Charming, melancholy, hip."—Publishers Weekly, starred review "Zapruder's innovative style is provocative in its unusual juxtapositions of line, image and enjambments. . . . Highly recommended."—Library Journal Matthew Zapruder's third book mixes humor and invention with love and loss, as when the breath of a lover is compared to "a field of titanium gravestones / growing warmer in the sun." The title poem is an elegy for the heroes and mentors in the poet's life—from David Foster Wallace to the poet's father. Zapruder's poems are direct and surprising, and throughout the book he wrestles with the desire to do well, to make art, and to face the vast events of the day. Look out scientists! Today the unemployment rate is 9.4 percent. I have no idea what that means. I tried to think about it harder for a while. Then tried standing in an actual stance of mystery and not knowing towards the world. Which is my job. As is staring at the back yard and for one second believing I am actually rising away from myself. Which is maybe what I have in common right now with you . . . Matthew Zapruder holds degrees from Amherst College, UC Berkeley, and the University of Massachusetts. He is the author of two previous books, including The Pajamaist, which won the William Carlos Williams Award and was honored by Library Journal with a "Best Poetry Book of the Year" listing. He lives in San Francisco and is an editor at Wave Books.
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.
The fourth collection from the celebrated American poet and editor, Matthew Zapruder. Matthew Zapruder’s poems begin in the faint inkling, in the bloom of thought, and then unfold into wide-reaching meditations on what it means to live in the contemporary moment, among plastic, statistics, and diet soda. Written in a direct, conversational style, the poems in Sun Bear display full-force why Zapruder is one of the most popular poets in America. From “I Drink Bronze Light”: Great American summer lakes right now I am flying above you through a rare cloudless transparent sky back to the city where it is always cold even in summer the round hole I press my face against shows only a blue expanse with white sails below speckled exactly the way the Aegean would have been three thousand years ago if one could have seen it from above maybe riding in the dark claw of a god who didn’t care. . . .
From one of contemporary poetry’s most playful and original minds, an enchanting and harrowing journey through the landscape of dreams and twenty-first century hopes and disillusions. “Your dreams have no hidden agenda to be wise they are made to be forgotten so something can be known” I Love Hearing Your Dreams is a book of reveries, of failed elegies, of “the last time that things were real” and the moments that come afterward. These are dream songs for an age of insomnia, where the poet is always awake “at that oddest hour / that does not end, / the crooked, unnumbered one” and the future seems to be “just the past in a suit / that will never be in style.” Yet dreams in Matthew Zapruder’s poems are also a place of possibility, of reality envisioned anew—sleep shows us not merely what the world is, but what it could be. From a poet celebrated for his “razor eye for the remnants and revenants of modern culture” (The New York Times), I Love Hearing Your Dreams is a startlingly beautiful and deeply vulnerable book where lives journey into a mystifying place and emerge transformed.
As seen in the The New York Times Book Review ""In characteristically short lines and pithy, slippery language like predictive text from a lucid dream, Zapruder’s fifth collection grapples with fatherhood as well as larger questions of influence and inheritance and obligation."" —The New York Times “[Zapruder] presents powerfully nuanced and vivid verse about the limitations of poetry to enact meaningful change in a world spiraling into callousness; yet despite poetry’s supposed constraints, Zapruder’s verse offers solace and an invaluable blueprint for empathy.” ―Publishers Weekly, starred review “Zapruder’s new book, Father’s Day, is firmly situated in its (and our) political moment, and is anchored by a compelling gravity and urgency.” ―The Washington Post The poems in Matthew Zapruder’s fifth collection ask, how can one be a good father, partner, and citizen in the early twenty-first century? Zapruder deftly improvises upon language and lyricism as he passionately engages with these questions during turbulent, uncertain times. Whether interrogating the personalities of the Supreme Court, watching a child grow off into a distance, or tweaking poetry critics and hipsters alike, Zapruder maintains a deeply generous sense of humor alongside a rich vein of love and moral urgency. The poems in Father’s Day harbor a radical belief in the power of wonder and awe to sustain the human project while guiding it forward.
