What does the term "reading" mean? Matthew Rubery's exploration of the influence neurodivergence has on the ways individuals read asks us to consider that there may be no one definition. This alternative history of reading tells the stories of "atypical" readers and the impact had on their lives by neurological conditions affecting their ability to make sense of the printed word: from dyslexia, hyperlexia, and alexia to synesthesia, hallucinations, and dementia. Rubery's focus on neurodiversity aims to transform our understanding of the very concept of reading. Drawing on personal testimonies gathered from literature, film, life writing, social media, medical case studies, and other sources to express how cognitive differences have shaped people's experiences both on and off the page, Rubery contends that there is no single activity known as reading. Instead, there are multiple ways of reading (and, for that matter, not reading) despite the ease with which we use the term. Pushing us to rethink what it means to read, Reader's Block moves toward an understanding of reading as a spectrum that is capacious enough to accommodate the full range of activities documented in this fascinating and highly original book. Read it from cover to cover, out of sequence, or piecemeal. Read it upside down, sideways, or in a mirror. For just as there is no right way to read, there is no right way to read this book. What matters is that you are doing something with it—something that Rubery proposes should be called "reading.
A history of audiobooks, from entertainment & rehabilitation for blinded World War I soldiers to a twenty-first-century competitive industry. Histories of the book often move straight from the codex to the digital screen. Left out of that familiar account are nearly 150 years of audio recordings. Recounting the fascinating history of audio-recorded literature, Matthew Rubery traces the path of innovation from Edison’s recitation of “Mary Had a Little Lamb” for his tinfoil phonograph in 1877, to the first novel-length talking books made for blinded World War I veterans, to today’s billion-dollar audiobook industry. The Untold Story of the Talking Book focuses on the social impact of audiobooks, not just the technological history, in telling a story of surprising and impassioned conflicts: from controversies over which books the Library of Congress selected to become talking books—yes to Kipling, no to Flaubert—to debates about what defines a reader. Delving into the vexed relationship between spoken and printed texts, Rubery argues that storytelling can be just as engaging with the ears as with the eyes, and that audiobooks deserve to be taken seriously. They are not mere derivatives of printed books but their own form of entertainment. We have come a long way from the era of sound recorded on wax cylinders, when people imagined one day hearing entire novels on mini-phonographs tucked inside their hats. Rubery tells the untold story of this incredible evolution and, in doing so, breaks from convention by treating audiobooks as a distinctively modern art form that has profoundly influenced the way we read. Praise for The Untold Story of the Talking Book “If audiobooks are relatively new to your world, you might wonder where they came from and where they’re going. And for general fans of the intersection of culture and technology, The Untold Story of the Talking Book is a fascinating read.” —Neil Steinberg, Chicago Sun-Times “[Rubery] explores 150 years of the audio format with an imminently accessible style, touching upon a wide range of interconnected topics . . . Through careful investigation of the co-development of formats within the publishing industry, Rubery shines a light on overlooked pioneers of audio . . . Rubery’s work succeeds in providing evidence to ‘move beyond the reductive debate’ on whether audiobooks really count as reading, and establishes the format’s rightful place in the literary family.” —Mary Burkey, Booklist (starred review)
Arising in the 1800s and soon drawing a million readers a day, the commercial press profoundly influenced the work of Brontë, Braddon, Dickens, Conrad, James, Trollope, and others who mined print journalism for fictional techniques. Five of the most important of these narrative conventions--the shipping intelligence, personal advertisement, leading article, interview, and foreign correspondence--show how the Victorian novel is best understood alongside the simultaneous development of newspapers. In highly original analyses of Victorian fiction, this study also captures the surprising ways in which public media enabled the expression of private feeling among ordinary readers: from the trauma caused by a lover's reported suicide to the vicarious gratification felt during a celebrity interview; from the distress at finding one's behavior the subject of unflattering editorial commentary to the apprehension of distant cultures through the foreign correspondence. Combining a wealth of historical research with a series of astute close readings, The Novelty of Newspapers breaks down the assumed divide between the epoch's literature and journalism and demonstrates that newsprint was integral to the development of the novel.
