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Winner of the Watson Davis and Helen Miles Davis Prize "Stanley is a storyteller par excellence."—The Washington Post The birth of a world-changing idea in the middle of a bloodbath Einstein’s War is a riveting exploration of both the beauty of scientific creativity and enduring horrors of human nature. These two great forces battle in a story that culminates with a victory now a century old, the mind bending theory of general relativity. Few recognize how the Great War, the industrialized slaughter that bled Europe from 1914 to 1918, shaped Einstein’s life and work. While Einstein never held a rifle, he formulated general relativity blockaded in Berlin, literally starving. He lost 50 pounds in three months, unable to communicate with his most important colleagues. Some of those colleagues fought against rabid nationalism; others were busy inventing chemical warfare—being a scientist trapped you in the power plays of empire. Meanwhile, Einstein struggled to craft relativity and persuade the world that it was correct. This was, after all, the first complete revision of our conception of the universe since Isaac Newton, and its victory was far from sure. Scientists seeking to confirm Einstein’s ideas were arrested as spies. Technical journals were banned as enemy propaganda. Colleagues died in the trenches. Einstein was separated from his most crucial ally by barbed wire and U-boats. This ally was the Quaker astronomer and Cambridge don A.S. Eddington who would go on to convince the world of the truth of relativity and the greatness of Einstein. In May of 1919, when Europe was still in chaos from the war, Eddington led a globe-spanning expedition to catch a fleeting solar eclipse for a rare opportunity to confirm Einstein’s bold prediction that light has weight. It was the result of this expedition—the proof of relativity, as many saw it—that put Einstein on front pages around the world. Matthew Stanley’s epic tale is a celebration of how bigotry and nationalism can be defeated, and of what science can offer when they are.
During the Victorian period science shifted from being practiced in a theistic context (integrating religious considerations and ideas) to a naturalistic context (explicitly forbidding religious matters). This book examines the foundations of that change. While it is generally thought that the transformation was due to the methodological superiority of naturalistic science, Matthew Stanley shows that most of the methodological values underlying scientific practice were virtually identical between the theists and the naturalists. Each agreed on the importance of the uniformity of natural laws, the use of hypothesis and theory, the moral value of science, and intellectual freedom. This was despite the claims by both groups that those fundamentals were intrinsic to their worldview, and completely incompatible with that of their opponents. Stanley goes on to argue that the victory of the scientific naturalists came from deliberate strategies executed over a generation to gain control of the institutions of scientific education and to re-imagine the history of their discipline. Rather than a sudden revolution, the similarity between theistic and naturalistic science allowed for a relatively smooth transition in practice from the old guard to the new. "Huxley's Church and Maxwell's Demon" explores this shift through a parallel study of two major scientific figures: James Clerk Maxwell, a devout Christian physicist, and Thomas Henry Huxley, the iconoclast biologist who coined the word agnostic. Both were deeply engaged in the methodological, institutional, and political issues that were crucial to the theistic-naturalistic transformation. The author s astute examination of the ascendance of scientific naturalism sheds new light on the controversies over science and religion in modern America.
Lost World, is a political thriller with a twist: the protagonist is a strong, female pacifist. Tessa Thurston is enjoying a pre-wedding vacation with her fiancé Corbin Carswell at a five-star resort, when a series of simultaneous terrorist attacks occur across the US. Tessa is touring the underground bunker of The Lost Springs Resort, when the bunker—a supposedly decommissioned safe site utilized by the Vice President in the event of war—locks down, trapping Tessa with a few of her friends and handsome tour guide Sam Houston. Tessa and Sam soon discover that there is a second, secret part of the bunker where a covert militia has been training for a political takeover opportunity, such as these terrorist attacks. Tessa must fight for what she believes in when she learns that her beloved Corbin isn't just a wealthy banker, but a key figure in an international plan to strip the US of her power and create a New World Order.
Enlisting memory in a new fight for freedom From the Gilded Age through the Progressive era, labor movements reinterpreted Abraham Lincoln as a liberator of working people while workers equated activism with their own service fighting for freedom during the war. Matthew E. Stanley explores the wide-ranging meanings and diverse imagery used by Civil War veterans within the sprawling radical politics of the time. As he shows, a rich world of rituals, songs, speeches, and newspapers emerged among the many strains of working class cultural politics within the labor movement. Yet tensions arose even among allies. Some people rooted Civil War commemoration in nationalism and reform, and in time, these conservative currents marginalized radical workers who tied their remembering to revolution, internationalism, and socialism. An original consideration of meaning and memory, Grand Army of Labor reveals the complex ways workers drew on themes of emancipation and equality in the long battle for workers’ rights.
A free region deeply influenced by southern mores, the Lower Middle West represented a true cultural and political median in Civil War–era America. Here grew a Unionism steeped in the mythology of the Loyal West--a myth rooted in regional and racial animosities and the belief that westerners had won the war. Matthew E. Stanley's intimate study explores the Civil War, Reconstruction, and sectional reunion in this bellwether region. Using the lives of area soldiers and officers as a lens, Stanley reveals a place and a strain of collective memory that was anti-rebel, anti-eastern, and anti-black in its attitudes--one that came to be at the forefront of the northern retreat from Reconstruction and toward white reunion. The Lower Middle West's embrace of black exclusion laws, origination of the Copperhead movement, backlash against liberalizing war measures, and rejection of Reconstruction were all pivotal to broader American politics. And the region's legacies of white supremacy--from racialized labor violence to sundown towns to lynching--found malignant expression nationwide, intersecting with how Loyal Westerners remembered the war. A daring challenge to traditional narratives of section and commemoration, The Loyal West taps into a powerful and fascinating wellspring of Civil War identity and memory.
