As a student in the 1950s, Matthew J. Bruccoli began collecting books by F. Scott Fitzgerald, a practice that culminated in the development of the Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald at the University of South Carolina, an unrivaled research archive of materials by and relating to the now-celebrated author. In F. Scott Fitzgerald in the Marketplace, Bruccoli chronicles Fitzgerald's posthumous rise in literary reputation--and the corresponding rise in collectibility of all things Fitzgerald--as evidenced by listings from auction house and antiquarian bookseller catalogues. Of keen interest to bibliophiles and scholars of American literature, this volume serves as a thoughtful examination of the revival of interest in Fitzgerald's life and work over the past seven decades.
Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue. The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.
A tribute to a man whose life's work has centered on the study of authorship and who is a scholar and book collector of the first magnitude, The Professions of Authorship examines the business of writing, publishing, and selling books - or what George V. Higgins describes in this volume as a "perplexing, disorganized, chameleonic enterprise". Twenty-three authors, publishing professionals, and scholars who share Matthew J. Bruccoli's love and knowledge of books offer candid observations and opinions about the past, present, and future of publishing. In doing so, they unravel many of the mysteries surrounding this tradition-bound endeavor.
This book provides readers with practical advice on how to effectively manage and overcome a crisis. The authors offer guidelines for taking the many challenges that crisis present and turning those challenges into opportunities.--[book cover].
Working with the complete collection of Tender is the Night manuscripts in the Princeton University Library, Matthew J. Bruccoli reconstructs seventeen drafts and three versions of the novel to answer questions about F. Scott Fitzgerald's major work that have long puzzled critics of modern literature. In 1934, nine years after the appearance of The Great Gatsby, Fitzgerald permitted publication of Tender is the Night. Disappointed by its critical reception, Fitzgerald suggested that the structure of the novel should be drastically rearranged. In 1951, eleven years after his death, Charles Scribner's Sons brought out an edition that incorporated Fitzgerald's changes. Controversy arose over the merits of the two published versions and over the "nine lost years" in Fitzgerald's life between his two great novels, years of rewriting before publication of Tender is the Night that resulted in six cartons of notes and drafts. After analyzing this wealth of material, Bruccoli reconstructs every working stage in the novel and reaches his own conclusions about which edition is the most valid.
Presents a history of the agency, from its inception in 1945, to its role in the Cold War, to its controversial advisory position at the time of the Bush administration's search for weapons of mass destruction in Iraq, shortly before the invasion of 2003.
One of Literary Hub's Most Anticipated Books of 2022 A “brilliant London historian” (BBC Radio) tells the story of Britain as never before—through its abandoned villages and towns. Drowned. Buried by sand. Decimated by plague. Plunged off a cliff. This is the extraordinary tale of Britain’s eerie and remarkable ghost towns and villages; shadowlands that once hummed with life. Peering through the cracks of history, we find Dunwich, a medieval city plunged off a cliff by sea storms; the abandoned village of Wharram Percy, wiped out by the Black Death; the lost city of Trellech unearthed by moles in 2002; and a Norfolk village zombified by the military and turned into a Nazi, Soviet, and Afghan village for training. Matthew Green, a British historian and broadcaster, tells the astonishing tales of the rise and demise of these places, animating the people who lived, worked, dreamed, and died there. Traveling across Britain to explore their haunting and often-beautiful remains, Green transports the reader to these lost towns and cities as they teeter on the brink of oblivion, vividly capturing the sounds of the sea clawing away row upon row of houses, the taste of medieval wine, or the sights of puffin hunting on the tallest cliffs in the country. We experience them in their prime, look on at their destruction, and revisit their lingering remains as they are mourned by evictees and reimagined by artists, writers, and mavericks. A stunning and original excavation of Britain’s untold history, Shadowlands gives us a truer sense of the progress and ravages of time, in a moment when many of our own settlements are threatened as never before.
