This book offers the first comprehensive examination of Israeli policies and practice in both the civil and military cyber realms and insights into what other countries can learn from its experience. The book is designed for cyber theorists and practitioners, people interested in the Middle East, and general audiences. It explores how and why Israel has become a global cyber power, despite its small size, arguing that a combination of strategic and economic necessity, along with an innovative culture, has driven Israel's success. The Israeli cyber experience is studied in the lens of realist and constructivist international relations theories and analyzes many of the major quandaries facing cyber theorists and practitioners alike. The book focuses both on Israel's civil and military cyber strategies, including the organizational structures and policies it has put in place, national capacity building, including the unique contribution of the IDF and defense establishment to Israel's cyber ecosystem, and international cyber cooperation. It presents a comprehensive picture all significant cyber attacks conducted against Israel, including a comprehensive picture of Iran's cyber policies, institutions and capabilities. Particular attention is devoted to Israel's military cyber response, including the cyber attacks it has known to have conducted. Each chapter takes an in depth look at the major actions Israel has taken in a different dimension of the cyber realm, placing them in a broader context to help readers understand state behavior in the cyber realm generally. The book concludes with the first proposal for a comprehensive Israeli national cyber strategy"--
An untold Cold War story: how the CIA tried to infiltrate a radical group of U.S. military deserters, a tale that leads from a bizarre political cult to the heart of the Washington establishment Stockholm, 1968. A thousand American deserters and draft-resisters are arriving to escape the war in Vietnam. They’re young, they’re radical, and they want to start a revolution. Some of them even want to take the fight to America. The Swedes treat them like pop stars—but the CIA is determined to stop all that. It’s a job for the deep-cover men of Operation Chaos and their allies—agents who know how to infiltrate organizations and destroy them from inside. Within months, the GIs have turned their fire on one another. Then the interrogations begin—to discover who among them has been brainwashed, Manchurian Candidate-style, to assassinate their leaders. When Matthew Sweet began investigating this story, he thought the madness was over. He was wrong. Instead, he became the confidant of an eccentric and traumatized group of survivors—each with his own theory about the traitors in their midst. All Sweet has to do is find out the truth. And stay sane. Which may be difficult when one of his interviewees accuses him of being a CIA agent and another suspects that he’s part of a secret plot by the British royal family to start World War III. By that time, he’s deep in the labyrinth of truths and half-truths, wondering where reality ends and delusion begins.
“The book addresses chronologically the most striking reactions of the art world to the rise of military engagement in Vietnam then in Cambodia.” —Guillaume LeBot, Critique d’art The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials. “Accessible and informative.” —Art Libraries Society of North America
Discover the compelling story of the evolution of contemporary art, its state today, and where it’s headed, through a sample of ten artworks created by ten artists over a span of fifteen years. Written in an engaging, straightforward style by prominent art historian Matthew Israel, this book presents ten outstanding examples of contemporary art, each with significant historical or cultural relevance to contemporary art’s big picture. Drawn from the fields of photography, painting, performance, installation, video, film, and public art, the works featured here combine to create a bigger picture of the state of contemporary art today. From Andreas Gurskys large-scale color photograph “Rhine II” to Kara Walkers acclaimed installation in the Domino Sugar Factory in Brooklyn, each work is carefully explored within the larger perspective of its social and artistic milieu. Articulate and insightful, this book offers readers the ability to consider each work in-depth, while also providing an easily digestible foundation from which to study the often challenging but continually fascinating world of 21st-century art.
Iran's advanced nuclear program may be the world's most important emerging international security challenge. If not stopped, a nuclear-capable Iran will mean an even more crisis-prone Middle East, a potential nuclear-arms race in the region and around the world, and an increased risk of nuclear war against Israel and the United States, among many other imminent global threats. Matthew Kroenig, internationally recognized as one of the world's leading authorities on Iran's nuclear program, explains why we need to take immediate steps to a diplomatic and, if necessary, a military solution - now - before Iran makes any further nuclear advances. A Time to Attack provides an authoritative account of the history of Iran's nuclear program and the international community's attempts to stop it. Kroenig explains and assesses the options available to policymakers, and reflects on what the resolution of the Iranian nuclear challenge will mean for the future of international order. This dramatic call to action provides an insider's account of what is being said in Washington about what our next move must be as the crisis continues to develop.
An insider’s detailed chronicle of the inner workings of the contemporary art world. The world of contemporary art has become more globalized and transparent in the last few decades, yet it is still perceived as closed-off and obscure. In A Year in the Art World, Matthew Israel takes the reader on a cross-continental journey through a year in the field of art, lifting the veil on a culture that emerges as diverse, adventurous, nuanced, and meaningful. From Los Angeles and New York to Paris and Hong Kong, Israel encounters artists, curators, critics, gallerists, and institutions, uncovering the working lives of these art-world figures from the renowned to the unseen. Drawing on exclusive interviews and expertly researched content, Israel ventures into the inner workings of the art industry to ask: What is it that people in the art world actually do? What drives interest in working with art? How do artworks acquire value? And how has technology transformed today’s art world? Anchoring the narrative in the history, economics, and cultural dynamics of the field, this fascinating story reveals how “the art world” describes a realm that is both surprisingly vast and deeply interconnected.
From The Passion of the Christ to Life of Brian, and from The Ten Commandments to Last Temptation of Christ, filmmakers have been adapting the stories of the Bible for over 120 years, from first time the Höritz Passion Play was filmed in the Czech Republic back in 1897. Ever since, these stories have inspired musicals, comedies, sci-fi, surrealist visions and the avant garde not to mention spawning their own genre, the biblical epic. Filmmakers across six continents and from all kinds of religious perspectives (or none at all), have adapted the greatest stories ever told, delighting some and infuriating others. 100 Bible Films is the indispensible guide to this wide and varied output, providing an authoritative but accessible history of biblical adaptations through one hundred of the most interesting and significant biblical films. Richly illustrated with film stills, this book depicts how such films have undertaken a complex negotiation between art, commerce, entertainment and religion. Matthew Page traces the screen history of the biblical stories from the very earliest silent passion plays, via the golden ages of the biblical epic, through to more innovative and controversial later films as well as covering significant TV adaptations. He discusses films made not only by some of our greatest filmmakers, artists such as Martin Scorsese, Jean Luc Godard, Alice Guy, Roberto Rossellini, Pier Paolo Pasolini, Lotte Reiniger, Carl Dreyer and Luis Buñuel, but also those looking to explore their faith or share it with lovers of cinema the world over.
Schacter, Gilbert, Wegner, and Nock’s Psychology, Third Edition is widely acclaimed for captivating students with contemporary psychology research on the major topics of the introductory course, while helping them develop critical thinking skills that will stay with them beyond the course term. Expert coverage of the DSM-5, quirky examples of thinking gone awry, scenarios based on common psychological misconceptions, and contributions from new co-author Matthew Nock highlight the new edition. And now, this breakthrough text is available in a version created just for Canadian students and teachers. It offers the same fascinating writing, helpful study tools, and keen eye for intriguing stories as Psychology, Third Edition, but with a wide range of Canadian examples and impactful work by Canadian researchers incorporated throughout. Welcome Canadian author, Ingrid Johnsrude Ingrid’s principal area of investigation is the neural basis of understanding speech, and she leads experiments examining how utterances are transformed into acoustic signals and then into meaning via a variety of cognitive processes. Her investigations span multiple levels—from understanding the brain structures involved in hearing and comprehension to observing the ways listeners deal with challenges such as background noise.
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