In The Atlantic Realists, intellectual historian Matthew Specter offers a boldly revisionist interpretation of "realism," a prevalent stance in post-WWII US foreign policy and public discourse and the dominant international relations theory during the Cold War. Challenging the common view of realism as a set of universally binding truths about international affairs, Specter argues that its major features emerged from a century-long dialogue between American and German intellectuals beginning in the late nineteenth century. Specter uncovers an "Atlantic realist" tradition of reflection on the prerogatives of empire and the nature of power politics conditioned by fin de siècle imperial competition, two world wars, the Holocaust, and the Cold War. Focusing on key figures in the evolution of realist thought, including Carl Schmitt, Hans Morgenthau, and Wilhelm Grewe, this book traces the development of the realist worldview over a century, dismantling myths about the national interest, Realpolitik, and the "art" of statesmanship.
James Langley's life is over. After an automobile accident leaves him comatose, James' body lies vulnerable in a hospital bed. However, his mind is lost, drifting between life and death, into The Shade. Trapped in a world shrouded by the unknown, he meets Virgil, a mysterious stranger that informs him that his car wreck was no accident; that the man responsible has imprisoned them both, intent on keeping them there. Together they must race against time to get James back to his body in the real world before he becomes the next victim of a malevolent psychopath. Enter the world of The Shade, where the boundaries of the human psyche are pushed to their limits and survival is not guaranteed. A place where death isn't the end, but only the beginning.
Once again, Father Lawrence Ventline inspires us with his imaginative, creative writing. He finds such beautiful ways of describing the so-called ordinary...the "official dump." JoAnn Loria Spiritual Director and Pastoral Associate Sterling Heights, Michigan Green is frequently found in Scriptures, but seldom refers strictly to color. Green brings to mind the freshness and vigor of growing vegetation. It denotes a healthy and prosperous condition of things. One could hardly disagree with the author's challenge to live in the manner in which Christians of new birth and hope should conduct themselves in order to maintain the wellness of their families, community, country and world. Mr. and Mrs. Dewey Totty Transfiguration Parish Southfield, Michigan
A fascinating compendium featuring over 70 unusual animal species. What's in a name? This lively, illustrated celebration is jam-packed with creatures notable for their bizarre, baffling, and just-plain-funny names. Meet the White-Bellied Go-Away Bird, whose cry sounds like someone screaming, "Go away!" Or the Aye-Aye, whose name means "I don't know" in Malagasy because no one wants anything to do with this bad-luck creature. Some are obvious, if still weird––guess what the Fried Egg Jellyfish looks like. Others sound like an inside joke: It's easy to figure out what was on the taxonomist's mind when he christened a fly he discovered Pieza Pie. Along the way you'll learn all about these curiously named animals' just-as-curious habits, appearances, and abilities.
A deeply researched and poignant reflection on the practice of forgiveness in an unforgiving world In this sensitive and probing book, Matthew Ichihashi Potts explores the complex moral terrain of forgiveness, which he claims has too often served as a salve to the conscience of power rather than as an instrument of healing or justice. Though forgiveness is often linked with reconciliation or the abatement of anger, Potts resists these associations, asserting instead that forgiveness is simply the refusal of retaliatory violence through practices of penitence and grief. It is an act of mourning irrevocable wrong, of refusing the false promises of violent redemption, and of living in and with the losses we cannot recover. Drawing on novels by Kazuo Ishiguro, Marilynne Robinson, Louise Erdrich, and Toni Morrison, and on texts from the early Christian to the postmodern era, Potts diagnoses the real dangers of forgiveness yet insists upon its enduring promise. Sensitive to the twenty-first-century realities of economic inequality, colonial devastation, and racial strife, and considering the role of forgiveness in the New Testament, the Christian tradition, philosophy, and contemporary literature, this book heralds the arrival of a new and creative theological voice.