What does the term "reading" mean? Matthew Rubery's exploration of the influence neurodivergence has on the ways individuals read asks us to consider that there may be no one definition. This alternative history of reading tells the stories of "atypical" readers and the impact had on their lives by neurological conditions affecting their ability to make sense of the printed word: from dyslexia, hyperlexia, and alexia to synesthesia, hallucinations, and dementia. Rubery's focus on neurodiversity aims to transform our understanding of the very concept of reading. Drawing on personal testimonies gathered from literature, film, life writing, social media, medical case studies, and other sources to express how cognitive differences have shaped people's experiences both on and off the page, Rubery contends that there is no single activity known as reading. Instead, there are multiple ways of reading (and, for that matter, not reading) despite the ease with which we use the term. Pushing us to rethink what it means to read, Reader's Block moves toward an understanding of reading as a spectrum that is capacious enough to accommodate the full range of activities documented in this fascinating and highly original book. Read it from cover to cover, out of sequence, or piecemeal. Read it upside down, sideways, or in a mirror. For just as there is no right way to read, there is no right way to read this book. What matters is that you are doing something with it—something that Rubery proposes should be called "reading.
This book shows how prose writers in the Victorian period grappled with the sea as a setting, a shaper of plot and character, as a structuring motif, and as a source of metaphor.
Aston Martin is a marque that holds a special place in the British motor industry. As a manufacturer of cars for over 100 years, its history is tied up with the British psyche, and the marque holds a special place in the hearts of all motoring enthusiasts. This book charts the history of Aston Martin from its early days in central London, as Banford and Martin, through the Bertelli years in Feltham and the post-war David Brown years at Newport Pagnell to the current day with its purpose-built, state-of-the-art factory in Gaydon, Warwickshire. Now seen as an iconic luxury British sports car manufacturer, Aston Martin has been designing, manufacturing and racing cars for over 100 years, almost continuously. Known for combining quality, style and performance in its products, the company has often struggled to balance these attributes with financial success. Fortunately, over the years generous investors who recognize the potential in the company have always been on hand to rescue and perpetuate the brand. Looking at the engines, the cars, the people, the business and car owners, this book tells the story of a quintessentially British marque.
Redefines modern lyric poetry at the intersection of literary and media studies. In The Lyre Book, Matthew Kilbane urges literary scholars to consider lyric not as a genre or a reading practice but as a media condition: the generative tension between writing and sound. In addition to clarifying issues central to the study of modern poetry—including its proximity to popular song, hallowed objecthood, and seeming autonomy from historical determination—this revisionary theory of lyric presents a new history of modern US poetry as one sonorous practice among many clamorous others. Focusing on the mid-twentieth century, Kilbane traces the impact of new sound technologies on a diverse array of literary and musical works by Lorine Niedecker, Harry Partch, Louis and Celia Zukofsky, Sterling Brown, John Wheelwright, Langston Hughes, Marianne Moore, Russell Atkins, and Helen Adam. Kilbane shows how literary critics can look to media history to illuminate poetry's social life, and how media scholars can read poetry for insight into the cultural history of technology. In this book, the lyric poem emerges as a sensitive barometer of technological change.
Rising from a Missouri boyhood and meager prospecting success to owning the most productive copper, silver, and gold mines in the world and being elected a United States senator, George Hearst (1820–91) spent decades veering between the heights of prosperity and the depths of financial ruin. In George Hearst: Silver King of the Gilded Age, Matthew Bernstein captures Hearst’s ascent, casting light on his actions during the Civil War, his tempestuous marriage to his cousin Phoebe, his role as disciplinarian and doting father to future media magnate William Randolph Hearst, and his devious methods of building the greatest mining empire in the West. Whether driving a pack of mules laden with silver from the Comstock Lode to San Francisco, bribing jurors in Pioche and Deadwood, or unearthing bonanzas in Utah and Montana Territories, Hearst’s cunning, energy, and industry were always evident, along with occasional glimmers of the villainy ascribed to him in the television series Deadwood. In this first full-length biography, George Hearst emerges in all his human dimensions and historical significance—an ambitious, complex, flawed, and quintessentially American character.
