The Ceramic Narrative is an exploration of past and present ceramic iconography concerned with the depiction of narratives, or with images meant to be thought-provoking, beyond the merely decorative. The book is beautifully illustrated with an extensive variety of work from history and the present day, showing how many contemporary artists continue this tradition with modern interpretations. Examining ancient Greece, the ceramic imagery of the Maya culture, the ceramics of China, Persia, and Japan, European tin-glaze traditions, and the narrative imagery appearing on later European porcelains, Matthias Ostermann attempts wherever possible not only to present ceramic narratives in their cultural and historical contexts but also to refer to some of the older myths and sources that may have served as inspiration. Applied arts writer David Whiting contributes an essay on the development of ceramic narratives in the twentieth century, while illustrations present the work of more than 75 contemporary international ceramic artists who explore narrative in distinctive and different ways. These include the exploration of mythologies and existing stories; personal visions, private stories and memory; the human figure, relationships and identity; political and social commentary; and finally, the ceramic object itself, seen as message and metaphor. This book will serve as a beginning for further study of this fascinating and little-explored subject and as a celebration of the work of all ceramic artists whose passion is the ceramic narrative.
Masters: Earthenware reveals the tremendous imagination, innovation, and technical facility that today’s artists bring to the oldest ceramic medium. Curated by Matthias Ostermann, a celebrated ceramist in his own right, this stunning volume gives each featured artist a mini-retrospective of approximately eight pages that showcase 12–14 of his or her best works. Illuminating comments from the creators accompany the images, outlining their development and artistic philosophy.
Guides readers through some of the conceptual, material, and technical concerns that inform tin glazing. This book provides an examination of the problems that can occur in maiolica production, and suggests solutions. It also shows the work of more than fifty international ceramists.
Masters: Earthenware reveals the tremendous imagination, innovation, and technical facility that today’s artists bring to the oldest ceramic medium. Curated by Matthias Ostermann, a celebrated ceramist in his own right, this stunning volume gives each featured artist a mini-retrospective of approximately eight pages that showcase 12–14 of his or her best works. Illuminating comments from the creators accompany the images, outlining their development and artistic philosophy.
The Ceramic Narrative is an exploration of past and present ceramic iconography concerned with the depiction of narratives, or with images meant to be thought-provoking, beyond the merely decorative. The book is beautifully illustrated with an extensive variety of work from history and the present day, showing how many contemporary artists continue this tradition with modern interpretations. Examining ancient Greece, the ceramic imagery of the Maya culture, the ceramics of China, Persia, and Japan, European tin-glaze traditions, and the narrative imagery appearing on later European porcelains, Matthias Ostermann attempts wherever possible not only to present ceramic narratives in their cultural and historical contexts but also to refer to some of the older myths and sources that may have served as inspiration. Applied arts writer David Whiting contributes an essay on the development of ceramic narratives in the twentieth century, while illustrations present the work of more than 75 contemporary international ceramic artists who explore narrative in distinctive and different ways. These include the exploration of mythologies and existing stories; personal visions, private stories and memory; the human figure, relationships and identity; political and social commentary; and finally, the ceramic object itself, seen as message and metaphor. This book will serve as a beginning for further study of this fascinating and little-explored subject and as a celebration of the work of all ceramic artists whose passion is the ceramic narrative.
This monograph focuses on the numerical methods needed in the context of developing a reliable simulation tool to promote the use of renewable energy. One very promising source of energy is the heat stored in the Earth’s crust, which is harnessed by so-called geothermal facilities. Scientists from fields like geology, geo-engineering, geophysics and especially geomathematics are called upon to help make geothermics a reliable and safe energy production method. One of the challenges they face involves modeling the mechanical stresses at work in a reservoir. The aim of this thesis is to develop a numerical solution scheme by means of which the fluid pressure and rock stresses in a geothermal reservoir can be determined prior to well drilling and during production. For this purpose, the method should (i) include poroelastic effects, (ii) provide a means of including thermoelastic effects, (iii) be inexpensive in terms of memory and computational power, and (iv) be flexible with regard to the locations of data points. After introducing the basic equations and their relations to more familiar ones (the heat equation, Stokes equations, Cauchy-Navier equation), the “method of fundamental solutions” and its potential value concerning our task are discussed. Based on the properties of the fundamental solutions, theoretical results are established and numerical examples of stress field simulations are presented to assess the method’s performance. The first-ever 3D graphics calculated for these topics, which neither requiring meshing of the domain nor involving a time-stepping scheme, make this a pioneering volume.
For ensuring a software system's security, it is vital to keep up with changing security precautions, attacks, and mitigations. Although model-based development enables addressing security already at design-time, design models are often inconsistent with the implementation or among themselves. An additional burden are variants of software systems. To ensure security in this context, we present an approach based on continuous automated change propagation, allowing security experts to specify security requirements on the most suitable system representation. We automatically check all system representations against these requirements and provide security-preserving refactorings for preserving security compliance. For both, we show the application to variant-rich software systems. To support legacy systems, we allow to reverse-engineer variability-aware UML models and semi-automatically map existing design models to the implementation. Besides evaluations of the individual contributions, we demonstrate the approach in two open-source case studies, the iTrust electronics health records system and the Eclipse Secure Storage.
A completely revised edition, offering new design recipes for interactive programs and support for images as plain values, testing, event-driven programming, and even distributed programming. This introduction to programming places computer science at the core of a liberal arts education. Unlike other introductory books, it focuses on the program design process, presenting program design guidelines that show the reader how to analyze a problem statement, how to formulate concise goals, how to make up examples, how to develop an outline of the solution, how to finish the program, and how to test it. Because learning to design programs is about the study of principles and the acquisition of transferable skills, the text does not use an off-the-shelf industrial language but presents a tailor-made teaching language. For the same reason, it offers DrRacket, a programming environment for novices that supports playful, feedback-oriented learning. The environment grows with readers as they master the material in the book until it supports a full-fledged language for the whole spectrum of programming tasks. This second edition has been completely revised. While the book continues to teach a systematic approach to program design, the second edition introduces different design recipes for interactive programs with graphical interfaces and batch programs. It also enriches its design recipes for functions with numerous new hints. Finally, the teaching languages and their IDE now come with support for images as plain values, testing, event-driven programming, and even distributed programming.
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