In the mid-19th century in a mill town in Yorkshire Beth loses her mother in childbirth and is left caring for her father and two brothers but when discovering she is pregnant leaves home to live with an aunt. A tragic accident leaves her in the colourful world of the Romany Gypsies where she gives birth to her son, Joshua. She keeps his birth a secret but when many years later he is falsely accused of murder by an evil man who is obsessed with Beth and wishes revenge on her she must choose where her destiny lies and secrets must be told if she is save him from the hangman's noose. But Beth is not the only one who has secrets.
Maureen Waller has written a fascinating narrative history---a brilliant combination of drama and biographical insight on the British monarchy---of the six women who have ruled England in their own names. In the last millennium there have been only six English female sovereigns: Mary I and Elizabeth I, Mary II and Anne, Victoria and Elizabeth II. With the exception of Mary I, they are among England's most successful monarchs. Without Mary II and Anne, the Glorious Revolution of 1688 might not have taken place. Elizabeth I and Victoria each gave their name to an age, presiding over long periods when Britain made significant progress in the growth of empire, prestige, and power. All of them have far-reaching legacies. Each faced personal sacrifices and emotional dilemmas in her pursuit of political power. How to overcome the problem of being a female ruler when the sex was considered inferior? Does a queen take a husband and, if so, how does she reconcile the reversal of the natural order, according to which the man should be the master? A queen's first royal duty is to provide an heir to the throne, but at what cost? In this richly compelling narrative of royalty, Maureen Waller delves into the intimate lives of England's queens regnant in delicious detail, assessing their achievements from a female perspective.
Elizabeth Tudor has survived uncertainty and danger to ascend the throne. Now Europe waits to see whom she will choose as her husband. Only Elizabeth herself knows that I she is wedded to England -- under threat from Spain. The country is menaced by a queen from across the border who regards the Tudor throne as rightfully hers. The stage is being set for a duel to the death between Elizabeth and the Queen of Scots.
In the mid-19th century in a mill town in Yorkshire Beth loses her mother in childbirth and is left caring for her father and two brothers but when discovering she is pregnant leaves home to live with an aunt. A tragic accident leaves her in the colourful world of the Romany Gypsies where she gives birth to her son, Joshua. She keeps his birth a secret but when many years later he is falsely accused of murder by an evil man who is obsessed with Beth and wishes revenge on her she must choose where her destiny lies and secrets must be told if she is save him from the hangman's noose. But Beth is not the only one who has secrets.
In this game-changing revisionist history, a leading scholar of the Renaissance shows how four powerful women redefined the culture of European monarchy in the glorious sixteenth century. The sixteenth century in Europe was a time of chronic destabilization in which institutions of traditional authority were challenged and religious wars seemed unending. Yet it also witnessed the remarkable flowering of a pacifist culture, cultivated by a cohort of extraordinary women rulers—most notably, Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de’ Medici—whose lives were intertwined not only by blood and marriage, but by a shared recognition that their premier places in the world of just a few dozen European monarchs required them to bond together, as women, against the forces seeking to destroy them, if not the foundations of monarchy itself. Recasting the complex relationships among these four queens, Maureen Quilligan, a leading scholar of the Renaissance, rewrites centuries of historical analysis that sought to depict their governments as riven by personal jealousies and petty revenges. Instead, When Women Ruled the World shows how these regents carefully engendered a culture of mutual respect, focusing on the gift-giving by which they aimed to ensure ties of friendship and alliance. As Quilligan demonstrates, gifts were no mere signals of affection, but inalienable possessions, often handed down through generations, that served as agents in the creation of a steep social hierarchy that allowed women to assume political authority beyond the confines of their gender. “With brilliant panache” (Amanda Foreman), Quilligan reveals how eleven-year-old Elizabeth I’s gift of a handmade book to her stepmother, Katherine Parr, helped facilitate peace within the tumultuous Tudor dynasty, and how Catherine de’ Medici’s gift of the Valois tapestries to her granddaughter, the soon-to-be Grand Duchess of Tuscany, both solidified and enhanced the Medici family’s prestige. Quilligan even uncovers a book of poetry given to Elizabeth I by Catherine de’ Medici as a warning against the concerted attack launched by her closest counselor, William Cecil, on the divine right of kings—an attack that ultimately resulted in the execution of her sister, Mary, Queen of Scots. Beyond gifts, When Women Ruled the World delves into the connections the regents created among themselves, connections that historians have long considered beneath notice. “Like fellow soldiers in a sororal troop,” Quilligan writes, these women protected and aided each other. Aware of the leveling patriarchal power of the Reformation, they consolidated forces, governing as “sisters” within a royal family that exercised power by virtue of inherited right—the very right that Protestantism rejected as a basis for rule. Vibrantly chronicling the artistic creativity and political ingenuity that flourished in the pockets of peace created by these four queens, Quilligan’s lavishly illustrated work offers a new perspective on the glorious sixteenth century and, crucially, the women who helped create it.
