This story begins with an ending: the day Maureen Muldoon realized the devastating fact that her husband was having an affair—and leaving her for Miss Universe. Miss freaking Universe! How does this even happen? An intimate examination of Muldoon’s unraveling in the face of this betrayal, A Spiritual Vixen’s Guide to An Unapologetic Life takes a fresh, funny and fearless look at loss, denial, anger, grace, and liberation. Muldoon reveals the strength that comes from facing one’s fears, the humor that arrives in the darkest hours, and the miracles that happen when you least expect them in this grand tapestry of tales from the dark side. Ultimately, with wit and wisdom, she walks herself out of hell in a pair of sexy stilettos and manages to do what the all the king’s horses and all the king’s men could not: she puts herself back together. And in doing so, she comes to find more beauty and strength in the fractured places than anyone would have ever imagined.
Giant Love Song is witness to the poetic journey of fourteen-year-old Maureen Muldoon, a committed daydreamer trying to navigate the final hours of her mother's life without getting crushed. She weaves a tapestry of stories and songs in hopes of avoiding the inevitable. Along the way, we meet colorful characters from this Jersey neighborhood who leave their mark on your heart. As daybreak comes, Maureen is granted a gift from her father, the Giant. Carried to her from several decades before her birth, this could be the very thing she was chasing all along.
Cathy Richardson and Maureen Muldoon are the perfect combination of heart and soul, music and story. Making Voice Box the best night of the month. Check out past shows on gigityTV.comIt's a story, a slam, a song, a serenade. A place to be heard and hear about the human condition. It's the old school front stoop, it's the modern day confessional.Where folks like us, who need to create and come out and connect go to spin and weave and unfurl. To encounter artistry and escape into inspiration. Where a song leads to a story and a story leads to a song and the beat goes on and out and up. Where your feet tap to the rhythm, your head nods in agreement, and your heart pounds in anticipation for the chance to share your voice.
First published in 1991. Over the last twenty-five years or so, the debate on abortion has not moved any closer to resolution in either the United States or Canada. The courts, the legislatures, the pulpits, the classrooms, the hospitals and clinics and the media have provided the forums for this on-going struggle. Two groups of activists have dominated the debate. The opponents of abortion, who are referred to as anti-abortion or pro-life, advocate restrictive policies on abortion while the pro-choice groups direct their attempts to creating a permissive policy that allows a woman to make her own decision. The anti-abortion advocates and the pro-choice advocates alike have learned the skills and developed the strategies to advance their own positions. Whatever legal and public policy gains are made by one side are often countered by moves from their opponents. There is available a vast amount of material related to the topic of abortion. From the extensive and diverse literature, this book draws a collection of relevant materials primarily representing aspects of the sociological, philosophical, religious and legal aspects of the abortion issue. Its purpose is to serve as a source bode for those interested in seeing how the abortion debate has been conducted within the recent past. The book also serves as a reference work for further study.
Acclaimed poet and critic Maureen N. McLane offers an experimental work of criticism ranging across Romantic and contemporary poetry. In My Poetics, Maureen N. McLane writes as a poet, critic, theorist, and scholar—but above all as an impassioned reader. Written in an innovative, conversable style, McLane’s essays illuminate her own poetics and suggest more generally all that poetics can encompass. Ranging widely from romantic-era odes and hymns to anonymous ballads to haikus and haibuns to modernist and contemporary poetries in English, My Poetics explores poems as speculative instruments and as ways of registering our very sense of being alive. McLane pursues a number of open questions: How do poems generate modes for thinking? How does rhyme help us measure out thought? What is the relation of poetry to its surroundings, and how do specific poems activate that relation? If, as Wallace Stevens wrote, “poetry is the scholar’s art,” My Poetics flies under a slightly different banner: study and criticism are also the poet’s art. Punctuated with McLane’s poems and drawing variously on Hannah Arendt, Percy Bysshe Shelley, Roland Barthes, Bruno Latour, and other writers and poets, My Poetics is a formally as well as intellectually adventurous work. Its artful arrangement of readings and divagations shows us a way to be with poems and poetics.
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