Prevent athletic injuries and promote optimal recovery with the evidence-based guidelines and protocols inside Orthopaedic Rehabilitation of the Athlete! Practical, expert guidance; a templated, user-friendly format make this rehab reference ideal for any practitioner working with athletes! Consult this title on your favorite e-reader, conduct rapid searches, and adjust font sizes for optimal readability. Apply targeted, evidence-based strategies for all internationally popular athletic activities, including those enjoyed by older adults. Ensure optimal care from injury prevention through follow up 2 years post injury. Make safe recommendations for non-chemical performance enhancement.
Subscription Theater asks why turn-of-the-century British and Irish citizens spent so much time, money, and effort joining subscription lists. Matthew Franks argues that subscribers have been responsible for how we value audience and repertoire today, offering a new account of the relationship between ephemera, drama, and democracy.
Manchester United is the most recognized sports team in the world, with an audience of millions around the globe, surpassing even the New York Yankees. David Beckham's exploits—and marital woes—are known worldwide. The Football Association of England has become a multi-billion dollar industry. But how did English football become not only the defining sport of the nation but also one of the most successful sports in the world? With The Leaguers, football historian Matthew Taylor tells the story of the early days of professional football in England, revealing the distant origins of today's game. Making extensive use of archival materials from football clubs, unions, and associations, Taylor presents a compelling picture of football teams and players in the early days of the twentieth century, tracing the development of the system of professional teams from the hundreds of town, club, and school teams that dotted the countryside. The top tier of those teams comprised the Football League that by the 1920s was synonymous with the very idea of professional football in the minds of fans and sportswriters alike. The Leaguers illuminates the role played by the Football League—and by successful clubs in the League such as Arsenal and Aston Villa—as the rules, standards, and structure of the modern game were being codified. Taylor also considers the careers and influences of early players, including such well-known names as Billy Meredith, "Dixie" Dean, and Alex James. As football's popularity grew and sports media proliferated, players found themselves becoming national stars, their portraits on cigarette cards bought by fans throughout England. The first full-length history of the early days of the Football League, The Leaguers will be essential reading for football fans who want to know how their favorite sport grew from modest origins to the worldwide phenomenon that is English football today.
The fun way to research your family history Genealogy For Dummies, 8th Edition covers everything you need to know about starting a genealogical research project—including where and how to find information, how to communicate with other online genealogists, how to leverage social networking sites and apps, how to add digital images to your family tree, and how to build your own site for sharing information. It also explains the use of compiled genealogies, U.S. Census information, and public access catalogs. Brand new to this edition is content on how to conduct genealogical research on the road, and on how to take this research and integrate it into the data found at home. It also contains new information on DNA research and testing, new geocoding applications to record geographic data into a genealogical database, and other new technologies. The book covers which apps are worth your money, and how to get the most out of them. Use the latest tools to research family history Create your own site to showcase your family tree, digital images, and compiled genealogies Get access to free versions of Legacy Family Tree and Personal Ancestral Files Utilize both online and offline research techniques and tools Follow the clues to uncover your family's legacy—and have fun along the way!
This study explores the role of fiction in the social production of the West Central district of London in the nineteenth century. It tells a new history of the novel from a local geographical perspective, tracing developments in the form as it engaged with Bloomsbury in the period it emerged as the city’s dominant literary zone. A neighbourhood that was subject simultaneously to socio-economic decline and cultural ascent, fiction set in Bloomsbury is shown to have reconceived the area’s marginality as potential autonomy. Drawing on sociological theory, this book critically historicizes Bloomsbury’s trajectory to show that its association with the intellectual “fraction” known as the ‘Bloomsbury Group’ at the beginning of the twentieth century was symptomatic rather than exceptional. From the 1820s onwards, writers positioned themselves socially within the metropolitan geography they projected through their fiction. As Bloomsbury became increasingly identified with the cultural capital of writers rather than the economic capital of established wealth, writers subtly affiliated themselves with the area, and the figure of the writer and Bloomsbury became symbolically conflated.