Maureen Waller has written a fascinating narrative history---a brilliant combination of drama and biographical insight on the British monarchy---of the six women who have ruled England in their own names. In the last millennium there have been only six English female sovereigns: Mary I and Elizabeth I, Mary II and Anne, Victoria and Elizabeth II. With the exception of Mary I, they are among England's most successful monarchs. Without Mary II and Anne, the Glorious Revolution of 1688 might not have taken place. Elizabeth I and Victoria each gave their name to an age, presiding over long periods when Britain made significant progress in the growth of empire, prestige, and power. All of them have far-reaching legacies. Each faced personal sacrifices and emotional dilemmas in her pursuit of political power. How to overcome the problem of being a female ruler when the sex was considered inferior? Does a queen take a husband and, if so, how does she reconcile the reversal of the natural order, according to which the man should be the master? A queen's first royal duty is to provide an heir to the throne, but at what cost? In this richly compelling narrative of royalty, Maureen Waller delves into the intimate lives of England's queens regnant in delicious detail, assessing their achievements from a female perspective.
“Even the most useful reference guides are not always, well, shall we say, riveting. A refreshing exception is the new Broadview Guide to Writing, which is smart, helpful, and even fun to read.” —Gerald Graff and Cathy Birkenstein, authors of They Say / I Say: The Moves That Matter in Academic Writing Key Features —A coil-bound reference text suitable for a range of introductory composition and writing courses —Divided into three sections: Writing Processes (including Research, Argumentation, and Style) Writing Mechanics (Grammar, Usage, and Punctuation) Writing Contexts (Writing in different academic disciplines, Forms and conventions, and citation) —Comprehensive treatment of citation style guides, with 2016 MLA style updates —Expanded treatment of research methods, argument structures, and writing in the workplace —A unique section on “How to Be Good With Words”—issues of gender, race, class, religion, sexual orientation, disability, etc. —Expanded coverage for those whose native language is not English —All-new chapter on reading images —Extensive companion website featuring interactive exercises Increasingly, writing handbooks are seen as over-produced and overpriced. One stands out: The Broadview Guide to Writing is published in an elegant but simple format, and sells for roughly half the price of its fancier-looking competitors. That does not change with the new edition; what does change and stay up-to-date is the content of the book. The sixth edition brings a substantial re-organization of the contents under three headings: Writing Processes, Writing Mechanics, and Writing Contexts. Coverage of APA, Chicago, and CSE styles of documentation has been substantially expanded, and the MLA section has now been fully revised to take into account all the 2016 changes. Also expanded is coverage of academic argument; of writing and critical thinking; of writing about literature, of paragraphing; of how to integrate quoted material into one’s own work; of balance and parallelism; and of issues of gender, race, religion etc. in writing. The chapter “Seeing and Meaning: Reading (and Writing About) Visual Images” is entirely new to the sixth edition.
Increasingly, writing handbooks are seen as over-produced and overpriced. One stands out: The Broadview Guide to Writing is published in an elegant but simple format, and sells for roughly half the price of its fancier-looking competitors. That does not change with the new edition; what does change and stay up-to-date is the book’s contents. For the sixth edition the coverage of APA, Chicago, and CSE styles of documentation has been substantially expanded; the MLA section has now been fully revised to take into account all the 2016 changes. Also expanded is coverage of academic argument; of writing and critical thinking; of writing about literature, of paragraphing; of how to integrate quoted material into one’s own work; of balance and parallelism; and of issues of gender, race, religion etc. in writing. The chapter “Seeing and Meaning: Reading (and Writing About) Visual Images” is entirely new to the sixth edition.
Increasingly, writing handbooks are seen as over-produced and overpriced. One stands out: The Broadview Guide to Writing is published in an elegant but simple format, and sells for roughly half the price of its fancier-looking competitors. For the sixth edition the coverage of MLA, APA, Chicago, and CSE styles of documentation has been substantially expanded as well as updated. Also expanded is coverage of academic argument; of writing and critical thinking; of writing about literature, of paragraphing; of how to integrate quoted material into one’s own work; of balance and parallelism; and of issues of gender, race, religion etc. in writing. The chapter “Seeing and Meaning: Reading (and Writing About) Visual Images” is entirely new. The online materials—including the selection of interactive exercises—have also been revised considerably.
