All you need is love," the Beatles sang, but do we really believe that or do we think it is just a nice idea? Join me as we learn how the work of love can be a reality every day. For every book sold, $1 will be donated to One.org. They work to end poverty. Please check out their website and please buy a book. About the author: Matthew James Nygren is a husband, father, and constant thinker. He graduated with a B.S. in Religion from Greenville College.
In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications including Sports Illustrated, the Daily News, Wired, and the Washington Post, along with cultural institutions such as the Walker Arts Center and The Victoria & Albert Museum, have all commissioned Carter fonts. Typographically Speaking: The Art of Matthew Carter entered the field in the days of hand-cut punches and hot-metal type, and has continued to innovate through the eras of photocomposition and digital design. Essays discuss the form of his work, his position and use of typographic history, and his technological innovation. All of his fonts are reproduced in full for reference, and illustrations place his designs in context. Published in conjunction with the University of Maryland Baltimore County.
Paul and the Gentile Problem provides a new explanation for the apostle Paul's statements about the Jewish law in his letters to the Romans and Galatians. Paul's arguments against circumcision and the law in Romans 2 and his reading of Genesis 15-21 in Galatians 4:21-31 belong within a stream of Jewish thinking which rejected the possibility that gentiles could undergo circumcision and adopt the Jewish law, thereby becoming Jews. Paul opposes this solution to the gentile problem because he thinks it misunderstands how essentially hopeless the gentile situation remains outside of Christ. The second part of the book moves from Paul's arguments against a gospel that requires gentiles to undergo circumcision and adoption of the Jewish law to his own positive account, based on his reading of the Abraham Narrative, of the way in which Israel's God relates to gentiles. Having received the Spirit (pneuma) of Christ, gentiles are incorporated into Christ, who is the singular seed of Abraham, and, therefore, become materially related to Abraham. But this solution raises a question: Why is it so important for Paul that gentiles become seed of Abraham? The argument of this book is that Paul believes that God had made certain promises to Abraham that only those who are his seed could enjoy and that these promises can be summarized as being empowered to live a moral life, inheriting the cosmos, and having the hope of an indestructible life.
Indwelling the Forsaken Other is a critical reading of Jürgen Moltmann's ethics of discipleship. While Moltmann's notable turn to the inner life of the Trinity as a source for his reflections on the life of the church is influential, it is not without problems. The call emerging from Moltmann's reflection upon Trinitarian life--to copy God in our relationships--may offer some general direction for our actions; however, it also raises several questions. Two important questions for this work are, In what way are we to copy God? and What conditions make it possible to copy God? Moltmann's answers to these questions are insufficient, and consequently he fails to protect the difference between Creator and creation in his analogia relationis. As a result, the ethical direction of Moltmann's work seems to be increasingly muddied and, at best, paradoxical.
Notions of Christian love, or charity, strongly shaped the political thought of John Winthrop, Thomas Jefferson, and Abraham Lincoln as each presided over a foundational moment in the development of American democracy. Matthew Holland examines how each figure interpreted and appropriated charity, revealing both the problems and possibilities of making it a political ideal. Holland first looks at early American literature and seminal speeches by Winthrop to show how the Puritan theology of this famed 17th century governor of the Massachusetts Colony (he who first envisioned America as a "City upon a Hill") galvanized an impressive sense of self-rule and a community of care in the early republic, even as its harsher aspects made something like Jefferson's Enlightenment faith in liberal democracy a welcome development . Holland then shows that between Jefferson's early rough draft of the Declaration of Independence and his First Inaugural Jefferson came to see some notion of charity as a necessary complement to modern political liberty. However, Holland argues, it was Lincoln and his ingenious blend of Puritan and democratic insights who best fulfilled the promise of this nation's "bonds of affection." With his recognition of the imperfections of both North and South, his humility in the face of God's judgment on the Civil War, and his insistence on "charity for all," including the defeated Confederacy, Lincoln personified the possibilities of religious love turned civic virtue. Weaving a rich tapestry of insights from political science and literature and American religious history and political theory, Bonds of Affection is a major contribution to the study of American political identity. Matthew Holland makes plain that civic charity, while commonly rejected as irrelevant or even harmful to political engagement, has been integral to our national character. The book includes the full texts of Winthrop's speech "A Model of Christian Charity"; Jefferson's rough draft of the Declaration and his First Inaugural; and Lincoln's Second Inaugural.
