The Pursuit of Style in Early Modern Drama examines how early modern plays celebrated the power of different styles of talk to create dynamic forms of public address. Across the sixteenth and seventeenth centuries, London expanded into an uncomfortably public city where everyone was a stranger to everyone else. The relentless anonymity of urban life spurred dreams of its opposite: of being a somebody rather than a nobody, of being the object of public attention rather than its subject. Drama gave life to this fantasy. Presented by strangers and to strangers, early modern plays codified different styles of talk as different forms of public sociability. Then, as now, to speak of style was to speak of a fantasy of public address. Offering fresh insight for scholars of literature and drama, Matthew Hunter reveals how this fantasy – which still holds us in its thrall – played out on the early modern stage.
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures revealing the “exact proportions” of sea monsters—all were created by members of the Royal Society of London, the leading institutional platform of the early Scientific Revolution. Wicked Intelligence reveals that these natural philosophers shaped Restoration London’s emergent artistic cultures by forging collaborations with court painters, penning art theory, and designing triumphs of baroque architecture such as St Paul’s Cathedral. Matthew C. Hunter brings to life this archive of experimental-philosophical visualization and the deft cunning that was required to manage such difficult research. Offering an innovative approach to the scientific image-making of the time, he demonstrates how the Restoration project of synthesizing experimental images into scientific knowledge, as practiced by Royal Society leaders Robert Hooke and Christopher Wren, might be called “wicked intelligence.” Hunter uses episodes involving specific visual practices—for instance, concocting a lethal amalgam of wax, steel, and sulfuric acid to produce an active model of a comet—to explore how Hooke, Wren, and their colleagues devised representational modes that aided their experiments. Ultimately, Hunter argues, the craft and craftiness of experimental visual practice both promoted and menaced the artistic traditions on which they drew, turning the Royal Society projects into objects of suspicion in Enlightenment England. The first book to use the physical evidence of Royal Society experiments to produce forensic evaluations of how scientific knowledge was generated, Wicked Intelligence rethinks the parameters of visual art, experimental philosophy, and architecture at the cusp of Britain’s imperial power and artistic efflorescence.
Bringing the words of faith, hope and love, inspired by the life changing experiences from victim to victory, all in divine prophetic love touched poetry.
While the ending of the Golden Fleece myth, Medea's killing of her beloved children, is well known, her story and her reasoning are not. She can be understood through her deeds and words, though she may not be forgiven for her act. Jason, the hero of the Argo who wrested the Golden Fleece from a tyrant at the end of world, in this work is revealed as a man with flaws. Jason and Medea fully explores the ancient Greek tragedy, following the story line and philosophical trails. The gaps in the ancient telling are filled with imaginative invention without the aid of supernatural forces. Every baby boomer has seen the 60's movie Jason and the Argonauts with the animated harpies, skeleton warriors and bronze giant. Few know the details of the complete adventure. The telling of this tale relies upon the visualization prowess of the modern reader to examine the human condition. This tale has something more than mere adventure to hold the reader's attention. Great events propel the action. Men commit murder, steal, embark on paths of war, and whisper deceits. A woman acts both selflessly for love and sacrifices everything for it. Through language and dialogue, violence is revealed as monstrous and that love may be too. The voices of women articulate great sentiments and truths. Memory and loyalty are exposed as weak foundations for trust. At the beginning and then finally, the gods, the Fates and human responsibility all take center stage in Jason and Medea.
Remodeling can enliven all the spaces in a home, solving flaws, enhancing interior livability, increasing curb appeal, and making best use of the site. An architect shares insight gained through an architectural practice specializing in renovation work.
Ongoing geopolitical shifts are placing increased pressure on the rules-based international order that has facilitated decades of growth and development across the Indo-Pacific. The United States and Taiwan have responded by redoubling their respective commitments to the region. Leaders in both Washington and Taipei recognize that securing freedom and openness across this vast geographic space is essential for maintaining peace and promoting prosperity across the region. The United States has advanced its vision for the region through the Free and Open Indo-Pacific (FOIP) strategy, which is founded on—and aims to protect—common principles that have benefitted all countries in the region. Taiwan upholds the same principles and has a similar vision for the Indo-Pacific. To this end, Taipei is implementing the New Southbound Policy (NSP), which seeks to leverage its cultural, educational, technological, agricultural, and economic assets to strengthen Taiwan’s relations across the Indo-Pacific.
