We are all astronauts", the American architect and thinker Richard Buckminster Fuller wrote in 1968 in his book Operating Manual for Spaceship Earth, where he compared Earth to a spaceship, provided only with exhaustible resources while flying through space. These words show the presence the phenomenon of the astronaut and the cosmonaut had in the public mind from the second half of the twentieth century on: Buckminster Fuller was able to drive his point home by asking his audience to identify with one of the most prominent figures in the public sphere then: the space traveler. At the same time, Buckminster Fuller's words themselves seem to have played a significant role in further shaping the space-exploring human as a symbol and an image of humankind in general. The twelve contributions in this book by authors from the fields of literature, music, politics, history, the visual arts, film, computer games, comics, social sciences, and media theory track the development, changes and dynamics of this symbol by analyzing the various images of the astronaut and the cosmonaut as constructed throughout the different decades of space exploration, from its beginning to the present day.
This is the landscape of At Last There Is Nothing Left To Say, Matthew Good's debut book of stories. Taking the form of an artist's journal, Good's tales grind through dark, often violent places animated by voices warped by hallucination and flesh chafed by reality. From the ramblings of an opium-riddled adventurer to treatises on life from a mind rattled by the world; from the tragic end of a teen queen to a day in the life of a rock star; from the execution of the Self by the Other to the pull between rules and freedom, this is a landscape located halfway between imagination and reality, a world that rocks between imagination and reality, a world that rocks between sleep and wakefulness, sanity and insanity, sobriety and inebriation.
A down-to-earth, visual guidebook that shows how to “read,” understand, and get the most out of art. For beginners, art history might seem a daunting subject with complex rules and impenetrable technical language. Even for more seasoned art lovers the question of how to think about art is a perennial riddle. Art Uncovered is the perfect resource for both audiences: an engaging, visual primer for the general reader and educators. Designed like an instruction manual, fifty key artworks from around the world are deconstructed with explanations, diagrams, and close-ups in order to reveal the elements that comprise a masterpiece. Dating from the earliest times to the present, the artworks under analysis are drawn from many cultures and cover all forms of visual media, including drawing, illustration, photography, prints, and sculpture. Matthew Wilson’s simple approach, using established art historical methods, enables the reader to discover the fundamentals of art history, from considerations of function, historical context, iconography, and artists’ experience to broader issues of identity, including feminism, gender, and postcolonialism. Whether it’s the mask of Tutankhamun or Dorothea Lange’s photograph Migrant Mother, Katsushika Hokusai’s Great Wave or Kara Walker’s Gone, each image is dissected on the page in a no-nonsense style, with explanatory notes detailing artists’ sources of inspiration, associated styles and movements, plus any relevant quotes, related visuals, and other contextual and issue-led information with keywords for handy cross-referencing. The resulting book is a dynamic visual resource that will inspire and spark enjoyment of art in all its forms.
Matthew Coniam, author of 'The Annotated Marx Brothers' and 'Egyptomania Goes To The Movies' would dearly love to dedicate his energies to the higher things in life. But alas, cinephilia infected him at a young age and, as yet, there is no cure. In this collection of essays on movies and moviemakers culled from several years' worth of blog posts, magazine articles and book chapters, he shares some of the symptoms in the hope of spreading it further.
Matthew Bulgo’s debut full-length play, Last Christmas was produced in 2012 to critical acclaim by Clwyd Theatr Cymru and Dirty Protest, and was nominated in the Best Production category at the inaugural "Theatre Critics in Wales Awards". Marking its London premiere at Soho Theatre in December 2014, the script is revised for publication with Oberon Books. Stuck in the city, in a life he hates, Tom is to return home for Christmas and be confronted with his past. Forced to face his demons, loss and the unstoppability of time, he attempts to rescue his family and his future. Will Tom be able to save it all in time?
Science Fiction is illuminated by world class scholars and fiction writers, who introduce the history, concepts and contexts necessary to understanding the genre. Their groundbreaking approach provides insights into today's SF world and makes learning how to read Science Fiction an exciting collaborative process for teachers and students.
This book describes how we find and compare different theories in science, Biblical studies, and everyday life. It offers a new method of diagramming arguments that helps investigators discuss and assess competing interpretations, demonstrating its usefulness with detailed test cases from Biblical studies.