This study constitutes the first-ever definitive account of the life and work of Irish modernist poets Thomas MacGreevy, Brian Coffey, and Denis Devlin. Apprenticed to the likes of W.B. Yeats, T.S. Eliot, James Joyce, and Samuel Beckett, all three writers worked at the center of modernist letters in England, France, and the United States, but did so from a distinctive perspective. All three writers wrote with a deep commitment to the intellectual life of Catholicism and saw the new movement in the arts as making possible for the first time a rich sacramental expression of the divine beauty in aesthetic form. MacGreevy spent his life trying to voice the Augustinian vision he found in The City of God. Coffey, a student of neo-Thomist philosopher Jacques Maritain, married scholastic thought and a densely wrought poetics to give form and solution to the alienation of modern life. Devlin contemplated the world with the eyes of Montaigne and the heart of Pascal as he searched for a poetry that could realize the divine presence in the experience of the modern person. Taken together, MacGreevy, Coffey, and Devlin exemplify the modern Catholic intellectual seeking to engage the modern world on its own terms while drawing the age toward fulfillment within the mystery and splendor of the Church. They stand apart from their Irish contemporaries for their religious seriousness and cosmopolitan openness to European modernism. They lay bare the theological potencies of modern art and do so with a sophistication and insight distinctive to themselves. Although MacGreevy, Coffey, and Devlin have received considerable critical attention in the past, this is the first book to study their work comprehensively, from MacGreevy's early poems and essays on Joyce and Eliot to Coffey's essays in the neo-scholastic philosophy of science, and on to Devlin's late poetic attempts to realize Dante's divine vision in a Europe shattered by war and modern doubt.
We can have a sense that when we try to do right by one another, we aren't merely striving against ourselves. The feeling is that we are struggling against something--someone-else. As if there's a force-a person- that wishes us ill. In his letter to the Romans, the apostle Paul describes just such a person: Sin, a cosmic tyrant who constrains our moral freedom, confuses our moral judgment, and condemns us to slavery and to death. Commentators have long argued about whether Paul literally means to say Sin is a person or is simply indulging in literary personification, but regardless of Paul's intentions, for modern readers it would seem clear enough: there is no such thing as a cosmic tyrant. Surely it is more reasonable to suppose "Sin" is merely a colorful way of describing individual misdeeds or, at most, a way of evoking the intractability of our social ills. In The Emergence of Sin, Matthew Croasmun suggests we take another look. The vision of Sin he offers is at once scientific and theological, social and individual, corporeal and mythological. He argues both that the cosmic power Sin is nothing more than an emergent feature of a vast human network of transgression and that this power is nevertheless real, personal, and one whom we had better be ready to resist. Ultimately, what is on offer here is an account of the world re-mythologized at the hands of chemists, evolutionary biologists, sociologists, and entomologists. In this world, Paul's text is not a relic of a forgotten mythical past, but a field manual for modern living.
Nietzsche’s work was shaped by his engagement with ancient Greek philosophy. Matthew Meyer analyzes Nietzsche’s concepts of becoming and perspectivism and his alleged rejection of the principle of non-contradiction, and he traces these views back to the Heraclitean-Protagorean position that Plato and Aristotle critically analyze in the Theaetetus and Metaphysica IV, respectively. At the center of this Heraclitean-Protagorean position is a relational ontology in which everything exists and is what it is only in relation to something else. Meyer argues that this relational ontology is not only theoretically foundational for Nietzsche’s philosophical project, in that it is the common element in Nietzsche’s views on becoming, perspectivism, and the principle of non-contradiction, but also textually foundational, in that Nietzsche implicitly commits himself to such an ontology in raising the question of opposites at the beginning of both Human, All Too Human and Beyond Good and Evil.
