Interrupting Capitalism traces the history of Catholic thinking about economic life from the perspective of a "theology of interruption." The church's social teaching provides a way for Christians to interrupt capitalism, to live out economic life faithfully in the midst of the global economy.
Debate rages within the Catholic Church about the ethics of war and peace, but the simple question of why wars begin is too often neglected. Catholics’ assumptions about the causes of conflict are almost always drawn uncritically from international relations theory—a field dominated by liberalism, realism, and Marxism—which is not always consistent with Catholic theology. In The Origins of War, Matthew A. Shadle examines several sources to better understand why war happens. His retrieval of biblical literature and the teachings of figures from church tradition sets the course for the book. Shadle then explores the growing awareness of historical consciousness within the Catholic tradition—the way beliefs and actions are shaped by time, place, and culture. He examines the work of contemporary Catholic thinkers like Pope John Paul II, Jacques Maritain, John Courtney Murray, Dorothy Day, Brian Hehir, and George Weigel. In the constructive part of the book, Shadle analyzes the movement within international relations theory known as constructivism—which proposes that war is largely governed by a set of socially constructed and cultural influences. Constructivism, Shadle claims, presents a way of interpreting international politics that is highly amenable to a Catholic worldview and can provide a new direction for the Christian vocation of peacemaking.
On March 24, 1980, a sniper shot and killed Archbishop Óscar Romero as he celebrated mass. Today, nearly four decades after his death, the world continues to wrestle with the meaning of his witness. Blood in the Fields: Óscar Romero, Catholic Social Teaching, and Land Reform treats Romero’s role in one of the central conflicts that seized El Salvador during his time as archbishop and that plunged the country into civil war immediately after his death: the conflict over the concentration of agricultural land and the exclusion of the majority from access to land to farm. Drawing extensively on historical and archival sources, Blood in the Fields examines how and why Romero advocated for justice in the distribution of land, and the cost he faced in doing so. In contrast to his critics, who understood Romero’s calls for land reform as a communist-inspired assault on private property, Blood in the Fields shows how Romero relied upon what Catholic Social Teaching calls the common destination of created goods, drawing out its implications for what property is and what possessing it entails. For Romero, the pursuit of land reform became part of a more comprehensive politics of common use, prioritizing access of all peoples to God’s gift of creation. In this way, Blood in the Fields reveals how close consideration of this conflict over land opened up into a much more expansive moral and theological landscape, in which the struggle for justice in the distribution of land also became a struggle over what it meant to be human, to live in society with others, and even to be a follower of Christ. Understanding this conflict and its theological stakes helps clarify the meaning of Romero’s witness and the way God’s work to restore creation in Christ is cruciform.
Although Aaron Copland (1900-1990) is often credited with creating an unmistakably American musical style, he was strongly attracted to the music of Gustav Mahler. Drawing extensively on archival and musical materials, this is the first detailed exploration of Copland's multifaceted relationship with Mahler's music and its lasting consequences for music in America. Matthew Mugmon demonstrates that Copland, inspired by Mahler's example, blended modernism and romanticism in shaping a vision for American music in the twentieth century, and that he did so through his multiple roles as composer, teacher, critic, and orchestral tastemaker. Copland's career-long engagement with Mahler's music intersected with Copland's own Jewish identity and with his links to such towering figures in American music as Nadia Boulanger, Serge Koussevitzky, and Leonard Bernstein"--
Black Skin, White Coats is a history of psychiatry in Nigeria from the 1950s to the 1980s. Working in the contexts of decolonization and anticolonial nationalism, Nigerian psychiatrists sought to replace racist colonial psychiatric theories about the psychological inferiority of Africans with a universal and egalitarian model focusing on broad psychological similarities across cultural and racial boundaries. Particular emphasis is placed on Dr. T. Adeoye Lambo, the first indigenous Nigerian to earn a specialty degree in psychiatry in the United Kingdom in 1954. Lambo returned to Nigeria to become the medical superintendent of the newly founded Aro Mental Hospital in Abeokuta, Nigeria’s first “modern” mental hospital. At Aro, Lambo began to revolutionize psychiatric research and clinical practice in Nigeria, working to integrate “modern” western medical theory and technologies with “traditional” cultural understandings of mental illness. Lambo’s research focused on deracializing psychiatric thinking and redefining mental illness in terms of a model of universal human similarities that crossed racial and cultural divides. Black Skin, White Coats is the first work to focus primarily on black Africans as producers of psychiatric knowledge and as definers of mental illness in their own right. By examining the ways that Nigerian psychiatrists worked to integrate their psychiatric training with their indigenous backgrounds and cultural and civic nationalisms, Black Skin, White Coats provides a foil to Frantz Fanon’s widely publicized reactionary articulations of the relationship between colonialism and psychiatry. Black Skin, White Coats is also on the cutting edge of histories of psychiatry that are increasingly drawing connections between local and national developments in late-colonial and postcolonial settings and international scientific networks. Heaton argues that Nigerian psychiatrists were intimately aware of the need to engage in international discourses as part and parcel of the transformation of psychiatry at home.
Interrupting Capitalism traces the history of Catholic thinking about economic life from the perspective of a "theology of interruption." The church's social teaching provides a way for Christians to interrupt capitalism, to live out economic life faithfully in the midst of the global economy.
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