James Clark seemingly has everything that a man could ever want. His advertising agency is bringing in lots of cash. He has a beautiful wife, two wonderful children, and a great home in Charleston, West Virginia. But James is also the sort of man who brings his sister-in-law into his bed, fl irts with other women and engages in unethical business practices. Even worse, he doesn't see anything wrong with his behavior. Sarah Jane urges her husband to go to marriage counseling with Pastor Douglas, but he refuses, knowing that she will never leave him. The pastor, however, ends up affecting the couple's relationship in ways they never would have imagined. As Sarah Jane works on her marriage, her husband focuses on work, fi lming a commercial for a coal company. Soon, he's not just fi ghting with his wife but also a conservancy group that is against everything that James and his clients represent. James can't believe it, but everything begins slipping away. To hold onto his life, he must do all that he can to redeem himself in Making Love with God. But James is also the sort of man who brings his sister-in-law into his bed, flirts with other women and engages in unethical business practices. Even worse, he doesn't see anything wrong with his behavior.Sarah Jane urges her husband to go to marriage counseling with Pastor Douglas, but he refuses, knowing that she will never leave him. The pastor, however, ends up affecting the couple's relationship in ways they never would have imagined.As Sarah Jane works on her marriage, her husband focuses on work, filming a commercial for a coal company. Soon, he's not just fighting with his wife but also a conservancy group that is against everything that James and his clients represent.James can't believe it, but everything begins slipping away. To hold onto his life, he must do all that he can to redeem himself in Making Love with God.
In this short book, I examine and explain how belief in the Illuminati conspiracy theory is becoming a new religion in America, supplanting old traditions.
This volume examines and outlines a Systemic Functional Linguistic (SFL) model of discourse analysis and its relationship to New Testament Greek. The book reflects upon how SFL has grown as a field since it was first introduced to New Testament Greek studies by Stanley E. Porter in the 1980s. Porter and Matthew Brook O'Donnell first introduce basic concepts regarding discourse analysis and the major approaches towards it within New Testament studies. They then provide a detailed exploration of discourse analysis in terms of the textual metafunction, beginning with an introduction to the architecture of language within SFL, before exploring several individual elements within it. By focusing upon these individual components – in particular, theme and information structure, markedness and prominence, and coherence and cohesive harmony – Porter and O'Donnell introduce and exemplify the major resources of the textual metafunction.
Films possess virtually unlimited power for crafting broad interpretations of American history. Nineteenth-century America has proven especially conducive to Hollywood imaginations, producing indelible images like the plight of Davy Crockett and the defenders of the Alamo, Pickett’s doomed charge at Gettysburg, the proliferation and destruction of plantation slavery in the American South, Custer’s fateful decision to divide his forces at Little Big Horn, and the onset of immigration and industrialization that saw Old World lifestyles and customs dissolve amid rapidly changing environments. Balancing historical nuance with passion for cinematic narratives, Writing History with Lightning confronts how movies about nineteenth-century America influence the ways in which mass audiences remember, understand, and envision the nation’s past. In these twenty-six essays—divided by the editors into sections on topics like frontiers, slavery, the Civil War, the Lost Cause, and the West—notable historians engage with films and the historical events they ostensibly depict. Instead of just separating fact from fiction, the essays contemplate the extent to which movies generate and promulgate collective memories of American history. Along with new takes on familiar classics like Young Mr. Lincoln and They Died with Their Boots On, the volume covers several films released in recent years, including The Revenant, 12 Years a Slave, The Birth of a Nation, Free State of Jones, and The Hateful Eight. The authors address Hollywood epics like The Alamo and Amistad, arguing that these movies flatten the historical record to promote nationalist visions. The contributors also examine overlooked films like Hester Street and Daughters of the Dust, considering their portraits of marginalized communities as transformative perspectives on American culture. By surveying films about nineteenth-century America, Writing History with Lightning analyzes how movies create popular understandings of American history and why those interpretations change over time.
The book contributes to social psychology's Milgram paradigm and the sociology of morality by offering an original theory of the emergence of moral dilemmas in social interaction. Taking Milgram's notorious "obedience" experiments as a case study of morality in interaction, it argues that Milgram's "obedient" and "defiant" behavioural outcomes should be understood in terms of the tension between participants' moral obligations to the confederate Learner and their institutional obligations to the confederate Experimenter. Using the theoretical and methodological approach of ethnomethodological conversation analysis, the book analyses a large number of archived audio-recordings of Milgram's experiments to support this argument. It is organized in three parts: Part I (Chapters 1-2) introduces the project on Milgram and morality, situating it in relevant literatures and advancing an original theoretical framework for understanding the Milgram paradigm and the sociology of morality. Part II (Ch 3-5) focuses on the experiment itself, applying the theoretical framework to analyse morality in interaction. Part III (Ch 6-8) examines recordings of the post-experiment debriefing interviews that Milgram conducted with participants immediately after each session, addressing current debates relevant to the study of morality and Milgram and offering a new explanation - "doing ordinariness" - for obedient and defiant behaviour in Milgram's lab. Overall, in centring the constitutive orders of social interaction that made the experiment possible in the first place, as well as the participants' own reasons, justifications, and accounts for their actions, the book tells a new, empirically-grounded story about Milgram: one about justice - and injustice - in the making"--
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