Maud Gonne is part of Irish history: her founding of the Daughters of Ireland, in 1900, was the key that effectively opened the door of twentieth-century politics to Irish women. Still remembered in Ireland for the inspiring public speeches she made on behalf of the suffering—those evicted from their homes in western Ireland, the Treason-Felony prisoners on the Isle of Wright, indeed all those whom she saw as victims of imperialism—she is known, too, within and outside Ireland as the woman W. B. Yeats loved and celebrated in his poems.
This collection of letters between Maud Gonne (Irish activist, actress, and long-time love of W. B. Yeats) and John Quinn (Irish-American lawyer, art collector, and patron) deals with art, literature, Irish politics, and the horrific conflicts of the early twentieth century. Their letters are filled with details about the Irish fight for freedom, and how it affected Yeats, Pound, Joyce, and other friends; about Gonne's never-ending battle to establish a school feeding program for the starving children of Ireland; and about the alarming changes in the political and social world of their time.
This correspondence, which began when Gonne was 22 and Yeats was 23 and ended with his death, includes 373 of her letters but only 30 of his, since most of his were destroyed in the Irish Civil War. They are edited with complete notes identifying people and incidents likely to be unfamiliar to current readers. The introduction and connecting material provide biographical information and explain the circumstances in which the letters were written.
Maud Gonne is part of Irish history: her founding of the Daughters of Ireland, in 1900, was the key that effectively opened the door of twentieth-century politics to Irish women. Still remembered in Ireland for the inspiring public speeches she made on behalf of the suffering—those evicted from their homes in western Ireland, the Treason-Felony prisoners on the Isle of Wright, indeed all those whom she saw as victims of imperialism—she is known, too, within and outside Ireland as the woman W. B. Yeats loved and celebrated in his poems.
This collection of letters between Maud Gonne (Irish activist, actress, and long-time love of W. B. Yeats) and John Quinn (Irish-American lawyer, art collector, and patron) deals with art, literature, Irish politics, and the horrific conflicts of the early twentieth century. Their letters are filled with details about the Irish fight for freedom, and how it affected Yeats, Pound, Joyce, and other friends; about Gonne's never-ending battle to establish a school feeding program for the starving children of Ireland; and about the alarming changes in the political and social world of their time.
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