What is post-modern conservatism? How it has come to dominate the political landscape in many developed countries? Edited by Matt McManus, Professor of Politics and International Relations at the University of Tec de Monterrey, What Is Post-Modern Conservatism touches on how technological, economic, and social transformations of the post-modern epoch have brought about a political landscape where the irrational and traditionalist aspects of conservative thought have mutated into the hugely tremendous forms we see today. With contributory essays from Dylan De Jong, Erik Tate, Borna Radnik, David Hollands and Conrad Hamilton.
An untimely death leads to a second chance on the other side... Riley is at the ultimate low. After leaving pharmacy school with mountains of debt, he accepts a minimum wage job as a glorified shelf stocker in a small Virginia town. He can’t pay his student loans, rent, or afford much food. And his biggest setback: getting shot and killed during a standoff with police. But unlike most deaths, this one comes with a job offer and an opportunity to turn his life around. After two-thousand years working as the Angel of Death, Azrael is out of touch with humanity. He needs a replacement—and has his eye on Riley—who hesitantly agrees. The transition goes anything but smoothly; Azrael rushes through training then leaves without warning. Riley is uncertain about his new job responsibilities and mistakenly kills a demon—who retaliates on the mortals. Now lives are at stake, souls kidnapped...and fate lies within the hands of a rookie.
The spectres of history haunt Irish fiction. In this compelling study, Matthew Schultz maps these rhetorical hauntings across a wide range of postcolonial Irish novels, and defines the spectre as a non-present presence that simultaneously symbolises and analyses an overlapping of Irish myth and Irish history. By exploring this exchange between literary discourse and historical events, Haunted historiographies provides literary historians and cultural critics with a theory of the spectre that exposes the various complex ways in which novelists remember, represent and reinvent historical narrative. It juxtaposes canonical and non-canonical novels that complicate long-held assumptions about four definitive events in modern Irish history – the Great Famine, the Irish Revolution, the Second World War and the Northern Irish Troubles – to demonstrate how historiographical Irish fiction from James Joyce and Samuel Beckett to Roddy Doyle and Sebastian Barry is both a product of Ireland’s colonial history and also the rhetorical means by which a post-colonial culture has emerged.
A decade ago, the majority of liberal arts colleges, suffering from a decline in resources, drifted from their traditional missions. This study looks at three insitutions and suggests that a clear mission is more than a common goal.
Matthew Countryman traces the efforts of two generations of black Philadelphians to turn the City of Brotherly Love into a place of promise and opportunity for all. He explores the origins of civil rights liberalism, the failure to deliver on the promise of racial equality and the rise of the Black Power movement.
Allen's son is in danger. A rare form of epilepsy is damaging his brain and Allen's insurance is cutting him off. To cover the costs, Allen returns to being a high-tech mercenary. Not exactly ideal for a father who enjoys carbs far more than stomach crunches. After his first mission back, Allen soothes his wounds before getting a message from Eamon Tor, America's first trillionaire. Tor tells Allen about Eden Therapy. It treats terrible diseases but can also drive patients insane. Still, it's exciting news—especially with the offer of complete care for Allen's son as a reward. But Tor has a surprise. It's a choice that puts Allen's conscience, marriage, and abilities to the test, and sends his ragtag team on a dangerous operation halfway around the world.
Why do recent depictions of government secrecy and surveillance so often use images suggesting massive size and scale: gigantic warehouses, remote black sites, numberless security cameras? Drawing on post-War American art, film, television, and fiction, Matthew Potolsky argues that the aesthetic of the sublime provides a privileged window into the nature of modern intelligence, a way of describing the curiously open secret of covert operations. The book tracks the development of the national security sublime from the Cold War to the War on Terror, and places it in a long history of efforts by artists and writers to represent political secrecy.
Food Stamps, now known as the Supplemental Nutrition Assistance Program (SNAP), has endured and expanded in recent years. The program has been preserved and in some cases enhanced as a result of its inclusion in the Farm Bill, being characterized as a safety net of last resort and as a program for the deserving poor.