Matthew Zapruder picks the poems for the 2022 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune). Since 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents a selection of the year’s most brilliant, striking, and innovative poems, with comments from the poets themselves lending insight into their work. For The Best American Poetry 2022 guest editor Matthew Zapruder, whose own poems are “for everyone, everywhere...democratic in [their] insights and feelings” (NPR), has selected the seventy-five new poems that represent American poetry today at its most dynamic. Chosen from print and online magazines, from the popular to the little-known, the selection is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series. The series and guest editors contribute valuable introductory essays that illuminate the current state of American poetry.
Edited by the National Book Award-winning poet Terrance Hayes, the foremost annual anthology of contemporary American poetry returns: “A ‘best’ anthology that really lives up to its title” (Chicago Tribune). The first book of poetry that Terrance Hayes ever bought was the 1990 edition of The Best American Poetry, edited by Jorie Graham. Hayes was then an undergrad at a small South Carolina college. He has since published four highly honored books of poetry, is a professor of poetry at the University of Pittsburgh, has appeared multiple times in the series, and is one of today’s most decorated poets. His brazen, restless poems capture the diversity of American culture with singular artistry, grappling with facile assumptions about identity and the complex repercussions of race history in this country. Always eagerly anticipated, the 2014 volume of The Best American Poetry begins with David Lehman’s “state-of-the-art” foreword followed by an inspired introduction from Terrance Hayes on his picks for the best American poems of the past year. Following the poems is the apparatus for which the series has won acclaim: notes from the poets about the writing of their poems.
The premier anthology of contemporary American poetry continues—guest edited this year by award-winning poet Edward Hirsch, a Chancellor of the Academy of American Poets and the president of The John Simon Guggenheim Memorial Foundation. The Best American Poetry series is “a vivid snapshot of what a distinguished poet finds exciting, fresh and memorable” (Robert Pinsky); a guiding light for the mood and shape of modern American poetry. Each year, this series presents essential American verse and the poets who create it. Truly the “best” American poetry has appeared in this venerable collection for over twenty-five years. A poet of decided brilliance since his 1981 debut collection, For the Sleepwalkers, Edward Hirsch curates a thoughtful selection of poetry for 2016 and an Introduction to be savored. Jumpha Lahiri said of Hirsch, “The trademarks of his poems are…to be intimate but restrained, to be tender without being sentimental, to witness life without flinching, and above all, to isolate and preserve those details of our existence so often overlooked, so easily forgotten, so essential to our souls.” Hirsch’s choices for this collection reflect the soul of poetry in America. As ever, series editor David Lehman opens this year’s edition with an insider’s guide and a thoughtful contemplation of poetry today.
Matthew Zapruder picks the poems for the 2022 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune). Since 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents a selection of the year’s most brilliant, striking, and innovative poems, with comments from the poets themselves lending insight into their work. For The Best American Poetry 2022 guest editor Matthew Zapruder, whose own poems are “for everyone, everywhere...democratic in [their] insights and feelings” (NPR), has selected the seventy-five new poems that represent American poetry today at its most dynamic. Chosen from print and online magazines, from the popular to the little-known, the selection is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series. The series and guest editors contribute valuable introductory essays that illuminate the current state of American poetry.
From one of contemporary poetry’s most playful and original minds, an enchanting and harrowing journey through the landscape of dreams and twenty-first century hopes and disillusions. “Your dreams have no hidden agenda to be wise they are made to be forgotten so something can be known” I Love Hearing Your Dreams is a book of reveries, of failed elegies, of “the last time that things were real” and the moments that come afterward. These are dream songs for an age of insomnia, where the poet is always awake “at that oddest hour / that does not end, / the crooked, unnumbered one” and the future seems to be “just the past in a suit / that will never be in style.” Yet dreams in Matthew Zapruder’s poems are also a place of possibility, of reality envisioned anew—sleep shows us not merely what the world is, but what it could be. From a poet celebrated for his “razor eye for the remnants and revenants of modern culture” (The New York Times), I Love Hearing Your Dreams is a startlingly beautiful and deeply vulnerable book where lives journey into a mystifying place and emerge transformed.
