Performed in loft apartments, pop-up theatres, and other nontraditional spaces, the 2022 underground hit Dimes Square announced Matthew Gasda as a dramatist of lasting power and impressive range, the theatrical chronicler of a self-chronicling generation. At a time when large, institutional theatres were still finding their post-pandemic footing, this brutal, hilarious portrait of New York City scenesters drew in new and diverse audiences by distilling the zeitgeist of our strange new era—a bitter cocktail of dirtbag politics, casual depravity, and pitiless ambition. Bringing together four of Gasda’s most penetrating works—Dimes Square, Quartet, Berlin Story, and Minotaur—this collection surveys a fractured and exhausted cultural-intellectual landscape. From squalid apartments to country estates to hipster bars, these plays give us characters grasping for meaning and human connection in an age of material abundance and moral dislocation. Unflinching, yet marked by exquisite moments of grace, they mark the arrival of a significant dramatic voice.
The Sleepers delves into the intricate lives of three incredibly authentic characters as they navigate the tumultuous currents of modern relationships and ambitions. Akari is a successful cinematographer entangled in a turbulent romance with the younger Suzanne. Her sister, Mariko, confronts her lost dreams of acting, seeking solace and validation through an old connection. Meanwhile, Dan, Mariko’s partner and a leftist academic, struggles with personal failures and teeters on the brink of a scandalous affair. As their interwoven dramas unfold, they converge at a poignant and emotional crossroads. With its razor-sharp dialogue and insightful observations, The Sleepers delivers a stylish and unflinching examination of love, ambition, and the search for meaning in a fractured world.
. . . from expected death comes unexpected new life!" The Gospel of Matthew does not shy away from the realities of struggle, suffering, doubt, and death. Yet, from the first names in the genealogy to the last words spoken by Jesus, the Gospel testifies to the promise that from expected death comes unexpected new life. Through the actions of Tamar, Rahab, Ruth, and Bathsheba, we experience the expectation of death and the promise of unexpected new life. In the birth story of Jesus, Joseph suspects Mary of committing adultery. It is this dilemma that is the focus of the narrative. If he reveals her pregnancy, she could be killed. If he conceals her pregnancy, he will be going against the law of the Lord. What is a righteous man to do? In Joseph's dilemma, this experience of expected death, the Gospel of Matthew proclaims the promise of unexpected new life. The promise of unexpected new life is a theme that continues throughout Matthew's Gospel in the life and ministry of Jesus. The call of his disciples is a call from death to new life. The teaching of Jesus focuses on the experience of death and the promise of new life. In both healing and curing, Jesus brings unexpected new life to those who face death. But it is the death and resurrection of Jesus that is the climax of unexpected new life in the Gospel of Matthew. Even as Jesus experiences a most horrific and humiliating death in the crucifixion, death and the grave do not have the final say. In bearing witness to Jesus' resurrection, the Gospel of Matthew proclaims the magnificent promise of unexpected new life. Matthew J. Marohl invites you in these pages to read the Gospel of Matthew in a new way, from a fresh perspective. Integrating insights from the study of Mediterranean anthropology, Marohl makes the cultural world of the Gospel come alive, so that as you read Matthew again (or perhaps for the first time) you will certainly experience the powerful promise that from expected death comes unexpected new life!
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