A Best Book of the Year at The Atlantic Los Angeles Times Bestseller "[An] absorbing and revealing book. . . . nestling in the fruitful terrain between memoir and criticism." —Geoff Dyer, author of Out of Sheer Rage Blending memoir and cultural criticism, Matthew Specktor explores family legacy, the lives of artists, and a city that embodies both dreams and disillusionment. In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor’s first literary idol, someone whose own passage through Hollywood had, allegedly, broken him. Freshly divorced, professionally flailing, and reeling from his mother’s cancer diagnosis, Specktor was feeling unmoored. But rather than giving in or “cracking up,” he embarked on an obsessive journey to make sense of the mythologies of “success” and “failure” that haunt the artist’s life and the American imagination. Part memoir, part cultural history, part portrait of place, Always Crashing in the Same Car explores Hollywood through a certain kind of collapse. It’s a vibrant and intimate inspection of failure told through the lives of iconic, if under-sung, artists—Carole Eastman, Eleanor Perry, Warren Zevon, Tuesday Weld, and Hal Ashby, among others—and the author’s own family history. Through this constellation of Hollywood figures, he unearths a fascinating alternate history of the city that raised him and explores the ways in which curtailed ambition, insufficiency, and loss shape all our lives. At once deeply personal and broadly erudite, it is a story of an art form (the movies), a city (Los Angeles), and one person’s attempt to create meaning out of both. Above all, Specktor creates a moving search for optimism alongside the inevitability of failure and reveals the still-resonant power of art to help us navigate the beautiful ruins that await us all.
Continuing on from the bestselling true crime stories Three Crooked Kings and Jacks and Jokers, All Fall Down follows Terry Lewis as he becomes police commissioner and the era of corruption at the highest levels of the police and government goes on. As the Queensland police become more connected with their corrupt colleagues in Sydney, the era of heavy drugs and crime also begins. Tony Murphy and Glen Hallahan, two of the original "crooked kings," become more enmeshed with "The Joke" which is run by bagman Jack Herbert. All Fall Down introduces new characters, more extraordinary behavior outside the law by the law, and along the way it charts the meteoric rise of police commissioner Terry Lewis. But with the arrival of the Fitzgerald Inquiry in the late 1980s, many will fall—and it's not always the people who should. Once again award-winning journalist and novelist Matthew Condon has drawn from unprecedented access to Terry Lewis, as well as hundreds of interviews with key players and conspirators to craft the definitive account of the rise—and spectacular fall—of one man, an entire state, and over a generation of corruption.
The first exploration of the profound and often catastrophic impact the American Revolution had on the rest of the world. While the American Revolution led to domestic peace and liberty, it ultimately had a catastrophic global impact-it strengthened the British Empire and led to widespread persecution and duress. From the opium wars in China to anti-imperial rebellions in Peru to the colonization of Australia-the inspirational impact the American success had on fringe uprisings was outweighed by the influence it had on the tightening fists of oppressive world powers. Here Matthew Lockwood presents, in vivid detail, the neglected story of this unintended revolution. It sowed the seeds of collapse for the preeminent empires of the early modern era, setting the stage for the global domination of Britain, Russia, and the United States. Lockwood illuminates the forgotten stories and experiences of the communities and individuals who adapted to this new world in which the global balance of power had been drastically altered.--Adapted from jacket.
In Augustine’s Cyprian Matthew Gaumer retraces how Augustine of Hippo devised the ultimate strategy to suppress Donatist Christianity, an indigenous form of the religion in ancient North Africa. Spanning nearly forty years, Augustine’s entire clerical career was spent combating the Donatists and seeking the dominance of the Catholic Church in North Africa. Through a variety of approaches Augustine evolved a method to successfully outlaw and deconstruct the Donatist Church’s organisation. This hinged on concerted preaching, tract writing, integrating Roman imperial authorities, and critically: by denying the Donatists’ exclusive claim to Cyprian of Carthage. Re-appropriation of Cyprian’s authority required Augustine and his allies to re-write history and pose positions contrary to Cyprian’s. In the end, Cyprian was the Donatists’ no longer.
What makes Methodist worship "Methodist" or "Wesleyan?" How do Methodists evaluate emerging forms of worship in light of their own liturgical heritage? This book considers these questions by bringing to light the work and significance of three Methodist liturgists who have until now received precious little scholarly focus: Thomas O. Summers (1812-1882), Nolan B. Harmon (1892-1993), and James F. White (1932-2004). Exploring each one’s contribution to the Methodist movement, it evaluates their continuing legacies as scholars and practitioners of Methodist worship. Importantly, the work of all these men occurred during times of cultural change, which gave rise to new ways of worship within the landscape of American Methodism. Addressing them in chronological order, this study shows how each figure enacted liturgical reform and renewal by drawing from the liturgical textual tradition inherited directly from John Wesley’s Sunday Service of the Methodist in North America as well as the hymnody of Charles Wesley. It also demonstrates how they sought to inculturate the Wesleyan liturgical tradition in the midst of these significant changes. Evaluating historic and emerging trends in Methodist liturgical praxis, this is a book that will be of great interest to scholars of Methodism, the History of Religion, Liturgical Studies and Theology.
