In a fusion of fact and fiction, nineteenth-century women institutionalized as hysterics reveal what history ignored “City of Incurable Women is a brilliant exploration of the type of female bodily and psychic pain once commonly diagnosed as hysteria—and the curiously hysterical response to it commonly exhibited by medical men. It is a novel of powerful originality, riveting historical interest, and haunting lyrical beauty.” —Sigrid Nunez, author of The Friend and What Are You Going Through “Where are the hysterics, those magnificent women of former times?” wrote Jacques Lacan. Long history’s ghosts, marginalized and dispossessed due to their gender and class, they are reimagined by Maud Casey as complex, flesh-and-blood people with stories to tell. These linked, evocative prose portraits, accompanied by period photographs and medical documents both authentic and invented, poignantly restore the humanity to the nineteenth-century female psychiatric patients confined in Paris’s Salpêtrière hospital and reduced to specimens for study by the celebrated neurologist Jean-Martin Charcot and his male colleagues.
Meet the Hennarts: Samantha Hennart, a poet with writer's block; her husband, Bernard, obsessed with the life of a nineteenth-century Belgian mystic with stigmata; their son, Ryan, a mediocre rock musician; and their eighteen-year-old daughter, Marguerite, who is quietly losing her mind. A meditation on family, faith, and mental illness, Genealogy is an operatic story of one family's unraveling and ultimate redemption.
In a trance-like state, Albert walks - from Bordeaux to Poitiers, from Chaumont to Macon, and farther afield to Turkey, Austria, Russia - all over Europe. When he walks, he is called a vagrant, a mad man. He is chased out of towns and villages, ridiculed and imprisoned. When the reverie of his walking ends, he's left wondering where he is, with no memory of how he got there. His past exists only in fleeting images. Loosely based on the case history of Albert Dadas, a psychiatric patient in the hospital of St. André in Bordeaux in the nineteenth century, The Man Who Walked Away imagines Albert's wanderings and the anguish that caused him to seek treatment with a doctor who would create a diagnosis for him, a narrative for his pain.
In this sparkling, daring new work, Maud Casey explores how we survive modem crises of loss and love through the lives of women and men who are emotional and geographic nomads. Each flirts with madness and self-destruction while compulsively, gently, or haphazardly reaching toward life. These simple gestures of optimism and vitality, each gorgeously rendered, make Drastic a captivating read. Meet the reckless college graduate working in a whole body donation clinic; a young woman obsessed with Benedictine monks; a middle-aged woman who becomes a stand-in talk-show guest to process her own grief; unlikely friends who meet in a domestic violence shelter; a young girl and the father who stole her away to escape his wife's disturbing mental illness. Absorbing and wide-ranging, Drastic is an unforgettable collection sure to be compared with the best of Ann Beattie, Lorrie Moore, and Mary Gaitskill.
The idea of mystery in fiction is a subject as elusive as 'a whispered invitation, a siren song, a flickering light in the distance.' Maud Casey reaches beyond the usual tool kit of fictional elements in pursuit of the ethereal and uncanny to ask: Where does mystery reside in a work of fiction? From Shirley Jackson to Paul Yoon, from spirit photography to the radical nature of empathy. Casey looks at how mystery is created and, in space of uncertainty and unknowing, searches for questions rather than answers"--Provided by publisher.
Isabelle, a woman in her thirties without any of the trappings of a grown-up life, has just been fired from her job at a San Francisco phone company. Returning to the midwestern suburb of her childhood, Standardsville, Illinois, she contends with her dating single mother, a neighbor who once appeared on The Honeymooners, and an ex-boyfriend. She also becomes a mystery shopper for a temp agency, posing as a variety of potential tenants for newly built suburban communities to access their exclusive services. Enchanted by the possiblities of disguise, Isabelle spins a web of lies that keeps the world at a distance until she unearths long-kept secrets that force her to rethink everything she thought she knew.