“Fascinating.” —Jill Lepore, The New Yorker A sweeping history of data and its technical, political, and ethical impact on our world. From facial recognition—capable of checking people into flights or identifying undocumented residents—to automated decision systems that inform who gets loans and who receives bail, each of us moves through a world determined by data-empowered algorithms. But these technologies didn’t just appear: they are part of a history that goes back centuries, from the census enshrined in the US Constitution to the birth of eugenics in Victorian Britain to the development of Google search. Expanding on the popular course they created at Columbia University, Chris Wiggins and Matthew L. Jones illuminate the ways in which data has long been used as a tool and a weapon in arguing for what is true, as well as a means of rearranging or defending power. They explore how data was created and curated, as well as how new mathematical and computational techniques developed to contend with that data serve to shape people, ideas, society, military operations, and economies. Although technology and mathematics are at its heart, the story of data ultimately concerns an unstable game among states, corporations, and people. How were new technical and scientific capabilities developed; who supported, advanced, or funded these capabilities or transitions; and how did they change who could do what, from what, and to whom? Wiggins and Jones focus on these questions as they trace data’s historical arc, and look to the future. By understanding the trajectory of data—where it has been and where it might yet go—Wiggins and Jones argue that we can understand how to bend it to ends that we collectively choose, with intentionality and purpose.
When Logan West, a former Marine officer, impulsively answers a dead man's ringing phone, he triggers a global race against the clock to track down an unknown organization searching for an Iraqi artifact that is central to a planned attack in the Middle East--one that will draw the United States into a major conflict with Iran. -- from jacket flap.
From cynical portrayals like The Front Page to the nuanced complexity of All the President’s Men, and The Insider, movies about journalists and journalism have been a go-to film genre since the medium's early days. Often depicted as disrespectful, hard-drinking, scandal-mongering misfits, journalists also receive Hollywood's frequent respect as an essential part of American life. Matthew C. Ehrlich tells the story of how Hollywood has treated American journalism. Ehrlich argues that films have relentlessly played off the image of the journalist as someone who sees through lies and hypocrisy, sticks up for the little guy, and serves democracy. He also delves into the genre's always-evolving myths and dualisms to analyze the tensions—hero and oppressor, objectivity and subjectivity, truth and falsehood—that allow journalism films to examine conflicts in society at large.
There emerged, during the latter half of the eighteenth century, a reflexive relationship between shifting codes of legal evidence in British courtrooms and the growing fascination throughout Europe with the "primitive" Scottish Highlands. New methods for determining evidential truth, linked with the growing prominence of lawyers and a formalized division of labor between witnesses and jurors, combined to devalue the authority of witness testimony, magnifying the rupture between experience and knowledge. Juries now pronounced verdicts based not upon the certainty of direct experience but rather upon abstractions of probability or reasonable likelihood. Yet even as these changes were occurring, the Scottish Highlands and Hebridean Islands were attracting increased attention as a region where witness experience in sublime and communal forms had managed to trump enlightened progress and the probabilistic, abstract, and mediated mentality on which the Enlightenment was predicated. There, in a remote corner of Britain, natives and tourists beheld things that surpassed enlightened understanding; experience was becoming all the more alluring to the extent that it signified something other than knowledge. Matthew Wickman examines this uncanny return of experiential authority at the very moment of its supposed decline and traces the alluring improbability of experience into our own time. Thematic in its focus and cross-disciplinary in its approach, The Ruins of Experience situates the literary next to the nonliterary, the old beside the new. Wickman looks to poems, novels, philosophical texts, travel narratives, contemporary theory, and evidential treatises and trial narratives to suggest an alternative historical view of the paradoxical tensions of the Enlightenment and Romantic eras.