For the seventh edition, The Broadview Guide to Writing has been reorganized into three broad sections (writing processes, writing mechanics, and writing contexts). The material on argument has been expanded and revised; two new sample essays in MLA style have been added; and the material on researching and writing academic essays has been fully rewritten. Coverage of informal and personal writing is included for the first time. Features • Extensive treatment of research methods, and of argument • In-depth coverage of MLA and other citation styles • Wide-ranging treatment of writing styles in different academic disciplines • Focused coverage of issues specific to those whose native language is not English • A full chapter on language issues relating to gender, race, class, religion, sexual orientation, disability, etc. • Companion website featuring a wide range of interactive exercises
Praise for "Ungrateful Daughters "Maureen Waller frames an absorbing narrative of the Glorious Revolution." - "The New York Times Book Review "This is a family drama reported with a keen ear for delicious, gossipy detail and a satisfying willingness to take sides." - "The Washington Times "A highly readable, thoroughly researched family saga that shows vividly how the personal and the political interacted to produce one of the seminal events in British history." - "Publishers Weekly "Colorful period details and vivid portraits of legendary figures like the great Duke of Marlborough: lively, instructive history." - "Kirkus Reviews "Waller's fluent narrative is solidly grounded." - "Library Journal "This is a wonderful biography that British historical buffs will enjoy and learn from." - "Midwest Book Review
Memoirs, autobiographies, and diaries represent the most personal and most intimate of genres, as well as one of the most abundant and popular. Gain new understanding and better serve your readers with this detailed genre guide to nearly 700 titles that also includes notes on more than 2,800 read-alike and other related titles. The popularity of this body of literature has grown in recent years, and it has also diversified in terms of the types of stories being told—and persons telling them. In the past, readers' advisors have depended on access by names or Dewey classifications and subjects to help readers find autobiographies they will enjoy. This guide offers an alternative, organizing the literature according to popular genres, subgenres, and themes that reflect common reading interests. Describing titles that range from travel and adventure classics and celebrity autobiographies to foodie memoirs and environmental reads, Life Stories: A Guide to Reading Interests in Memoirs, Autobiographies, and Diaries presents a unique overview of the genre that specifically addresses the needs of readers' advisors and others who work with readers in finding books.
Can't get enough spooks, spirits, and specters? Now you'll never have to go a day without your ghoulish fix. This ghastly collection features some of the scariest stories of murder, revenge, and suicide ever told—and the spirits that haunt their resting place for all time. As a truly unique convention, each story directly relates to the specific day on which it's found. You'll find shocking stories of: Sightings of the spectral SS Valencia that was lost at sea on January 22nd, 1906 The "Thirteen Lost Souls" trapped in the burning Jolema Building in Brazil on February 1st, 1974 seen roaming the new corridors and offices The ghostly "mist of the Green Lady" in the oldest graveyard in Burlington, Connecticut, which she started haunting on April 12, 1800 Not for the faint of heart, this book delivers tales to terrify you every day of the year!
The story of the English marriage is unique and eccentric. Long after the rest of Europe and neighbouring Scotland had reformed their marriage laws, England clung to the chaotic and contradictory laws of the medieval Church, making it all too easy to enter into a marriage but virtually impossible to end an unhappy one. If England was a 'paradise for wives' it could only have been through the feistiness of the women. Married women were placed in the same legal category as lunatics. While Englishmen prided themselves on their devotion to liberty, their wives were no freer than slaves. It was a husband's jealously guarded right to beat his wife, as long as the stick was no bigger than his thumb. Only after 1882 could a married woman even retain her own property. But then marriage was all about property in a society which was both mercenary and violent, where a girl was virtually sold into marriage and a price was put on a wife's chastity. With a cast of hundreds, from loyal and devoted wives in troubled times to those who featured in notorious trials for adultery, from abusive husbands whose excesses were only gradually curbed by the law to the modern phenomenon of the toxic wife, acclaimed historian Maureen Waller draws on intimate letters, diaries, court documents and advice books to trace the evolution of the English marriage. It is social history at its most revealing, astonishing and entertaining.
When Suzanna Dirkston, daughter of wealthy shipping tycoon Leopald Dirkston, learns that her father is dead, she knows it was not an accident. Forced to return to the family estate, Beacon, Suzanna is quick to sense the air of mystery and intrigue that hangs over the house and its inhabitants. Her shock grows when she learns that her father--true to form--is still trying to manipulate her life even from the grave. His will stipulates that she must marry Grant Fenton, a man Leo rescued as a child from poverty and groomed to replace him at Dirkston Shipping. If she does not accede to the conditions of the will, she and her extended family will be left penniless.
Most people are familiar with that old English idiom, A picture paints a thousand words. I would more than heartily venture to say, in describing Maureens poetical work, that each one of her poems paints a thousand pictures! A unique take on the world at large with customary, whimsical eye for comic detail, the book portrays the humorous side of human nature in an amusing and sometimes endearing way that, for me, certainly captures a quintessential raw essence in wonderful concoctions of rhyming word descriptions. All of them, of course, having her characteristic twist-in-the-tale, delicious irony that has become a trademark that is so prevalent in all her poems. Heres an opportunity for you to discover and savor a real feast of fun.
One of the most problematic areas in the teaching and development of literacy appears to concern children's interactions with non-fiction books. Many surveys and reports have commented on the tendency for children to do little more than copy out sections of non-fiction texts. The Exeter Extending Literacy (EXEL) project was set up with the aim of exploring ways in which non-fiction might be used more effectively and profitably than this. In this book David Wray and Maureen Lewis outline the thinking behind the project and describe in detail the many useful teaching strategies and approaches which were developed in collaboration with primary teachers across the country. Teachers of children from five to fourteen will find this book both a stimulating account of a very influential development project and a useful source of practical teaching ideas.
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