The study of medieval liturgy can tell us a great deal not only about the worship of the church, but also about the people who practised it. However, existing scholarship can be problematic and difficult to use. This short book aims to unsettle the notion that liturgiology is a mysterious, abstruse, and monolithic discipline. It challenges some scholarly orthodoxies, hints at the complexity of the liturgy and shows that it needs to be examined in new and different ways.
Cataloguing Discrepancies reviews the description and cataloguing, from the early eighteenth century to the present day, of an early English Breviary, printed in 1493. With a critical eye, Andrew Hughes summarizes the work that has been done on this liturgical book, of which two complete copies and a number of fragments are extant. How these copies have been described - and more importantly how these accounts differ - is a central question of this volume. Based on the discrepancies and errors in the existing catalogues of medieval liturgical books, many of which repeat erroneous information for generations, the authors illustrate the defects, problems, and opportunities encountered when technologies of the fifteenth and the twenty-first centuries converge. Not only questioning existing bibliographical practices, Cataloguing Discrepancies suggests practical means for improvements to the future description of early printed books of this kind.
This study considers what Christian worship has meantto its contemporaries across the centuries. It treats different episodes in the history of the Christian Church and applies to each episode the questions: Why did Christians go to church? Why worship? What happened to Christians there, substantively and otherwise, and how did they respond? With these particular queries as well as passages from contemporary theological and liturgical texts as a starting-point, Cheung Salisbury carefully explores the evidence for the functions of Christian worship. He argues that the purpose and function of worship in Christian life has never been static and the particular approach of different periods to the liturgy has been moderated by wider cultural influences, by theological developments and changes, and by the particular circumstances in which the worship was carried out. Cheung Salisbury proposes that the various forms of worship through the centuries and the understanding of liturgy and worship among and upon Christians demonstrates the variety of ways that Christian living operates in service of God.
Cataloguing Discrepancies reviews the description and cataloguing, from the early eighteenth century to the present day, of an early English Breviary, printed in 1493. With a critical eye, Andrew Hughes summarizes the work that has been done on this liturgical book, of which two complete copies and a number of fragments are extant. How these copies have been described - and more importantly how these accounts differ - is a central question of this volume. Based on the discrepancies and errors in the existing catalogues of medieval liturgical books, many of which repeat erroneous information for generations, the authors illustrate the defects, problems, and opportunities encountered when technologies of the fifteenth and the twenty-first centuries converge. Not only questioning existing bibliographical practices, Cataloguing Discrepancies suggests practical means for improvements to the future description of early printed books of this kind.
This study considers what Christian worship has meant to its contemporaries across the centuries. It treats different episodes in the history of the Christian Church and applies to each episode the questions: Why did Christians go to church? Why worship? What happened to Christians there, substantively and otherwise, and how did they respond? With these particular queries as well as passages from contemporary theological and liturgical texts as a starting-point, Cheung Salisbury carefully explores the evidence for the functions of Christian worship. He argues that the purpose and function of worship in Christian life has never been static and the particular approach of different periods to the liturgy has been moderated by wider cultural influences, by theological developments and changes, and by the particular circumstances in which the worship was carried out. Cheung Salisbury proposes that the various forms of worship through the centuries and the understanding of liturgy and worship among and upon Christians demonstrates the variety of ways that Christian living operates in service of God.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.