We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music.
Amid the veritable choirs of popular angel books, this is the only one that offers factual information on every facet of angel lore. Here at last is a detailed reference for anyone who wants to finally get the straight dope on all aspects of angel arcana. 40 photos.
The story of writing in the digital age is every bit as messy as the ink-stained rags that littered the floor of Gutenberg’s print shop or the hot molten lead of the Linotype machine. During the period of the pivotal growth and widespread adoption of word processing as a writing technology, some authors embraced it as a marvel while others decried it as the death of literature. The product of years of archival research and numerous interviews conducted by the author, Track Changes is the first literary history of word processing. Matthew Kirschenbaum examines how the interests and ideals of creative authorship came to coexist with the computer revolution. Who were the first adopters? What kind of anxieties did they share? Was word processing perceived as just a better typewriter or something more? How did it change our understanding of writing? Track Changes balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.
He's 100% political herpes. Back in six months whatever you do. Or three days, like last time.' Camilla Long on Nigel Farage 'You're as ugly as a salad.' Bulgarian insult 'I'm going to beat him so bad he'll need a shoehorn to put his hat on.' Muhammed Ali There's no pleasure like a perfectly turned put-down (when it's directed at somebody else, of course) but Matthew Parris's Scorn is sharply different from the standard collections. Here are the funniest, sharpest, rudest and most devastating insults in history, from ancient Roman graffiti to the battlefields of Twitter. Drawing on bile from such masters as Dorothy Parker, Elizabeth I, Donald Trump, Groucho Marx, Princess Anne, Winston Churchill, Nigel Farage, Mae West and Alastair Campbell - which form an exchange between voices down the ages - Scorn shows that abuse can be an art form. This collection includes extended literary invective as well as short verbal shin-kicks. Encompassing literature, art, politics, showbiz, marriage, gender, nationality and religion, Matthew Parris's sublime collection is the perfect companion for the festive season, whether you're searching for the perfect elegant riposte, the rudest polite letter ever written, or a brutal verbal sledgehammer.
Addresses the different management styles that are applicable to large as well as small police agencies." — Dr. Michael Wigginton Jr., University of Mississippi Built on a foundation of nearly 1,200 references, Leadership and Management in Police Organizations is a highly readable text that shows how organizational theory and behavior can be applied to improve the operations, leadership, and management of law enforcement. Author Matthew J. Giblin emphasizes leadership and management as separate skills in successful police supervisors and executives, illustrating to students how the two skills combine to improve individual and organizational efficacy in policing. Readers will come away with a stronger understanding of why organizational decisions matter and the impact research can have on police departments.
Ever dreamt of putting on a musical from scratch? Or perhaps you already have, but some extra guidance would be welcome. Look no further: this book will give you all the information you need to successfully stage a musical. Placing a firm emphasis on good organisation and careful planning, Matthew White guides the reader through the various stages and processes involved in putting on a musical theatre production: from choosing the right show and creating budgets and schedules, through holding auditions and taking rehearsals, culminating in the final run of performances and the after-show party. The book also explains how to deal successfully with everything from set, costume, and lighting design to ticket sales and publicity. Drawing on his own extensive experience working as a director, actor, and writer in professional musical theatre, the author also talks to other key industry figures to explore how they contribute to the overall process of putting on a show. Staging Musicals is the ultimate step-by-step guide for anyone planning a production, whether working with amateurs, students, or young professionals.
For 20 years Australia has been in political denial about the seismic changes occurring in the way we power our country. Successive governments continue to tell people that power prices will fall while the lights stay on. Debate is reduced to two equally preposterous narratives: coal-fired, climate change indifference versus an impossibly utopian renewable energy future. This nonsense swirls around an incredulous public while power prices rise, the grid is stretched, energy becomes political poison and the earth warms. How did it come to this and how can we find our way out of this mess? Matthew Warren has worked for all sides of the energy industry, is regularly attacked for being too pro-coal and too pro-renewables, and writes without fear or favour. He has been lobbying for a national climate and electricity policy for over a decade. With an entertaining and fascinating narrative, Blackout cuts through the waffle to chart the disintegration of Australia’s energy security, call out what is holding us back, and plot the way for a brighter future.
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