Far from being solely an academic enterprise, the practice of theology can pique the interest of anyone who wonders about the meaning of life. This introduction to Christian theology – exploring its basic concepts, confessional content, and history – emphasizes the relevance of the key convictions of Christian faith to the challenges of today's world. Part I introduces the project of Christian theology and sketches the critical context that confronts Christian thought and practice today. Part II offers a survey of the key doctrinal themes of Christian theology, including revelation, the triune God, and the world as creation, identifying their biblical basis and the highlights of their historical development before giving a systematic evaluation of each theme. Part III provides an overview of Christian theology from the early church to the present. Thoroughly revised and updated, the second edition of An Introduction to Christian Theology includes a range of new visual and pedagogical features, including images, diagrams, tables, and more than eighty text boxes, which call attention to special emphases, observations, and applications to help deepen student engagement.
When famine emigrant Patrick Gallagher, secures passage aboard a transatlantic coffin ship from County Cork, Ireland, to the Grosse Île Quarantine Station, Canada, he finds himself prey to a very different sort of hunger. Meanwhile, Angèle Paris D'Arcantel, a Vodou priestess, flees slavery and impending Civil War in New Orleans. She rides the Underground Railroad north along the Mississippi River to an abandoned lighthouse forsaken in the remote Adirondack wilderness at the brink of a vast, cursed forest and the harrowing bluffs of Lake Champlain. We, The Wanted is a fully illustrated novel charting the unverified and unverifiable mythologies of seemingly disparate folklores: Irish, Haitian, and Native American, that converge beneath the beacon of the Split Rock Lighthouse as a way of exploring the contemporary phenomena of disenchantment. Shining a light upon the mysterious and tragic history of the American Northeast and across the tortured generations who weathered its storm, We, The Wanted is a gothic tale of grim isolation, the consequences of (dis)belief, and the monsters that continue to lurk beyond the pale of civilization hoping to lure us into their darkness.
In Cosmopolitan Belongingness and War, Matthew Leep develops a cosmopolitan account of war that blends sharp inquiry into interspecies politics with original poetry on animals, loss, and war. Informed by the works of Jacques Derrida, this book is not only a somber and sobering exploration of the loss of animal lives during the Iraq War—from the initial US invasion to later struggles with ISIS—but also an imaginative tracing of animal experiences in "spectral-poetic moments." By emphasizing elegies, poetic space, and multispecies belonging, Leep envisions the cosmopolitan text as a hybrid form of critical and poetic engagement with animal others. An insightful mix of cosmopolitan poetics, poetry, and analysis of the Iraq War in its multispecies entanglements, Cosmopolitan Belongingness and War connects contemporary concerns with political violence, memory, and interspecies politics to imagine a more spectral, posthumanist, and poetic cosmopolitanism. Interdisciplinary in scope, this book will engage scholars of international relations, political theory, US foreign policy, animal studies, poetry, and Derrida, as well as those interested in human-animal relations in perilous times.
Designed specifically for introductory globalization courses, Introducing Globalization helps students to develop informed opinions about globalization, inviting them to become participants rather than just passive learners. Identifies and explores the major economic, political and social ties that comprise contemporary global interdependency Examines a broad sweep of topics, from the rise of transnational corporations and global commodity chains, to global health challenges and policies, to issues of worker solidarity and global labor markets, through to emerging forms of global mobility by both business elites and their critics Written by an award-winning teacher, and enhanced throughout by numerous empirical examples, maps, tables, an extended bibliography, glossary of key terms, and suggestions for further reading and student research Supported by additional web resources – available upon publication at www.wiley.com/go/sparke – including hot links to news reports, examples of globalization and other illustrative sites, and archived examples of student projects Engage with fellow readers of Introducing Globalization on the book's Facebook page at www.facebook.com/IntroducingGlobalization, or learn more about this topic by enrolling in the free Coursera course Globalization and You at www.coursera.org/course/globalization
