Studies of the interactions between plants and their viral, bacterial and fungal pathogens are of major importance in plant and crop production. More than 10% of potential agricultural yield is lost to these organisms annually worldwide, and major epidemics can cause significant local economic and environmental damage. Molecular Plant Pathology addresses the underlying molecular principles of plant/pathogen interactions, in a readily-accessible textbook format.
One of the most important issues facing today’s contemporary church is the subject of public worship. What does God require from sinners who draw near to him in this ordinance? Surveying the landscape of American Colonial preachers on this topic is exceedingly illuminating. In theological kinship to their Puritan counterparts, New World preachers were vehement in their desire to explain the particulars of prescribed worship according to God’s word. Their solid biblical conviction and passion gives the contemporary church a scriptural remedy for understanding God’s requirements. This anthology is compiled of six enlarged sermons and one lecture, all of which have never been published since the days the original preachers ministered in their respective congregations. They are: The Sinfulness of Worshipping God with Men’s Institutions by Samuel Willard (1640-1707) taken from Matthew 15:9, “But in vain do they worship me, teaching for doctrines the commandments of men.”. The Vanity of Human Institutions in the Worship of God by Jonathan Dickinson (1688-1747) taken from Gal. 4:9, “…how turn you again to the weak and beggerly elements, whereunto ye desire again to be in bondage?” The Great Sin of Formality in God’s Worship by Joshua Moodey (1633-1697) taken from Hosea 11:12, “Ephraim compasseth me about with lies, and the house of Israel with deceit.” The Duty of Worshipping God in His House by Nathan Stone (1737-1804) taken from Psalm 5:7, “But as for me, I will come into thy house, in the multitude of thy mercy; and in thy fear will I worship toward thy holy temple.” And then two unpublished sermons and one lecture from Jonathan Edwards (1703-1758): The Profanation of God’s Holy Worship taken from Ezekiel 23:36-39, “…they have committed adultery…then they came the same day into my sanctuary to profane it.” Provoking the Lord to Jealousy in the Worship of God taken from 1 Cor. 10:22, “Do we provoke the Lord to jealousy? Are we stronger than he?” And an Appendix: The Holiness of God taken from Isaiah 6:3, “And one cried unto another and said holy, holy, holy is the Lord of hosts.” This work is not a scan or facsimile, has been carefully transcribed by hand being made easy to read in modern English, and has an active table of contents for electronic versions.
One of the most celebrated women of her time, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War. In "America's Joan of Arc," Gallman offers the first full-length biography of Dickinson to appear in over half a century.
Dickinson’s work before you is one of fundamentals. He has chosen four areas of the fundamentals of the faith (basic Christian theology) to bring to you its reasonableness. It is both a Scriptural and rational endeavor to understand the basics of the Christian faith and jettison you into the larger branches of basic Christian truth. He makes Christians think, and while thinking, shows them the nature of fundamental Christianity, i.e. that it is reasonable (because God is reasonable) and it directly distills truth about the perfections and character of the most high God (which is the very reason Jesus came, John 1:18, to declare the Father). Not only does it encapsulate the fundamentals of the faith, but it is rational. The Christian Gospel is rational and can be shown to be rational. Because God is rational. Dickinson, in this cause of showing forth the rational and reasonable aspects of the fundamentals of the faith will cover, in four sermons, the being and attributes of God, the rational evidence of man’s fall in the garden, the mediation of the man Christ Jesus, the evidence of Christ’s work and merit from Old Testament prophecy, and the New Testament argument from miracles performed by Jesus Christ. Or, as Foxcroft says in the introductory chapter, Dickinson links together, “a numerous train of arguments drawn together in a comprehensive manner that deserve very attentive consideration.” With such attentive consideration, by the end of the work, you will come away with the fundamentals of the faith, and the reasonableness of the Christian religion.
This volume attempts to throw fresh light on two areas of Benjamin Franklin’s intellectual world, namely: his self-fashioning and his political thought. It is an odd thing that for all of Franklin’s voluminous writings—a fantastically well-documented correspondence over many years, scientific treatises that made his name amongst the brightest minds of Europe, newspaper articles, satires, and of course his signature on the Declaration of Independence and the U.S. Constitution—and yet scholars debate how to get at his political thought, indeed, if he had any political philosophy at all. It could be argued, that he is perhaps the American Founder most closely associated with the Enlightenment. Similarly, for a man who left so much evidence about his life as a printer, bookseller, postmaster, inventor, diplomat, politician, scientist, among other professions, one who wrote an autobiography that has become a piece of American national literature and, indeed, a contribution to world culture, the question of who Ben Franklin continues to engage scholars and those who read about his life. His identity seems so stable that we associate it with certain virtues that apply to the way we live our lives, time management, for example. The image of the stable figure of Franklin is applied to create a sense of trust in everything from financial institutions to plumbers. His constant drive to improve and fashion himself reveal, however, a man whose identity was not static and fixed, but was focused on growth, on bettering his understanding of himself and the world he lived in and attempted to influence and improve.
One of the most celebrated women of her time, a spellbinding speaker dubbed the Queen of the Lyceum and America's Joan of Arc, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War and remained in the public eye for the next three decades. J. Matthew Gallman offers the first full-length biography of Dickinson to appear in over half a century. Gallman describes how Dickinson's passionate patriotism and fiery style, coupled with her unabashed abolitionism and biting critiques of antiwar Democrats--known as Copperheads--struck a nerve with her audiences. In barely two years, she rose from an unknown young Philadelphia radical, to a successful New England stump speaker, to a true national celebrity. At the height of her fame, Dickinson counted many of the nation's leading reformers, authors, politicians, and actors among her friends. Among the dozens of famous figures who populate the narrative are Susan B. Anthony, Whitelaw Reid, William Lloyd Garrison, Frederick Douglass, Elizabeth Cady Stanton, and Harriet Beecher Stowe. Gallman shows how Dickinson's life illuminates the possibilities and barriers faced by nineteenth-century women, revealing how their behavior could at once be seen as worthy, highly valued, shocking, and deviant.