The fourth collection from the celebrated American poet and editor, Matthew Zapruder. Matthew Zapruder’s poems begin in the faint inkling, in the bloom of thought, and then unfold into wide-reaching meditations on what it means to live in the contemporary moment, among plastic, statistics, and diet soda. Written in a direct, conversational style, the poems in Sun Bear display full-force why Zapruder is one of the most popular poets in America. From “I Drink Bronze Light”: Great American summer lakes right now I am flying above you through a rare cloudless transparent sky back to the city where it is always cold even in summer the round hole I press my face against shows only a blue expanse with white sails below speckled exactly the way the Aegean would have been three thousand years ago if one could have seen it from above maybe riding in the dark claw of a god who didn’t care. . . .
As seen in the The New York Times Book Review ""In characteristically short lines and pithy, slippery language like predictive text from a lucid dream, Zapruder’s fifth collection grapples with fatherhood as well as larger questions of influence and inheritance and obligation."" —The New York Times “[Zapruder] presents powerfully nuanced and vivid verse about the limitations of poetry to enact meaningful change in a world spiraling into callousness; yet despite poetry’s supposed constraints, Zapruder’s verse offers solace and an invaluable blueprint for empathy.” ―Publishers Weekly, starred review “Zapruder’s new book, Father’s Day, is firmly situated in its (and our) political moment, and is anchored by a compelling gravity and urgency.” ―The Washington Post The poems in Matthew Zapruder’s fifth collection ask, how can one be a good father, partner, and citizen in the early twenty-first century? Zapruder deftly improvises upon language and lyricism as he passionately engages with these questions during turbulent, uncertain times. Whether interrogating the personalities of the Supreme Court, watching a child grow off into a distance, or tweaking poetry critics and hipsters alike, Zapruder maintains a deeply generous sense of humor alongside a rich vein of love and moral urgency. The poems in Father’s Day harbor a radical belief in the power of wonder and awe to sustain the human project while guiding it forward.
From renowned investigative author and Kennedy expert Matthew Smith comes the first book to offer a plausible conspiracy theory surrounding the family misfortunes. Based on direct witness testimony and packed with startling disclosures, this riveting expose: - Traces a far-reaching plot to prevent the Kennedys from attaining future presidential power- Sheds new light on whether Lee Harvey Oswald acted alone--and whether Sirhan Sirhan did the same when he killed Robert Kennedy- Links the JFK/RFK assassinations with Mary Jo Kopechne's drowning--the tragedy that destroyed Ted Kennedy's presidential aspirations- Offers first-time evidence that Kopechne's death was a deliberate ploy to keep Ted Kennedy out of the White House
Many Christians view the Bible as an instruction manual. While the Bible does provide instruction, it can also captivate, comfort, delight, shock, and inspire. In short, it elicits emotion--just like poetry. By learning to read and love poetry, says literature professor Matthew Mullins, readers can increase their understanding of the biblical text and learn to love God's Word more. Each chapter includes exercises and questions designed to help readers put the book's principles and practices into action.
The people of America were not satisfied that Lyndon B. Johnson’s presidential inquiry into the murder of President John F. Kennedy in 1963 had revealed the truth. This inspired a ‘people's investigation’, the nature and the scale of which were unequalled. It was the beginning of a quest to establish the truth which has so far taken 50 years and which still goes on. Who Killed Kennedy? is an exhaustive account of that quest, through the eyes of a historian who has been involved in it from the very beginning. It is a story of treachery, lies, deceit and murder. As the investigation has progressed over the years, the revelations have been breathtaking, the facts staggering and the real story so dramatic that fiction simply cannot equal it.