In a trance-like state, Albert walks-from Bordeaux to Poitiers, from Chaumont to Macon, and farther afield to Turkey, Austria, Russia-all over Europe. When he walks, he is called a vagrant, a mad man. He is chased out of towns and villages, ridiculed and imprisoned. When the reverie of his walking ends, he's left wondering where he is, with no memory of how he got there. His past exists only in fleeting images. Loosely based on the case history of Albert Dadas, a psychiatric patient in the hospital of St. André in Bordeaux in the nineteenth century, The Man Who Walked Away imagines Albert's wanderings and the anguish that caused him to seek treatment with a doctor who would create a diagnosis for him, a narrative for his pain. In a time when mental health diagnosis is still as much art as science, Maud Casey takes us back to its tentative beginnings and offers us an intimate relationship between one doctor and his patient as, together, they attempt to reassemble a lost life. Through Albert she gives us a portrait of a man untethered from place and time who, in spite of himself, kept setting out, again and again, in search of wonder and astonishment.
A sensitive and nuanced exploration of a seldom-discussed subject by an acclaimed novelist The fourteenth volume in the Art of series conjures an ethereal subject: the idea of mystery in fiction. Mystery is not often discussed—apart from the genre—because, as Maud Casey says, “It’s not easy to talk about something that is a whispered invitation, a siren song, a flickering light in the distance.” Casey, the author of several critically acclaimed novels, reaches beyond the usual tool kit of fictional elements to ask the question: Where does mystery reside in a work of fiction? She takes us into the Land of Un—a space of uncertainty and unknowing—to find out and looks at the variety of ways mystery is created through character, image, structure, and haunted texts, including the novels of Shirley Jackson, Paul Yoon, J. M. Coetzee, and more. Casey’s wide-ranging discussion encompasses spirit photography, the radical nature of empathy, and contradictory characters, as she searches for questions rather than answers. The Art of Mystery is a striking and vibrant addition to the much-loved Art of series.
This carefully crafted ebook: “The Complete Story Girl Series: The Story Girl + The Golden Road” contains 2 books in one volume and is formatted for your eReader with a functional and detailed table of contents. The Story Girl is a 1911 novel by L. M. Montgomery. It narrates the adventures of a group of young cousins and their friends who live in a rural community on Prince Edward Island, Canada. The book is narrated by Beverley, who together with his brother Felix, has come to live with his Aunt Janet and Uncle Alec King on their farm while their father travels for business. The sequel to the book is The Golden Road, written in 1913. When Sara Stanley, the Story Girl, returns to Carlisle to spend the winter with the King family, she comes up with a great idea. To help them through the dreary months ahead, she, Felicity, Cecily and Dan will publish a magazine. Lucy Maud Montgomery (1874 – 1942), was a Canadian author best known for a series of novels beginning with Anne of Green Gables. Montgomery went on to publish 20 novels as well as 530 short stories, 500 poems, and 30 essays.
Anne of Avonlea, Anne of the Island, Anne's House of Dreams, Rainbow Valley, The Golden Road, Kilmeny of the Orchard, The Watchman, Songs of the Sea & many more
Anne of Avonlea, Anne of the Island, Anne's House of Dreams, Rainbow Valley, The Golden Road, Kilmeny of the Orchard, The Watchman, Songs of the Sea & many more
This unique collection of L. M. Montgomery's most beloved children's books has been designed and formatted to the highest digital standards. Table of Contents: Anne of Green Gables Series Anne of Green Gables Anne of Avonlea Anne of the Island Anne's House of Dreams Rainbow Valley Rilla of Ingleside The Story Girl Series The Story Girl The Golden Road Short Stories Chronicles of Avonlea The Hurrying of Ludovic Old Lady Lloyd Each in His Own Tongue Little Joscelyn The Winning of Lucinda Old Man Shaw's Girl Aunt Olivia's Beau Quarantine at Alexander Abraham's Pa Sloane's Purchase The Courting of Prissy Strong The Miracle at Carmody The End of a Quarrel Further Chronicles of Avonlea Aunt Cynthia's Persian Cat The Materializing of Cecil Her Father's Daughter Jane's Baby The Dream-Child The Brother Who Failed The Return of Hester The Little Brown Book of Miss Emily Sara's Way The Son of his Mother The Education of Betty In Her Selfless Mood The Conscience Case of David Bell Only a Common Fellow Tannis of the Flats Uncollected Short Stories Other Novels Kilmeny of the Orchard Poetry Autobiography The Alpine Path: The Story of My Career Lucy Maud Montgomery (1874-1942) was a Canadian author best known for a series of novels with Anne of Green Gables, an orphaned girl, mistakenly sent to a couple, who had intended to adopt a boy. Anne novels made Montgomery famous in her lifetime and gave her an international following. The first novel was followed by a series of sequels with Anne as the central character. Montgomery went on to publish 20 novels as well as 530 short stories, 500 poems, and 30 essays.
