A new collection of J. M. Barrie's Peter Pan stories--from his first appearance in The Little White Bird to the final version of the Peter Pan play we know today.
In addition to the ever-popular "Peter Pan", J.M. Barrie also wrote social comedy and political satire. "The Admirable Crichton and "What Every Woman Knows" are shrewd contributions to the politics of class and gender, while "Mary Rose" is one of the best ghost stories written for the stage.
THE STORY: This is the beloved story of Peter, Wendy, Michael, John, Capt. Hook, Smee, the lost boys, pirates and the indians, and, of course, Tinker Bell, in their adventures in Never Land. However, for the first time, the play is here restored to Barrie
On the bump of green round which the brae twists, at the top of the brae, and within cry of T'nowhead Farm, still stands a one-storey house, whose whitewashed walls, streaked with the discoloration that rain leaves, look yellow when the snow comes. In the old days the stiff ascent left Thrums behind, and where is now the making of a suburb was only a poor row of dwellings and a manse, with Hendry's cot to watch the brae. The house stood bare, without a shrub, in a garden whose paling did not go all the way round, the potato pit being only kept out of the road, that here sets off southward, by a broken dyke of stones and earth. On each side of the slate-coloured door was a window of knotted glass. Ropes were flung over the thatch to keep the roof on in wind. Into this humble abode I would take any one who cares to accompany me. But you must not come in a contemptuous mood, thinking that the poor are but a stage removed from beasts of burden, as some cruel writers of these days say; nor will I have you turn over with your foot the shabby horse-hair chairs that Leeby kept so speckless, and Hendry weaved for years to buy, and Jess so loved to look upon.
Tells the story of the thousands of enslaved African Americans who fled to British forces during the war in what became the largest emancipation of enslaved Americans until the abolition of slavery in the United States. During the Anglo-American War of 1812, British forces launched hundreds of amphibious raids on the United States. The richest parts of the United States were slave-states, and thousands of enslaved African Americans fled to British forces in what was to be the largest emancipation of enslaved Americans until the abolition of slavery in the USA. From these refugees from slavery, the British built a force - the Corps of Colonial Marines. Black redcoats, they were a fusion of two great American fears, the return of the British King and an uprising by their own oppressed slaves. The Corps of Colonial Marines turned Britain's campaign on America's coasts from one of harassment to one of existential threat to the new nation. Although small in number, the Colonial Marines - fighting to liberate their own families as much as for Great Britain - exerted a massive psychological impact on the United States which paralysed American resistance with fear of a widespread slave uprising, and allowed British forces in the Chesapeake to burn down Washington DC. As well as examining this little-remembered part of British military and African-American history, this book will also look to the post-war history of the Colonial Marines, their continued survival as a unique ethnic group in the Caribbean today, and their involvement in the largest act of armed African-American resistance to slavery. The "Battle of Negro Fort" in 1816 was the only time American forces left American territory to destroy a fugitive slave community - a community led by former Colonial Marines who, when faced with American attack, raised the British flag. This book brings black history to the fore of the War of 1812, and gives a voice to those enslaved people who - amidst great power competition between a slave-holding Republic and a slave-holding Empire demonstrated exceptional bravery and initiative to gain precious freedom for themselves and their descendants.
Beginning in the 1950s, alleged sightings of unidentified flying objects in Canadian skies bred tension between the state and its citizens. While the public demanded to know more about the phenomenon, government officials appeared unconcerned and unresponsive. Suspicion of government deepened among certain sectors of Canadian society in the decades that followed, leading to demands for greater public transparency and a new kind of citizen activism. In Search for the Unknown Matthew Hayes uncovers the history of the Canadian government’s investigations into reports of UFOs, revealing how these reports were handled, deflected, and defended from 1950 to the 1990s. During this period Canadians filed more than 5,000 reports of UFO sightings – many with striking descriptions and illustrations – with branches of government and law enforcement. Although the government conducted some exploratory studies, officials were unable to solve the mystery of UFOs or provide satisfactory answers about their alleged existence, and they soon declared the matter closed. Dissatisfied citizens responded by taking matters into their own hands, starting UFO clubs and civilian investigation groups, and accusing the government of a cover-up. A mutual mistrust developed between citizens who were suspicious of their government and officials who dismissed their fears and anxieties. This provided fertile ground for anti-authoritarian attitudes and the cultivation of conspiracy theories. In an era of political division, and amid heightened awareness of states’ responsibilities for their citizens, Search for the Unknown reveals the challenges that governments face in responding to public anxieties and preserving trust in public institutions.
Despite the current economic and political situation in our country, poets, writers, artists, and other creatives have defied the odds and continued to churn their works and submit to produce this marvelous anthology. This eighth installment continues the tradition of giving new writers the platform to shine and to the seasoned writers, a shebeen to meet again and prolong the tradition. We hope you continue to read and follon the Zimbolicious anthology series.
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