Do digital networks make a difference to the scope, scale and severity of social harm? Considering four distinct digital affordances for crime (access, concealment, evasion and incitement) this book asks whether they are simply new packaging for old problems, with no greater effect on society overall – or is cyberculture significantly escalating illegality? Matthew David gives fresh insights into online harms and behaviours in the fields of hate, obscenity, corruptions of citizenship and appropriation, offering a comprehensive and integrated approach for those both new and experienced in the field of cybercrime.
Charming, melancholy, hip."—Publishers Weekly, starred review "Zapruder's innovative style is provocative in its unusual juxtapositions of line, image and enjambments. . . . Highly recommended."—Library Journal Matthew Zapruder's third book mixes humor and invention with love and loss, as when the breath of a lover is compared to "a field of titanium gravestones / growing warmer in the sun." The title poem is an elegy for the heroes and mentors in the poet's life—from David Foster Wallace to the poet's father. Zapruder's poems are direct and surprising, and throughout the book he wrestles with the desire to do well, to make art, and to face the vast events of the day. Look out scientists! Today the unemployment rate is 9.4 percent. I have no idea what that means. I tried to think about it harder for a while. Then tried standing in an actual stance of mystery and not knowing towards the world. Which is my job. As is staring at the back yard and for one second believing I am actually rising away from myself. Which is maybe what I have in common right now with you . . . Matthew Zapruder holds degrees from Amherst College, UC Berkeley, and the University of Massachusetts. He is the author of two previous books, including The Pajamaist, which won the William Carlos Williams Award and was honored by Library Journal with a "Best Poetry Book of the Year" listing. He lives in San Francisco and is an editor at Wave Books.
1970. Six-year-old Carla Guzmán is orphaned during her country's violent revolution. She finds her mother's body with an Olympic silver medal sewn into her sweater. Carla soon finds protectors in Alicia Nuñez, a teenage communist soldier, and Felipe Sérigo, a general who passionately loves his Russian wife and yearns to be a father. Together, they struggle to rebuild their country while facing the dangers of the Cold War. Carla wants to be a gymnast like her mother, but must depend on a questionable Romanian coach. Alicia and Felipe are torn between following their ideology and ending their country's poverty. Friends become enemies, and enemies become friends and even lovers in a dangerous game of superpower brinkmanship. A discovery challenges Alicia's beliefs and pits Felipe against the father he rejected. It forces them to make a difficult choice that can save their struggling country -- or lead to World War III. Intrigue, heart-breaking betrayals, and love. They happen in a place called Doria.
During the 1990s, as New York was transformed from a crumbling city into a vibrant metropolis, the New York Mets were anything but vibrant. Beginning in 1999, the team waged a battle to recapture the hearts of New York baseball fans from their crosstown rivals, and they came closer to succeeding than anyone dared dream. At the same time, mayor Rudy Giuliani—architect of this new New York and those rivals’ biggest cheerleader—was engaged in his own battles to win a Senate seat and to save his sagging legacy as savior of the city. Yells For Ourselves chronicles the 1999 and 2000 seasons of the New York Mets, and explores how local and national politics were interwoven with the obsessions of a baseball-mad city. It paints a picture of this forgotten time in the history of baseball and New York, when new ballparks, rapid expansion, and “enhanced training methods” caused a home run explosion; when rising free agent salaries separated teams into the Haves and Have Nots; and when a politico’s answer to the question Mets or Yankees? could make global headlines. Above all, Yells For Ourselves captures what happened when an underdog struggled to find an identity in a city with no room left for lovable losers.
Top 10 First Novels of 2016--Booklist 2016 Great Group Reads Selection Contemplating suicide after nearly a decade at war, Levi sits down to write a note to his best friend Nick, explaining why things have to come to this inevitable end. Years earlier, Levi--a sergeant in the army--made a tragic choice that led his team into ambush, leaving three soldiers dead and two badly injured. During the attack, Levi risked death to save a badly burned and disfigured Nick. His actions won him the Silver Star for gallantry, but nothing could alleviate the guilt he carried after that fateful day. He may have saved Nick in Iraq, but when Levi returns home and spirals out of control, it is Nick's turn to play the savior, urging Levi to write. Levi begins to type as a way of bidding farewell, but what remains when he is finished is not a suicide note. It's a love song, a novel in which the beginning is the story's end, the story's end is the real beginning of Levi's life, and the future is as mutable as words on a page.