The specter of the apocalypse has always been a semiotic fantasy: only at the end of all things will their true meaning be revealed. Our long romance with catastrophe is inseparable from the Western hermeneutical tradition: our search for an elusive truth, one that can only be uncovered through the interminable work of interpretation. Catastrophe terrifies and tantalizes to the extent it promises an end to this task. 9/11 is this book’s beginning, but not its end. Here, it seemed, was the apocalypse America had long been waiting for; until it became just another event. And, indeed, the real lesson of 9/11 may be that catastrophe is the purest form of the event. From the poetry of classical Greece to the popular culture of contemporary America, The End of Meaning seeks to demonstrate that catastrophe, precisely as the notion of the sui generis, has always been generic. This is not a book on the great catastrophes of the West; it offers no canon of catastrophe, no history of the catastrophic. The End of Meaning asks, instead, what if meaning itself is a catastrophe?
We go through life, focusing our attention on many things. But how much do we focus on ourselves? We may be aware of many things, but are we self-aware? This is a question our contemporary culture asks us to consider more and more, and words like “self-awareness,” “personal identity,” “authenticity,” and “mindfulness” are becoming not just buzz-words but virtues. The ancient dictum “know thyself” reverberates in all corners of our lives, from Disney characters on our TVs to DISC profiles at our workplaces. Some of the more mindful members of our society may even be tempted to disdain those who are not as mindful as they are. But what if our self-aware culture, hailing us to pursue our true selves, is unaware of itself? What if our definitions of true and false self-understanding are myopic, slanted towards a narrow solipsism that is actually leading people away from authenticity, while all the while championing it? If so, how would we know? Who is best able to define these things and to teach us how to know ourselves truly? Matthew Brett Vaden traces the wisdom of past and modern-day sages to discover how we can truly discover ourselves.
In this book, Matthew Pawlak offers the first treatment of sarcasm in New Testament studies. He provides an extensive analysis of sarcastic passages across the undisputed letters of Paul, showing where Paul is sarcastic, and how his sarcasm affects our understanding of his rhetoric and relationships with the Early Christian congregations in Galatia, Rome, and Corinth. Pawlak's identification of sarcasm is supported by a dataset of 400 examples drawn from a broad range of ancient texts, including major case studies on Septuagint Job, the prophets, and Lucian of Samosata. These data enable the determination of the typical linguistic signals of sarcasm in ancient Greek, as well as its rhetorical functions. Pawlak also addresses several ongoing discussions in Pauline scholarship. His volume advances our understanding of the abrupt opening of Galatians, diatribe and Paul's hypothetical interlocutor in Romans, the 'Corinthian slogans' of First Corinthians, and the 'fool's speech' found within Second Corinthians 10-13.
Encyclopedic in scope, this book offers wide-ranging coverage of the foundational teachings and practices within the mainstream of the classical Christian tradition. It begins with their roots in the Scriptures, and also branches out into Eastern and Western Christianity, ancient, medieval, and modern, to the present-day. Part I provides an overview of some of these routes, then presents an historical survey of Christianity's major traditions. Part II unpacks some of the character of that revelation, focusing particularly on epistemological and procedural questions. Finally, Part III looks at Christian theology in a university setting: the possibility and shape of theology as a university discipline, its major subfields, and its relations with humanities and the sciences respectively. Fundamental Theology: A Protestant Perspective, 2nd edition, includes a wide range of pedagogical features: - each chapter begins with an outline thesis statement, highlighted in bold - charts and graphs - relevant headings and subheadings employed throughout the book - keywords - provides a survey of pertinent reference literature - questions for review and discussion - annotated suggestions for further reading
Through a blending of story, scripture and theology, this book tackles questions of sin, hell, vengeance in such a way that readers are led to transformation and healing.
All you need is love," the Beatles sang, but do we really believe that or do we think it is just a nice idea? Join me as we learn how the work of love can be a reality every day. For every book sold, $1 will be donated to One.org. They work to end poverty. Please check out their website and please buy a book. About the author: Matthew James Nygren is a husband, father, and constant thinker. He graduated with a B.S. in Religion from Greenville College.
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