‘This is the original game of thrones’ George R.R. Martin From the publishers that brought you A Game of Thrones comes the series that inspired George R.R. Martin’s epic work.
This is the original game of thrones' George R.R. Martin From the publishers that brought you A Game of Thrones comes the series that inspired George R.R. Martin's epic work. "Accursed! Accursed! You shall be accursed to the thirteenth generation!" The Iron King - Philip the Fair - is as cold and silent, as handsome and unblinking as a statue. He governs his realm with an iron hand, but he cannot rule his own family: his sons are weak and their wives adulterous; while his red-blooded daughter Isabella is unhappily married to an English king who prefers the company of men. A web of scandal, murder and intrigue is weaving itself around the Iron King; but his downfall will come from an unexpected quarter. Bent on the persecution of the rich and powerful Knights Templar, Philip sentences Grand Master Jacques Molay to be burned at the stake, thus drawing down upon himself a curse that will destroy his entire dynasty...
This is the original Game of Thrones." George R.R. Martin. 'No woman shall succeed in Salique land' Louis X is dead, poisoned, murdered, by the hand of Mahaut d'Artois. Her plan is simple - to clear the path to the throne for her son-in-law Philippe. However, there is the small matter of Queen Clemence and her unborn child. As the country is thrown into turmoil, Philippe of Poitiers must use any means necessary to save his country from anarchy. However, how far is he willing to go to clear his path to the throne and become King in his own right?
‘This is the original game of thrones’ George R.R. Martin From the publishers that brought you A Game of Thrones comes the series that inspired George R.R. Martin’s epic work.
“This is the original Game of Thrones.” George R.R. Martin. A collection of the first three books in Maurice Druon’s epic historical fiction series, The Accursed Kings.
This book is a study of Spenser's conception of the nature of heroism and the way it is embodied in the separate books of The Faerie Queene. Professor Evans stresses the coherence of Spenser's scheme of virtues and examines the fusion of Christian symbol and classic myth through which the underlying Christian theme is expressed. He emphasises the didactic purpose of the poem, and the rhetorical method by which the allegory works upon the reader. It is his contention that Spenser completed his poem, and that The Faerie Queene as it stands presents an organic unity so firmly controlled that it is unprofitable to consider any book, canto or even single verse isolation from the poem as a whole. The complexity of the poetry which this study reveals suggests that Spenser has much in common with the metaphysicals, while the subtle dissection of human motive and behaviour within the poem would place him in closer relationship to the drama than is normally recognised.
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