Includes new chapters with small, easy-to-understand words. Bestselling words! Fantasy football, fantasy baseball, fantasy basketball, even fantasy sumo wrestling: the world of fantasy sports is huge, and still growing. Today, more than 35 million people in the United States and Canada spend hours upon hours each week on their fantasy sports teams. And as the Senior Fantasy Sports Analyst for ESPN, Matthew Berry is on the front lines of what has grown from a niche subculture into a national pastime. In his New York Times-bestselling Fantasy Life, Berry celebrates every aspect of the fantasy sports world. Brilliant trash talk. Unbelievable trophies. Insane draft day locations. Shake-your-head-in-disbelief punishments. Ingenious attempts at cheating. And surprisingly uplifting stories that remind us why we play these games in the first place. Written with the same award-winning style that has made Berry one of the most popular columnists on ESPN.com, Fantasy Life is a book for both hard-core fantasy players and people who have never played before. Between tales of love and hate, birth and death, tattoos and furry animal costumes, the White House Situation Room and a 126-pound golden pelican, Matthew chronicles his journey from a fourteen-year-old fantasy player to the face of fantasy sports for the largest sports media company in the world. Fantasy will save your life. Fantasy will set you free. And fantasy life is most definitely better than real life. You’ll see.
An invaluable companion to both the UK and US hit series, analysing each episode (including the un-filmed pilot for Elementary), identifying trivia, offering criticism and considering Canonical fidelity.
Today's economic system, premised on the sale of physical goods, does not fit the information age in which we live. The capitalist order requires the maintenance of an artificial scarcity in goods that have the potential for near infinite and almost free replication. The sharing of informational goods through distributed global networks – digital libraries, file–sharing, live–streaming, free software, free–access publishing, the free–sharing of scientific knowledge, and open-source pharmaceuticals – not only challenges the dominance of a scarcity–based economic system, but also enables a more efficient, innovative, just and free culture. In a series of seven explorations of contemporary sharing, Matthew David shows that in each case sharing surpasses markets, private ownership and intellectual property rights in fostering motivation, creativity, innovation, production, distribution and reward. In transforming the idea of an information economy into an information society, sharing connects struggles against inequality and poverty in developed and developing countries. Challenging taken-for-granted justifications of the status quo, Sharing debunks the 'tragedy of the commons' and makes the case for digital network sharing as a viable mode of economic counterpower, prefiguring a post–capitalist society.
There has never been a more important time for those involved in criminal justice policy, operations and civil service to know their history. The Historical Dictionary of American Criminal Justice provides a comprehensive overview of the development of criminal justice in the United States. Criminal justice is a multidisciplinary endeavor, emerging across time and place through the fields of philosophy, law, biology, anthropology, and sociology. Developments occur quickly and regularly, the meanings of which are deeply embedded, not only in an historical context, but in complicated social, economic, and political circumstances as well. The field is particularly vulnerable to the exploitations of power being as closely aligned with the forces of social control as it is. The Historical Dictionary of American Criminal Justice contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1,200 cross-referenced entries on the most relevant concepts, cases, people, and terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about American criminal justice.
Written for every sports fan who follows the NFL, this account goes behind the scenes to peek into the private world of the players, coaches, and decision makers—all while eavesdropping on their personal conversations. From locker rooms to the sidelines and inside huddles, the book includes stories about Terry Bradshaw, Brett Favre, Dan Marino, Joe Namath, Don Shula, Lawrence Taylor, Johnny Unitas, and Bill Walsh, among others, allowing readers to relive the highlights and the celebrations.
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