For those interested in finding a computer application well-suited for their own qualitative research or just learning more about the capabilities of the latest generation of computer software designed with text, Computer Programs for Qualitative Data Analysis by Eben A. Weitzman and Matthew B. Miles probably represents the single investment they can make. . . . In Computer Programs for Qualitative Data Analysis, Weitzman and Miles . . . provide a critical, in-depth look at 24 separate applications. The authors make an impressive team: Weitzman is a professor of social and organizational psychology with an extensive computer background, and Miles is a social psychologist who is well-known in the field of qualitative research for co-authoring a popular book on qualitative data analysis with A. Michael Huberman. Together, the two researchers have produced an informative, user-friendly sourcebook that can save readers a significant amount of time and money when shopping for a software program for qualitative data analysis. Weitzman and Miles clearly put a tremendous amount of work into Computer Programs for Qualitative Data Analysis; they write their reviews of each application in remarkably lucid and jargon-free language in a format reminiscent of Consumer Reports. The level of detail in the reviews reflects their careful and thoughtful field-testing of 24 software programs. Reviews average about 10 pages each and actually show you what each application can do, and every review includes a series of realistic visuals (complete with helpful captions) that display what the computer screen looks like when performing various functions with that specific computer program. In addition to describing the special features of each computer program, Weitzman and Miles discuss the strengths and weaknesses of every application and make explicit comparisons with other applications in the same ′family.′ "Sage Publications deserves special credit for their role in publishing Computer Programs for Qualitative Data Analysis. Instead of issuing this book in hardcover and attaching a hefty price tag, they released it as an oversized (81/2-by-11-inch) paperback and made this valuable information available at a modest cost. Computer Programs for Qualitative Data Analysis is the most comprehensive resource on its subject currently available, and is an excellent starting point for qualitative researchers interested in integrating computer technology more fully into their own data analysis strategies." --Harvard Educational Review "The book by Weitzman & Miles is one of many new books on computers and qualitative software and indeed a good one. . . . The book is truly a user′s book--one of the useful ones. . . . After this first feeling of self-confidence, I just kept on reading the book and found very thorough and illuminative reviews of no less that 24 computer programs for qualitative analysis. . . . Renata Tesch initiated the work of making it easier for us to survey the qualitative analysis methods--Weitzman & Miles carry on in the finest way." --Nyhedsbrer "Although the authors have a background in social and organizational psychology, their expertise on qualitative research methods is relevant to gerontologists. . . . The authors give a history of the use of computers in qualitative data analysis, describe the different types of programs, and suggest future directions, but the bulk of this book is reviews of the software out there. . . . Before you spend several hundred dollars on a software program, spend thirty and get this book." --T. L. Brink in Clinical Gerontologist "Eben A. Weitzman and Matthew B. Miles′s valuable sourcebook on computer programs is designed exclusively for those interested in qualitative data analysis. . . . For qualitative researchers who want to learn or update their knowledge of the use of computer software." --Choice "What program do I use to analyze my field notes? Eben A. Weitzman and Matthew B. Miles provide the information you need to make that decision intelligently: full descriptions, informed judgments, and helpful comparisons. Anyone who does fieldwork needs this book." --Howard Becker, Department of Sociology, University of Washington, Seattle "This will be the standard work of reference for several years to come. We owe the authors a considerable debt of gratitude for all the work they have put into reviewing such a comprehensive range of software. The result is incredibly lucid." --Paul Atkinson, University of Wales, Cardiff "The book is absolutely perfect for my situation. I don′t know how many readers will be in the position of purchasing software for respective labs, but those who are will be in for a real treat. The comprehensiveness of the reviews is more than adequate to determine whether a particular program meets the needs of an individual or group. . . . It is the most comprehensive book of its kind, for any kind of software, that I have ever seen." --Steven E. Wolfel, Research Publishing Consultant "Making decisions about choosing software for qualitative data analysis can be intimidating and I think this book will be an excellent resource for those of us who are involved in this type of research. I found this to be an extremely well-thought-out and informative resource book. The detail is wonderful." --Kathleen R. Gilbert, Indiana University, Bloomington Do you want to start, extend, or update your use of computer software for qualitative data analysis? If so, this clear and user-friendly guidebook is for you. Without assuming its reader has extensive computer experience, Computer Programs for Qualitative Data Analysis takes a critical yet practical look at the wide range of software currently available. It gives detailed reviews of 24 programs in five major categories (text retrievers, textbase managers, code-and-retrieve programs, code-based theory-builders, and conceptual network-builders) and gives ratings of more than 75 features per program. The authors also provide detailed guidance in operating each program. They help you to ask key questions about your computer use--the nature of your project, time line, analyses planned, and the worksheets required--to help you identify the programs best suited to your needs. Up-to-date and practical, Computer Programs for Qualitative Data Analysis is an absolute must-have book for any qualitative researcher who uses--or wants to use--computer programs in analyses.