Algeria sits at the crossroads of the Atlantic, European, Arab, and African worlds. Yet, unlike the wars in Korea and Vietnam, Algeria's fight for independence has rarely been viewed as an international conflict. Even forty years later, it is remembered as the scene of a national drama that culminated with Charles de Gaulle's decision to "grant" Algerians their independence despite assassination attempts, mutinies, and settler insurrection. Yet, as Matthew Connelly demonstrates, the war the Algerians fought occupied a world stage, one in which the U.S. and the USSR, Israel and Egypt, Great Britain, Germany, and China all played key roles. Recognizing the futility of confronting France in a purely military struggle, the Front de Libération Nationale instead sought to exploit the Cold War competition and regional rivalries, the spread of mass communications and emigrant communities, and the proliferation of international and non-governmental organizations. By harnessing the forces of nascent globalization they divided France internally and isolated it from the world community. And, by winning rights and recognition as Algeria's legitimate rulers without actually liberating the national territory, they rewrote the rules of international relations. Based on research spanning three continents and including, for the first time, the rebels' own archives, this study offers a landmark reevaluation of one of the great anti-colonial struggles as well as a model of the new international history. It will appeal to historians of post-colonial studies, twentieth-century diplomacy, Europe, Africa, and the Middle East. A Diplomatic Revolution was winner of the 2003 Stuart L. Bernath Prize of the Society for Historians of American Foreign Relations, and the Akira Iriye International History Book Award, The Foundation for Pacific Quest.
The author intertwines archaeology, history, and ethnohistory to examine the aftermath of the uprising in colonial New Mexico, focusing on the radical changes it instigated in Pueblo culture and society"--Provided by publisher.
The specter of the apocalypse has always been a semiotic fantasy: only at the end of all things will their true meaning be revealed. Our long romance with catastrophe is inseparable from the Western hermeneutical tradition: our search for an elusive truth, one that can only be uncovered through the interminable work of interpretation. Catastrophe terrifies and tantalizes to the extent it promises an end to this task. 9/11 is this book’s beginning, but not its end. Here, it seemed, was the apocalypse America had long been waiting for; until it became just another event. And, indeed, the real lesson of 9/11 may be that catastrophe is the purest form of the event. From the poetry of classical Greece to the popular culture of contemporary America, The End of Meaning seeks to demonstrate that catastrophe, precisely as the notion of the sui generis, has always been generic. This is not a book on the great catastrophes of the West; it offers no canon of catastrophe, no history of the catastrophic. The End of Meaning asks, instead, what if meaning itself is a catastrophe?
From 1946 to 1956, Dean Martin and Jerry Lewis provoked audiences into rollicking laughter as they shook up and delighted a culture they both mediated and made fun of. Using the duo's phenomenal popularity as a starting point, The Biggest Thing in Show Business looks askance at postwar America with a fast-moving sweep, jam-packed with unexpected connections, revealing details, and surprising insights. Aiming to be as unconventional as their subjects, Murray Pomerance and Matthew Solomon enact a highly spontaneous and up-to-the-minute approach to coauthorship that re-establishes the importance of Martin & Lewis in the cultural pantheon. As a result, the book's structure, methodology, and writing style are thoroughly dialogic and firmly opposed to stale convention.
Seneca Possessed examines the ordeal of a Native people in the wake of the American Revolution. As part of the once-formidable Iroquois Six Nations in western New York, Senecas occupied a significant if ambivalent place within the newly established United States. They found themselves the object of missionaries' conversion efforts while also confronting land speculators, poachers, squatters, timber-cutters, and officials from state and federal governments. In response, Seneca communities sought to preserve their territories and culture amid a maelstrom of economic, social, religious, and political change. They succeeded through a remarkable course of cultural innovation and conservation, skillful calculation and luck, and the guidance of both a Native prophet and unusual Quakers. Through the prophecies of Handsome Lake and the message of Quaker missionaries, this process advanced fitfully, incorporating elements of Christianity and white society and economy, along with older Seneca ideas and practices. But cultural reinvention did not come easily. Episodes of Seneca witch-hunting reflected the wider crises the Senecas were experiencing. Ironically, as with so much of their experience in this period, such episodes also allowed for the preservation of Seneca sovereignty, as in the case of Tommy Jemmy, a Seneca chief tried by New York in 1821 for executing a Seneca "witch." Here Senecas improbably but successfully defended their right to self-government. Through the stories of Tommy Jemmy, Handsome Lake, and others, Seneca Possessed explores how the Seneca people and their homeland were "possessed"—culturally, spiritually, materially, and legally—in the era of early American independence.
