For hundreds of years, Maya artists and scholars used hieroglyphs to record their history and culture. In the nineteenth and twentieth centuries, archaeologists, photographers, and artists recorded the Maya carvings that remained, often by transporting box cameras and plaster casts through the jungle on muleback. The New Catalog of Maya Hieroglyphs, Volume I: The Classic Period Inscriptions is a guide to all the known hieroglyphic symbols of the Classic Maya script. In the New Catalog Martha J. Macri and Matthew G. Looper have produced a valuable research tool based on the latest Mesoamerican scholarship. An essential resource for all students of Maya texts, the New Catalog is also accessible to nonspecialists with an interest in Mesoamerican cultures. Macri and Looper present the combined knowledge of the most reliable scholars in Maya epigraphy. They provide currently accepted syllabic and logographic values, a history of references to published discussions of each sign, and related lexical entries from dictionaries of Maya languages, all of which were compiled through the Maya Hieroglyphic Database Project. This first volume of the New Catalog focuses on texts from the Classic Period (approximately 150-900 C.E.), which have been found on carved stone monuments, stucco wall panels, wooden lintels, carved and painted pottery, murals, and small objects of jadeite, shell, bone, and wood. The forthcoming second volume will describe the hieroglyphs of the three surviving Maya codices that date from later periods.
Revolving around the creation, operation, and demise of a pistol factory, this book illustrates the struggles of the factory and thus of the Confederacy during the Civil War.
For over 60 years, scientists and engineers have been trying to crack a seemingly intractable problem: how to build practical devices that exploit nuclear fusion. Access to electricity has facilitated a standard of living that was previously unimaginable, but as the world’s population grows and developing nations increasingly reap the benefits of electrification, we face a serious global problem: burning fossil fuels currently produces about eighty percent of the world's energy, but it produces a greenhouse effect that traps outgoing infrared radiation and warms the planet, risking dire environmental consequences unless we reduce our fossil fuel consumption to near zero in the coming decades. Nuclear fusion, the energy-producing process in the sun and stars, could provide the answer: if it can be successfully harnessed here on Earth, it will produce electricity with near-zero CO2 byproduct by using the nuclei in water as its main fuel. The principles behind fusion are understood, but the technology is far from being fully realized, and governments, universities, and venture capitalists are pumping vast amounts of money into many ideas, some highly speculative, that could lead to functioning fusion reactors. This book puts all of these attempts together in one place, providing clear explanations for readers who are interested in new energy technologies, including those with no formal training in science or engineering. For each of the many approaches to fusion, the reader will learn who pioneered the approach, how the concept works in plain English, how experimental tests were engineered, the future prospects, and comparison with other approaches. From long-established fusion technologies to emerging and exotic methods, the reader will learn all about the idea that could eventually constitute the single greatest engineering advance in human history.
This book provides an account of the organisation, practices and history of the Daśanāmī-Saṃnyāsīs, one of the largest sects of sādhu-s (‘holy men’) in South Asia, founded, according to tradtion, by the legendary philosopher Śaṅkarācārya.
This pioneering study examines a pivotal period in the history of Europe and the Near East. Spanning the ancient and medieval worlds, it investigates the shared ideal of sacred kingship that emerged in the late Roman and Persian empires. Bridging the traditional divide between classical and Iranian history, this book brings to life the dazzling courts of two global powers that deeply affected the cultures of medieval Europe, Byzantium, Islam, South Asia, and China.
Innovative study of Taika Waititi, whose Maori and Jewish roots influence his distinctive New Zealand comedic style. Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi is the first book-length study of comic film director and media celebrity Taika Waititi. Author Matthew Bannister analyses Waititi's feature films and places his other works and performances—short films, TV series, advertisements, music videos, and media appearances—in the fabric of popular culture. The book's thesis is that Waititi's playful comic style draws on an ironic reading of NZ identity as Antipodean camp, a style which reflects NZ's historic status as colonial underdog. The first four chapters of Eye of the Taika explore Waititi's early life and career, the history of New Zealand and its film industry, the history of local comedy and its undervaluation in favor of more "serious" art, and ethnicity in New Zealand comedy. Bannister then focuses on Waititi's films, beginning with Eagle vs Shark (2007) and its place in "New Geek Cinema," despite being an outsider even in this realm. Bannister uses Boy (2010) to address the "comedian comedy," arguing that Waititi is a comedic entertainer before being a director. With What We Do in The Shadows(2014), Bannister explores Waititi's use of the vampire as the archetypal immigrant struggling to fit into mainstream society, under the guise of a mockumentary. Waititi's Hunt for the Wilderpeople(2016), Bannister argues, is a family-friendly, rural-based romp that plays on and ironizes aspects of Aotearoa/New Zealand identity. Thor: Ragnarok(2017) launched Waititi into the Hollywood realm, while introducing a Polynesian perspective on Western superhero ideology. Finally, Bannister addresses Jojo Rabbit (2019) as an "anti-hate satire" and questions its quality versus its topicality and timeliness in Hollywood. By viewing Waititi's career and filmography as a series of pranks, Bannister identifies Waititi's playful balance between dominant art worlds and emergent postcolonial innovations, New Zealand national identity and indigenous Aotearoan (and Jewish) roots, and masculinity and androgyny. Eye of the Taika is intended for film scholars and film lovers alike.
Puruá1£a: Personhood in Ancient India is a study of what ancient Indian traditions say about personhood. It describes a way of thinking that suggests that persons are deeply confluent with the world and indistinguishable from their environments. Dealing with classic works and addressing the fields of religion, politics, philosophy, medicine, and literature, this book brings ancient India into a new light, giving readers a novel perspective on what it means to be a person and what it means to be in the world.
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