This is a story of invention and chemistry and the ineluctable fate of the inventor of nylon. Wallace Carothers was hired by DuPont in 1928 to lead a program called basic research. Carothers brought a passion to his work, and wanted to synthesize large molecules that would challenge Emil Fischer's largest molecule of 4200 molecular weight. In a burst of creativity in the spring of 1930, Carothers gave us our first truly synthetic rubber and fiber. The rubber quickly became neoprene; the fiber, in time, led to nylon. Carothers took an infant science called polymer chemistry, defined it, and guided it toward its present maturity. He gave us condensation polymerization. Hermes tells Carothers' story - his sudden, dramatic research successes and his relentless slide into depression, alcohol, and suicide - through Carothers' revealing letters to his professional colleagues (Roger Adams, C. S. Marvel, John R. Johnson) and his family and college classmates. At the end, Carothers' habit was to hide himself from his co-workers and friends. Hermes' narrative searches for the shrouded heart of the inventor's story by using stories of F. Scott Fitzgerald and other contemporaries as parables from which Carothers' truth may be drawn.
A boy’s wish to be a star wrestler is granted in this wacky middle-grade fantasy Ollie and his older brother, Hollis, have wrestling in their blood: Their mom was a pro whose dreams of stardom were dashed by a devious opponent. Now she’s an overworked, underpaid ref at Slamdown Town, the local arena. Ollie’s goal in life is to win the golden championship belt for his mom—immediately followed by his other goal: to hang his bully of a brother from the roof by his tightie-whities. But there’s one problem: Ollie inherited their estranged dad’s puny frame, while Hollis got their mom’s brawn. Thus Ollie has resigned himself to a fate of wrestling mediocrity and wet willies . . . until the day Hollis gifts him a piece of stale gum and forces him to chew it. Ollie soon discovers that the gum—bought on eBay and formerly chewed by a wrestling legend— has an unusual side effect: the ability to physically transform Ollie into a pro wrestler. As Big Chew, Ollie’s finally able to put Hollis in his place and be a star. But when trouble befalls his family, being Big Chew gets a lot more complicated. In the end, Ollie knows he can’t have it all; and it’s only when he asks himself who he really is that he learns what it means to be a champion.
Historians have widely studied the late-nineteenth-century southern agrarian revolts led by such groups as the Farmers' Alliance and the People's (or Populist) Party. Much work has also been done on southern labor insurgencies of the same period, as kindled by the Knights of Labor and others. However, says Matthew Hild, historians have given only minimal consideration to the convergence of these movements. Hild shows that the Populist (or People's) Party, the most important third party of the 1890s, established itself most solidly in Texas, Alabama, and, under the guise of the earlier Union Labor Party, Arkansas, where farmer-labor political coalitions from the 1870s to mid-1880s had laid the groundwork for populism's expansion. Third-party movements fared progressively worse in Georgia and North Carolina, where little such coalition building had occurred, and in places like Tennessee and South Carolina, where almost no history of farmer-labor solidarity existed. Hild warns against drawing any direct correlations between a strong Populist presence in a given place and a background of farmer-laborer insurgency. Yet such a background could only help Populists and was a necessary precondition for the initially farmer-oriented Populist Party to attract significant labor support. Other studies have found a lack of labor support to be a major reason for the failure of Populism, but Hild demonstrates that the Populists failed despite significant labor support in many parts of the South. Even strong farmer-labor coalitions could not carry the Populists to power in a region in which racism and violent and fraudulent elections were, tragically, central features of politics.
On June 9, 1978, Church of Jesus Christ of Latter-day Saints (LDS) president Spencer W. Kimball announced a revelation lifting the church's 126-year-old ban barring Black people from the priesthood and Mormon temples. It was the most significant change in LDS doctrine since the end of polygamy almost 100 years earlier. Drawing on never-before-seen private papers of LDS apostles and church presidents, including Spencer W. Kimball, Matthew L. Harris probes the plot twists and turns, the near-misses and paths not taken, of this incredible story.
