathway through the labyrinth of race and erudition and examines how to deal with diversity without the problematic heritage of racial stereotypes.
Michel Foucault observed that "the birth of philology attracted far less notice in the Western mind than did the birth of biology or political economy." In this penetrating exploration of the origin of the discipline, Maurice Olender shows that philology left an indelible mark on Western visions of history, and contributed directly to some of the most horrifying ideologies of the twentieth century. "A riveting book about a difficult but important subject. Olender plunges into the scientific roots of modern racial myths with verve, wit, and remarkable erudition, producing both a dense, powerful monograph in the history of philology and a fascinating essay on the roots of twentieth-century errors and horrors." –Anthony Grafton, Princeton University "The Languages of Paradise is heavenly to read. What languages did the first humans speak? Maurice Olender traces the answers of major scholars to that question from the eighteenth to the twentieth century, showing how rival claims for Hebrew and Sanskrit connect with fundamental ideas about race and culture. Rarely have the intricacies of comparative philology been made so accessible to the common reader as in Maurice Olender's fluid prose, given sparkling translation by Arthur Goldhammer." –Natalie Zemon Davis, Princeton University
Maurice Polydore Marie Bernard, Count Maeterlinck (1862-1949) was a Belgian poet, playwright, and essayist writing in French. He was awarded the Nobel Prize in Literature in 1911. The main themes in his work are death and the meaning of life. He had written poems and short novels during his studies. In 1889, he became famous overnight after his first play, La Princesse Maleine, had received enthusiastic praise from Octave Mirbeau, the literary critic of Le Figaro (1890). In the following years, he wrote a series of symbolist plays characterized by fatalism and mysticism, most importantly The Intruder (1890), The Blind (1890) and Pllas and Mlisande (1892). With the play Aglavaine et Slysette he began to create characters, especially female characters, more in control of their destinies. After that he published his Douze Chansons (1896), Treasure of the Humble (1896), The Life of the Bee (1901), and Ariadne and Bluebeard (1902). In 1903, Maeterlinck received the Triennial Prize for Dramatic Literature from the Belgian government. His other works include Wisdom and Destiny (1898), and The Wrack of the Storm (1916).
Maurice Maeterlinck, a frankophone Belgian playwright and poet from Ghent (1862 - 1949), is famous for his Symbolist plays The Blue Bird, Monna Vanna and Pelleas and Melisande. The Miracle of Saint Anthony (1903) is one of his satirical masterpieces. Maeterlinck won the Nobel Prize in literature in 1911.
Maurice Polydore Marie Bernard, Count Maeterlinck (1862-1949) was a Belgian playwright, poet and essayist who wrote in French. He was awarded the Nobel Prize in Literature in 1911. The main themes in his work are death and the meaning of life.
Maurice Maeterlinck is a Noble Prize winning author from Belgian. He was a poet, playwright and essayist. Maeterlinck writes about the meaning of life and death. His education was at a religious school where only religious material was allowed. This may account for his distaste for the Catholic Church and organized religion. "The Past" and "Luck," were written in 1901. The other spieces, "The Mystery of Justice," "The Evolution of Mystery," and "The Kingdom of Matter," are anterior to "The Life of the Bee," and appeared in the Fortnightly Review in 1899 and 1900. The essay on "The Past" appeared in the March number of the Fortnightly Review and of the New York Independent; and parts of "The Mystery of Justice" in this last journal and Harper's Magazine.
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Mr. Kesselbach stopped short on the threshold of the sitting-room, took his secretary's arm and, in an anxious voice, whispered: "Chapman, some one has been here again." "Surely not, sir," protested the secretary. "You have just opened the hall-door yourself; and the key never left your pocket while we were lunching in the restaurant." "Chapman, some one has been here again," Mr. Kesselbach repeated. He pointed to a traveling-bag on the mantelpiece. "Look, I can prove it. That bag was shut. It is now open." Chapman protested. "Are you quite sure that you shut it, sir? Besides, the bag contains nothing but odds and ends of no value, articles of dress. . . ." "It contains nothing else, because I took my pocket-book out before we went down, by way of precaution. . . . But for that. . . . No, Chapman, I tell you, some one has been here while we were at lunch." There was a telephone on the wall. He took down the receiver: "Hallo! . . . I'm Mr. Kesselbach. . . . Suite 415 . . . That's right. . . . Mademoiselle, would you please put me on to the Prefecture of Police . . . the detective department. . . . I know the number . . . one second . . . Ah, here it is! Number 822.48. . . . I'll hold the line." A moment later he continued: "Are you 822.48? I should like a word with M. Lenormand, the chief of the detective-service. My name's Kesselbach. . . . Hullo! . . . Yes, the chief detective knows what it's about. He has given me leave to ring him up. . . . Oh, he's not there? . . . To whom am I speaking? . . . Detective-sergeant Gourel? . . . You were there yesterday, were you not, when I called on M. Lenormand? Well, the same thing that I told M. Lenormand yesterday has occurred again to-day. . . . Some one has entered the suite which I am occupying. And, if you come at once, you may be
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Maurice Polydore Marie Bernard, Count Maeterlinck (1862-1949) was a Belgian poet, playwright, and essayist writing in French. He was awarded the Nobel Prize in Literature in 1911. The main themes in his work are death and the meaning of life. He had written poems and short novels during his studies. In 1889, he became famous overnight after his first play, La Princesse Maleine, had received enthusiastic praise from Octave Mirbeau, the literary critic of Le Figaro (1890). In the following years, he wrote a series of symbolist plays characterized by fatalism and mysticism, most importantly The Intruder (1890), The Blind (1890) and Pllas and Mlisande (1892). With the play Aglavaine et Slysette he began to create characters, especially female characters, more in control of their destinies. After that he published his Douze Chansons (1896), Treasure of the Humble (1896), The Life of the Bee (1901), and Ariadne and Bluebeard (1902). In 1903, Maeterlinck received the Triennial Prize for Dramatic Literature from the Belgian government. His other works include Wisdom and Destiny (1898), and The Wrack of the Storm (1916).
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