This book critically and constructively explores the resources offered for natural law doctrine by classical thinkers from three traditions: Jewish, Christian, and Islamic. Three scholars each offer a programmatic essay on natural law doctrine in their particular religious tradition and then respond to the other two essays.
Now in the days of the White Lamb, when an eEnemy of the wWest shall be upon us, Tthe One Who Unites will be born, and a decade of tribulation shall be wrought. Only when they return to Kastallon will the divided become one, and the eEnemy shall be thwarted. A blade gifted by the ancestor shall be wielded; a winged being of white shall fly. Signs of restoration will be seen: the desert becomes saturated, and the dark becomes light. Such is the prophecy of Skeef, our Llord and Pprotector. The Gilded Caliph reigns supreme. Kastallon, or Tthe Land Where Castles Lie, is a realm in its infancy. At its inception, it iwas a world full of wonder and magnificent sights. But in the final days of its first era, it wais invaded by the Gilded Caliphate, a faction of warmongering soldiers bent on total domination and the spread of their deity's influence. Since then, the land has been cursed, and the only way to restore it to its former glory is to make two thrones from one. Two must rule, not one. Willow Dennings is an orphan from New York in the early 20 twentieth century. She has known naught else except the orphanage, its teachers, and its loving headmaster, Mr. Linmer. One day, Willow is visited by a strange bird just outside her bedroom window. When the bird finds its way inside, it leads Willow to the revelation of a lifetime! Thus begins her journey to Kastallon and the adventure therein to restore the Two Thrones from one. Along the way, she meets friendly and frightful creatures, a mystical being, and a test of pure willpower. Will she become everything she iwas destined to be? Or will the Caliphate prove too much for the young chosen one?
We Have a World-Class Mess . . . Now What? Amid the carnage of bankruptcies, soaring unemployment, and millions of families losing their homes during the financial crisis of 2007–2009 lay the bloody corpse of a set of ideas that had underpinned the economics of the previous thirty years. A system that had been delivering unprecedented prosperity on a global scale suddenly teetered on the verge of collapse. Capitalism was seemingly exposed as a house of cards. The blame game became a new national pastime as doomsayers predicted the end of America’s leadership of the world economy. We’re at a crossroads, and decisions about how to reshape a discredited capitalism will profoundly affect whether the coming years will be ones of depression, stagnation, or renewed prosperity. Instant analysis since the collapse of the financial system in the fall of 2008 has produced no end of ideas about what to do—ranging from those of free market ideologues (let the market do its work and damn the consequences) to extreme government interventionists determined to keep the animal spirits of capitalism penned up. But if there is anything worse than toxic financial assets it is toxic ideas. We need to reject the old orthodoxies and conventional wisdoms. Matthew Bishop and Michael Green take a step back and analyze what can be learned from financial crises of the past—from the Tulip Craze of the seventeenth century through the Great Depression of the 1930s, Japan’s Great Deflation, and the Long-Term Capital debacle of the 1990s to the unprecedented interventions of the government during the past year—to set the agenda for a reformed twenty-first-century capitalism. The result is an enlightening perspective on what set us on the road to ruin, as well as road signs to guide us back to prosperity. --Why bubbles are the consequence of financial innovations that generate economic breakthroughs, but why it would be wrong to abandon these inventions of the financial engineers. The Road from Ruin explains how stifling innovation and risk-taking comes at a huge cost to future prosperity. --Why the economy needed a fiscal stimulus to recover from the crisis. Bishop and Green show how economic dogmatists of the Right, who opposed the stimulus, got it wrong, but warn that those on the Left who want the stimulus to run and run could usher in a new era of high inflation. --Why company bosses became too focused on short-term results and did not see the crisis coming. The Road from Ruin shows how we can get business leaders to put the interests of society ahead of their own pay-packets. --The danger of focusing on the financial symptoms of the crisis without tackling the underlying economic causes, such as the world operating on the dollar standard. Bishop and Green show why the role of the dollar as the world’s reserve currency is not just a problem for the rest of the world but for the United States as well. --Why many of capitalism’s champions—especially the advocates of the efficient market hypothesis—lost touch with reality. The Road from Ruin provides insights into new ideas in economics that recognize how the complexity and irrationality of the human beings who make up the economy can be harnessed to build a better capitalism. Remarkably, the issues we face today have presented themselves in one form or another over the past three centuries. Matthew Bishop and Michael Green skillfully draw both the lessons learned and prescriptions for reform to prevent another catastrophic meltdown and put America back on top.