“An amusing (really) account of the murderous ways of despots, slave traders, blundering royals, gladiators and assorted hordes.”—New York Times Evangelists of human progress meet their opposite in Matthew White’s epic examination of history’s one hundred most violent events, or, in White’s piquant phrasing, “the numbers that people want to argue about.” Reaching back to the Second Persian War in 480 BCE and moving chronologically through history, White surrounds hard facts (time and place) and succinct takeaways (who usually gets the blame?) with lively military, social, and political histories.
Afterlives of Abandoned Work considers the relevance of unfinished projects to literary history and criticism, looking beyond famous posthumous work to investigate the abandoned everyday, from scrapped plans and rejected ideas to half-written novels or unfinished artistic works. It traces how the reading of abandoned creative endeavor-whether arriving in the form of a rejection letter, a disagreement with a collaborator, or the simple act of walking away from one's desk-can change the way we think about cultural production, the creative process, and the intellectual construction of everyday life. Over five distinct journeys through a variety of archives, from major research libraries to the unique collections of individual enthusiasts, Matthew Harle draws surprising connections between literary studies, media studies, and visual arts, exploring unfinished projects from Thomas Pynchon, Muriel Spark, B.S. Johnson, Harold Pinter, and others. Rooted in literary criticism, Afterlives of Abandoned Work reads unbuilt buildings, unfilmed screenplays, and unpublished novels and radio sketches as forms of text that can help us consider the enduring fragmentation and anecdotal construction of cultural form, as well as expand literary criticism's approach to the archive.
Annexation and the Unhappy Valley: The Historical Anthropology of Sindh’s Colonization addresses the nineteenth century expansion and consolidation of British colonial power in the Sindh region of South Asia. It adopts an interdisciplinary approach and employs a fine-grained, nuanced and situated reading of multiple agents and their actions. It explores how the political and administrative incorporation of territory (i.e., annexation) by East India Company informs the conversion of intra-cultural distinctions into socio-historical conflicts among the colonized and colonizers. The book focuses on colonial direct rule, rather than the more commonly studied indirect rule, of South Asia. It socio-culturally explores how agents, perspectives and intentions vary—both within and across regions—to impact the actions and structures of colonial governance.
In the 1980s, Neil Hornsby was one of very few National Football League fans in England. Never one to do anything casually, he began keeping hand-written score sheets of every game using his own tracking system. Soon he'd enlisted some fellow British super fans in his mission to take football information an extra layer deeper. This was the beginning of Pro Football Focus, an analytics company that now supplies data to all 32 NFL teams and every major broadcasting corporation. PFF player grades appear on the screen during Sunday Night Football broadcasts, and PFF's pioneering research and analysis informs discussions at the highest level, from coaching to drafting to game-planning and player evaluation. In Football Is a Numbers Game, Matthew Coller chronicles this improbable start-up tale with unprecedented access, exploring the company's origin as a band of obsessive outsiders, its pivotal acquisition by Cris Collinsworth, and its role in the proliferation of data in the NFL and professional sports. Featuring a cast of memorable characters, this is a portrait of an unlikely business success as well as a behind-the-scenes look at the forces guiding modern NFL teams as they search for a competitive edge.
Flagging enrollments. Disappearing majors. Closed departments. The academic study of religion is in trouble. No Bosses, No Gods argues that Karl Marx is essential for reversing course—but it will take letting go of what most scholars think they know about him. The book’s first half draws on the scholarship of international specialists—as well as new translations of the original German texts—to present Marx the anti-theorist, a political journalist deeply skeptical about what happens when the professoriate sits down to "theorize" about social worlds. The second half appeals to this modified portrait of Marx and charts a new course beyond both actually existing religious studies and contemporary genealogies of the religion category. The result, perhaps, is an academic study of religion worth having in the twenty-first century.
A portrait of the trailblazing film producer whose career spanned five decades."Bernstein packs an astonishing amount of solid film history into his lucid chronicle of Wangers whirlwind corporate liaisons. ... A fully realized, A-line biopic of a fascinating life in the movies."Tom Doherty, Film Quarterly.
Collected here are the biographies which revealed aspects of their subjects that the more favourable "official" accounts tended to hide. The life of the author of each text is described, and their relation to the writers they portray is sketched in.
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