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager, and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich’s multifaceted career, appreciation of which has suffered from his performing identity as Lun, London’s most celebrated Harlequin. Far from the lightweight buffoon that this stereotype has suggested, Rich—the first producer of The Beggar’s Opera, the founder of Covent Garden, the dauntless backer of Handel, and the promoter of the principal dancers from the Parisian opera—is revealed as an agent of changes much more enduring than those of his younger contemporary, David Garrick. Contributions by leading scholars from a range of disciplines—theatre, dance, music, art, and cultural history—provide detailed analyses of Rich’s productions and representations. These findings complement Robert D. Hume’s lead article, a study that radically alters our perception of Rich. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
The Medicine on the Move series provides fully flexible access to subjects across the curriculum in a unique combination of print and mobile formats ideal for the busy medical student and junior doctor. Neurology and Clinical Neuroanatomy on the Move provides sharply focused content equally suited to those studying the subject for the first time or
In Remodel (previously published in hardcover as House Transformed), architect Matthew Schoenherr shares insight gained through an architectural practice that is 90% renovation work. This book features 20 projects across the country, each of which showcases the "wow" that architectural thinking can bring when reworking existing space. Not only has every house in the book undergone an inspiring transformation, but each features great moves, small moves, and simple transformations that are applicable to many homeowner situations. The author's "Seven Knows"--what you need to know before you start a remodeling project--give homeowners a blueprint for design decisions that will exponentially improve the results of their project. Know Your Place: acknowledge the regional context Know Your Property: respond to your site Know Your House: design compatibly Know Your Structure: safety issues Know Your Palette: material options Know Your Lifestyle: design for the way you live Know Your Passions: incorporate what matters most By considering their many design options at the beginning of the renovation process, homeowners can do more than just move a wall or add a few hundred square feet of space: they can transform their home. Table of Contents
This book critiques the Rawlsian concepts of “justice as fairness” and “public reason” from the perspective of Christian political theory and practice. The Rawlsian paradigm has become pervasive in multiple disciplines outside political philosophy and is unconsciously embedded in a great deal of Christian public discourse; this calls for a new level of analysis from Christian perspectives. This is the first volume to examine Rawls based on Christian principles drawn from theological ethics, social thought, political theory and practical observation. In addition to theoretical perspectives, the book connects its critique of Rawls to specific hot-topic practical questions in three areas: social issues (abortion, marriage, etc.), economic issues (wealth creation, poverty programs, etc.), and the increasing difficulty of political compromise and peaceful coexistence in the context of the culture war. The book includes some of the leading Christian political theorists in America.
Take a ride in the Thunder Chicken?a freshly stolen red Trans Am?with Matthaeus Jaehnig and Lisl Auman on their brief and devastating journey that resulted in the death of Officer Bruce VanderJagt in Denver, 1997. Jaehnig shot VanderJagt then turned the gun on himself?all while Lisl was already in handcuffs in a police cruiser. Two officers later said they saw Lisl hand Jaehnig the murder weapon and she was sentenced to life without parole. But then while in prison she wrote an off-chance letter to journalist Hunter S. Thompson that changed her life. DEAR DR. THOMPSON chronicles Lisl?s epic struggles and takes you inside the last?and perhaps greatest?Gonzo crusade: To free Lisl Auman from prison. This is a tale about death, destruction, lies, justice, the power of media and ultimately, redemption. Was Lisl Auman really a murderer or just in the wrong place at the wrong time? Buckle up and get ready for a wild ride.
An arms and armor specialist is used by British Intelligence to pry information from the female director of the Kremlin Armory Museum, and in the process he loses his family, his job, and possibly his freedom
The good neighbors, the folk under the hill, the fae. Spirits, ghosts, and outsiders, often thought to be gods. They step into the real world to play, not caring or knowing how humans live. And like children playing with dolls, they have the power to completely change the story. Featuring stories from Theric Jepson, Jack Campbell, Jr., Matthew M. Bartlett, Nicole Tanquary, Franklin Charles Murdock, Aubrey Campbell, Thomas Mead, Adan Ramie, Adrean Messmer, Betsy Phillips, Amanda C. Davis, Sophia Rose, Alexis A. Hunter, Shannon Iwanski, Kristin J. Cooper, Alex Shvartsman, James Michael Shoberg, Guy J. Jackson, Sandra M. Odell, Deborah Walker, Lynda Clark, Robin Wyatt Dunn, Stephen S. Power, Erin K. Wagner, Tracy Fahey, Samantha Kymmell, Diandra Linneman, Preston Dennett, and Senoa Carroll-Bradd, Faed will take you back to the fairy tales of your youth and into realms where no child would dare to tread.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.