In this sequel to author Lucy Maud Montgomery's beloved novel The Story Girl, Beverley picks up the narrative where it left off in the previous story and fills readers in on all that transpires when the original crew of cousins and friends begins to leave childhood behind in favor of grown-up pastimes and romances. A nostalgic look back at childhood in a long-past era, The Golden Road is a must-read for anyone who ever whiled away a summer trading tall tales with a tightly knit group of friends.
In a fusion of fact and fiction, nineteenth-century women institutionalized as hysterics reveal what history ignored “City of Incurable Women is a brilliant exploration of the type of female bodily and psychic pain once commonly diagnosed as hysteria—and the curiously hysterical response to it commonly exhibited by medical men. It is a novel of powerful originality, riveting historical interest, and haunting lyrical beauty.” —Sigrid Nunez, author of The Friend and What Are You Going Through “Where are the hysterics, those magnificent women of former times?” wrote Jacques Lacan. Long history’s ghosts, marginalized and dispossessed due to their gender and class, they are reimagined by Maud Casey as complex, flesh-and-blood people with stories to tell. These linked, evocative prose portraits, accompanied by period photographs and medical documents both authentic and invented, poignantly restore the humanity to the nineteenth-century female psychiatric patients confined in Paris’s Salpêtrière hospital and reduced to specimens for study by the celebrated neurologist Jean-Martin Charcot and his male colleagues.
The book rings with the names of early inhabitants and prominent citizens. For the genealogist there is the important and wholly fortuitous list of tithables of Pittsylvania County for the year 1767, which enumerates the names of nearly 1,000 landowners and property holders, amounting in sum to a rough census of the county in its infancy. Additional lists include the names, some with inclusive dates of service, of sheriffs, justices of the peace, members of the House of Delegates, 1776-1928, members of the Senate of Virginia, 1776-1928, clerks of the court, and judges.
“Extraordinary and wide-ranging . . . a literary feat that simultaneously builds and excavates identity.”—The New York Times Book Review (Editors’ Choice) Roxane Gay’s Audacious Book Club Pick • Finalist for the National Book Critics Circle’s John Leonard Prize • An acclaimed writer goes searching for the truth about her complicated Southern family—and finds that our obsession with ancestors opens up new ways of seeing ourselves—in this “brilliant mix of personal memoir and cultural observation” (The Boston Globe). ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, Time, Entertainment Weekly, The Washington Post, The Boston Globe, The Atlanta Journal-Constitution, Esquire, Garden & Gun Maud Newton’s ancestors have fascinated her since she was a girl. Her mother’s father was said to have married thirteen times. Her mother’s grandfather killed a man with a hay hook. Mental illness and religious fanaticism percolated Maud’s maternal lines back to an ancestor accused of being a witch in Puritan-era Massachusetts. Newton’s family inspired in her a desire to understand family patterns: what we are destined to replicate and what we can leave behind. She set out to research her genealogy—her grandfather’s marriages, the accused witch, her ancestors’ roles in slavery and other harms. Her journey took her into the realms of genetics, epigenetics, and debates over intergenerational trauma. She mulled over modernity’s dismissal of ancestors along with psychoanalytic and spiritual traditions that center them. Searching and inspiring, Ancestor Trouble is one writer’s attempt to use genealogy—a once-niche hobby that has grown into a multi-billion-dollar industry—to make peace with the secrets and contradictions of her family's past and face its reverberations in the present, and to argue for the transformational possibilities that reckoning with our ancestors offers all of us.
Maud (English, Simon Fraser U.) offers a narrative account of the life and work of poet Charles Olson, focusing on the poet's lifelong reading material as a basis for understanding his work. Drawing on an annotated listing of his library, as well as his childhood books and poetry by his contemporaries, he links the books to the poet's intellectual and poetic development at each stage of his career. Annotation copyright by Book News, Inc., Portland, OR
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