Weaving narratives of ancient and contemporary Egypt while exploring ecological shifts of the Nile Valley, Matthew Shenoda is a voice at the crossroads of the African continent and its diasporas. Amiri Baraka says, “Matthew Shenoda’s poetry will open your mind to another world that exists inside and outside of your own.” Winner of the 2006 American Book Award for his debut collection, Somewhere Else, Shenoda is a younger poet with his eyes set on the larger issues of history, politics, and culture. Matthew Shenoda lives in Los Angeles, California. He is on the faculty of the MFA program at Goddard College.
Canadians are told that provincial premiers wield considerable sway. Critics decry premiers as autocrats and dictators, while supporters label them as altruists and great leaders. In Newfoundland and Labrador the premier is expected to be the province's overlord, a patriotic defender of provincial interests, and the decision-maker who brokers competing policy priorities. But does a premier have as much power over government policy decisions as is popularly believed? First among Unequals, a detailed enquiry into the administration of Premier Danny Williams and the first year of his successor Kathy Dunderdale, suggests that the power of the premier is exaggerated by the media, critics, political parties, the public service, and the leaders themselves. With perspectives from economics, education, geography, health policy, history, and political science, contributors explore how dominant Williams was and test theories to show how power operates in provincial governments. They examine politics and government through case studies of the healthcare sectors, education, the fisheries, rural and regional development, hydroelectric projects, and the labour market. Focusing on an era of political populism and rapid economic growth, First among Unequals reasons that there is not enough evidence to suggest that the Premier's Office - even with someone like Danny Williams at the helm - independently shapes public policy. Contributors include Karlo Basta (Memorial), Sean Cadigan (Memorial), Angela Carter (Waterloo), Christopher Dunn (Memorial), Jim Feehan (Memorial), Gerald Galway (Memorial), Ryan Gibson (Memorial), James Kelly (Concordia), Royce Koop (Manitoba), Mario Levesque (Mount Allison), Maria Mathews (Memorial), John Peters (Laurentian), Michelle Porter (Memorial), Kate Puddister (McGill), Valérie Vézina (UQAM), and Kelly Vodden (Memorial, Grenfell).
Rapid industrialization and new advances in technology marked the Victorian period as one of prodigious socio-cultural change. Chief among the many transformations of quotidian life was the swift and widespread dissemination of information made possible by the emergence of the daily newspaper, an unprecedented new media. The changes it wrought in politics, history, and advertising of the age have all been well-documented. But its influence on one area remains overlooked: the Victorian novel. Redressing this oversight, The Novelty of Newspapers highlights the variety of ways the changing world of nineteenth-century journalism shaped the period's most popular literary form. Arising in the 1800s and soon drawing a million readers a day, the commercial press profoundly influenced the work of Bronte, Braddon, Dickens, Conrad, James, Trollope, and others who mined print journalism for fictional techniques. Five of the most important of these narrative conventions-the shipping intelligence, personal advertisement, leading article, interview, and foreign correspondence-show how the Victorian novel is best understood alongside the simultaneous development of newspapers. In highly original analyses of Victorian fiction, this study also captures the surprising ways in which public media enabled the expression of private feeling among ordinary readers: from the trauma caused by a lover's reported suicide to the vicarious gratification felt during a celebrity interview; from the distress at finding one's behavior the subject of unflattering editorial commentary to the apprehension of distant cultures through the foreign correspondence. Combining a wealth of historical research with a series of astute close readings, The Novelty of Newspapers breaks down the assumed divide between the epoch's literature and journalism and demonstrates that newsprint was integral to the development of the novel.
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