Below the surface of bustling National City lies the story of olive and citrus orchards, grand Victorian homes, great wealth, and the coming of the first railroad. Founded in 1868 by Frank Kimball, National City is credited with multiple distinguished firsts. On the county level, the San Diego County Fair originated here, the first novel published was by a National City pioneer, the first free kindergarten opened here, the first automobile was built here, and the first railroad terminus was located here. On the state level, the first woman to serve as an elected member of a school board lived in National City. Today the city is home to 61,000 residents; and as an accessible and diverse community, all eyes now look upon National City as it begins to experience a renaissance of growth and commerce.
Compelling Confessions: The Politics of Personal Disclosure is a collection of essays whose shared purpose is to offer an accessible interdisciplinary exploration of the social dynamics behind confessional discourse. As various contributors to this collection demonstrate, confession is ubiquitous in contemporary culture, not only within psychological or therapeutic frameworks or literary analysis, but also in internet discussion groups, in the criminal justice system, in political rhetoric, in so-called 'reality' and interview-style television programming, in writing pedagogy and, increasingly, in the testimonial strain observable in contemporary scholarship. Yet, 'telling one's story' raises questions, not only about authorial intent or authenticity, but also about the pressures disclosure can impose upon its audiences. Far less ubiquitous than confessions themselves, as these contributors suggest, are the critical tools that general audiences might employ in order to better evaluate the rhetoric of personal disclosure. It is, in fact, the shortage of such tools – responses and procedures that could be stated plainly and implemented by any reader or viewer – that Compelling Confessions sets out to address.
Matthew J. Babcock's Private Fire: Robert Francis's Ecopoetry and Prose is an examination of the life and work of one of America's most intriguing but tragically obscure writers. Babcock uses his own personal relationship Robert Francis's work, which emphasizes conservation and connectedness to our natural surroundings, to illuminate both overtones and nuances that are undoubtedly useful to those interested in poetry and ecology. Babcock begins with a brief biographical section intended to set the tone for readers previously unfamiliar with Robert Francis and then continues into an analysis of the influence of Emily Dickinson and Robert Frost on Francis's work. Starting in Chapter Three, Private Fire shifts into the realm of literary analysis and discusses various angles of Francis's work, from representations of gender and sexual identity; prose contributions, both fiction and non-fiction; religion and politics; to themes of conservation, place-making, experimental poetic styles, and asceticism, finishing with a discussion of Francis's only long narrative poem, 'Valhalla.' This poem joins other prophetic works in musing upon environmental apocalypticism. Matthew J. Babcock finishes this detailed and thoughtful volume with concluding meditations that situate Robert Francis with his contemporaries, helping readers to locate him historically and contextually amongst other 20th century writers. By using biography and literary theory as the lens through which one interprets Francis's work, Private Fire: Robert Francis's Ecopoetry and Prose successfully navigates the literary and cultural environment surrounding a poet who himself was so connected with the world around him.
From 1650 to 1750 the provision of medical care for injured seamen in the Royal Navy underwent a major transformation, shifting from care provided by civilians in private homes to care at hospitals run by the navy. Early Modern Naval Health Care in England examines the factors responsible for the emergence of centralized naval health care over the course of a century. In 1650 sick and injured Royal Navy sailors were billeted in homes in coastal communities where civilians were paid to look after them. Care work, which involved making meals and feeding patients, administering medicines, washing clothes and bed linens, and shaving and cutting hair, was essential to the recovery of tens of thousands of seamen – and it was done mostly by women. Beginning at the turn of the eighteenth century, naval health care moved to a more centralized system based in hospitals, where the conduct of sailors and care workers could be overseen. A key factor driving this change was the relationships between naval officials and female civilian caregivers, which were often fraught. Yet even with the shift to naval hospital settings, most care for convalescing sailors continued to be provided by women. Early Modern Naval Health Care in England shines a light on the care work that lay behind England’s formidable Royal Navy during the Age of Sail.
A profound, eloquent meditation on the history of writing, from Mesopotamia to multimedia. Why does writing exist? What does it mean to those who write? Born from the interplay of natural and cultural history, the seemingly magical act of writing has continually expanded our consciousness. Portrayed in mythology as either a gift from heroes or a curse from the gods, it has been used as both an instrument of power and a channel of the divine; a means of social bonding and of individual self-definition. Now, as the revolution once wrought by the printed word gives way to the digital age, many fear that the art of writing, and the nuanced thinking nurtured by writing, are under threat. But writing itself, despite striving for permanence, is always in the midst of growth and transfiguration. Celebrating the impulse to record, invent, and make one's mark, Matthew Battles reenchants the written word for all those susceptible to the power and beauty of writing in all of its forms.
This work explores the lyric poem as an indispensable artifact at the intersection of literary and media studies and a critical index of the social history of technological change"--
A music critic presents a revelatory work of music history that analyzes Beethoven's iconic symphony, assessing the composer's influences and legacy while challenging popular beliefs that Beethoven was deaf at the time of the Fifth's composition.
Alphabetically arranged and crossreferenced entries provide background information on major American painters, sculptors, printmakers, and photographers, plus important topics and movements central to American art from the sixteenth century to the present.
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