Unimpressed with the few packaged tours that she experienced, the author launched upon the research of worldwide independent travel that would ultimately lead to the publication of How to Go Almost Anywhere for Nothing and to a new career as a writer on travel, consumer and women’s issues. She has traveled extensively in Asia, Europe, North Africa and America. --from the Introduction I began a quest for information on REALLY cheap travel. I researched an extraordinary amount of published material and then embarked upon many years of travel and research in the United States and abroad. I have now traveled extensively and at very little expense in Asia, North America, Europe and a bit in Africa. The scope of this particular volume will necessarily focus on areas with which I have the greatest familiarity. Southeast Asia remains a favorite because of the low ground costs, and the most detailed information will cover Asian ports of call such as Hong Kong, Malaysia, Thailand and Singapore, with some reference to specific destinations within Europe and the United States. My latest major trip was to Morocco, and that country is covered in this edition. In the United States, the largest port of entry cities will get the most attention, not only because three of my favorite cities fall into this category, but for the benefit of visitors from other lands. The principles outlined herein should pertain to travel almost everywhere and you will be able to apply them with just a little bit of courage and imagination.
Describing the Irish as 'female' and 'bestial' is a practice dating back to the twelfth century, while for women, inside and outside of Ireland, their association with children, animals and other 'savages' has had a long history. A link among systems of oppression has been asserted in recent decades by some feminists, but linking women's rights with animal advocacy can be controversial. This strategy responds to the fact that women's inferiority has been alleged and justified by appropriating them to nature, an appropriation that colonialism has also practiced on its racial and cultural others. Nineteenth-century feminists braved such associations, for instance, often asserting vegetarianism as a form of rebellion against the dominant culture. Vegetarianism and animal advocacy have uniquely Irish implications. This study examines a tradition of Irish women writers deploying the 'natural' as a gesture of resistance to paternalist regulation of female energies and as a self-consciously elaborated stage for the performance of Irish identity. They call into question the violent dislocations and disavowals required by figurative practices, particularly when utilizing Irish topography, an already 'unnatural' cultural construct shaped by conflict and suffering.
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