How a notorious far right organization set the Republican Party on a long march toward extremism At the height of the John Birch Society’s activity in the 1960s, critics dismissed its members as a paranoid fringe. After all, “Birchers” believed that a vast communist conspiracy existed in America and posed an existential threat to Christianity, capitalism, and freedom. But as historian Matthew Dallek reveals, the Birch Society’s extremism remade American conservatism. Most Birchers were white professionals who were radicalized as growing calls for racial and gender equality appeared to upend American life. Conservative leaders recognized that these affluent voters were needed to win elections, and for decades the GOP courted Birchers and their extremist successors. The far right steadily gained power, finally toppling the Republican establishment and electing Donald Trump. Birchers is a deeply researched and indispensable new account of the rise of extremism in the United States.
With trenchant realism and profound understanding, Josephson presents a realistic biography of the great romantic who authored "Les Miserables" and "The Hunchback of Notre Dame," among others.
While the fate of minorities under Nazism is well known, the earlier expulsions of Germany's unwanted residents are less well understood. Against a backdrop of raging public debate, and numerous claims of a 'state of exception', tens of thousands of vulnerable people living in the German Empire were the victims of mass expulsion orders between 1871 and 1914. Groups as diverse as Socialists, Jesuits, Danes, colonial subjects, French nationalists, Poles, and 'Gypsies' were all removed, under circumstances that varied from police actions undertaken by provincial governors through to laws authorising removals passed by the Reichstag. Purging the Empire examines the competing voices demanding the removal or the preservation of suspect communities, suggesting that these expulsions were enabled by the decentralised and participatory nature of German politics. In a surprisingly responsive political system, a range of players, including the Kaiser, the Reichstag, the bureaucracy, provincial officials, and local police authorities were all empowered to authorise the expulsion of unwanted residents. Added to this, the German press, civic associations, chambers of commerce, public intellectuals, religious societies, and the grassroots membership of political parties all played an important role in advocating or denouncing the measures before, during and after their implementation. Far from revealing the centrality of authoritarian caprice, Germany's mass expulsions point to the diffuse nature of coercive sovereign power and the role of public pressure in authorising or censuring the removals that took place in a modern, increasingly parliamentary Rechtsstaat.
Within the makeshift corridors of a dark labyrinth, lost beneath an old man's secluded mansion, five reluctant strangers will find one another, drawn together by a mysterious, luminescent force. Searching for lost companions, hidden exits, or redemption for wasted years, each of these strangers will face the toughest challenge of their lives. For, within the confines of the dark labyrinth, the strangers are being hunted by an ancient legend, a shadowy horror unknown to the world of man. Their journeys will take them through haunted graveyards, possessed swamps, and dreamscape realms filled with hopes and horrors; yet, along the way, through all their encounters, the sands of the hourglass are ever-shifting, counting down to a nightmarish reality. Now, racing against time and the shadows around them, these strangers must confront the darkest of demons, an aged man obsessed with immortality, and the ultimate horror he has awakened: the legend of the shadow serpentine.
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