Fifty of the world’s greatest writers share their views in collaboration with the artist Matteo Pericoli, expanding our own views on place, creativity, and the meaning of home All of us, at some point in our daily lives, have found ourselves looking out the window. We pause in our work, tune out of a conversation, and turn toward the outside. Our eyes simply gaze, without seeing, at a landscape whose familiarity becomes the customary ground for distraction: the usual rooftops, the familiar trees, a distant crane. The way of life for most of us in the twenty-first century means that we spend most of our time indoors, in an urban environment, and our awareness of the outside world comes via, and thanks to, a framed glass hole in the wall. In Windows on the World: Fifty Writers, Fifty Views, architect and artist Matteo Pericoli brilliantly explores this concept alongside fifty of our most beloved writers from across the globe. By pairing drawings of window views with texts that reveal—either physically or metaphorically—what the drawings cannot, Windows on the World offers a perceptual journey through the world as seen through the windows of prominent writers: Orhan Pamuk in Istanbul, Daniel Kehlmann in Berlin, Chimamanda Ngozi Adichie in Lagos, John Jeremiah Sullivan in Wilmington, North Carolina, Nadine Gordimer in Johannesburg, Xi Chuan in Beijing. Taken together, the views—geography and perspective, location and voice—resonate with and play off each other. Working from a series of meticulous photographs and other notes from authors’ homes and offices, Pericoli creates a pen-and-ink illustration of each window and the view it frames. Many readers know Pericoli’s work from his acclaimed series for The New York Times and later for The Paris Review Daily, which have a devoted following. Now, Windows on the World collects from Pericoli’s body of work and features fifteen never-before-seen windows in one gorgeously designed volume, as well as a preface from the Paris Review’s editor Lorin Stein. As we delve into what each writer’s view may or may not share with the others’, as we look at the map and explore unfamiliar views of cities from around the world, a new kind of map begins to take shape. Windows on the World is a profound and eye-opening look inside the worlds of writers, reminding us that the things we see every day are woven into our selves and our imaginations, making us keener and more inquisitive observers of our own worlds.
Stellina was a bird: “CHEEP.” A very little bird: “Cheep! cheep!”So begins critically acclaimed author Matteo Pericoli’s all-true story of how he and his wife, Holly, came to rescue and raise a little finch, Stellina, in the middle of New York City. When no zoo would take the abandoned bird, fallen from her nest onto a busy street, Holly took her home and gave her the best life she could. And there, in a Manhattan apartment, Stellina leaned how to eat, fly, and sing.
Over 12 million people each year are wowed by Matteo Pericoli's spectacular skyline mural in New York's JFK Airport. This work renders that mural in the accordion format of Pericoli's previous book, 'Manhattan Unfurled' - shrinking it down to a ten-foot foldout scroll of paper that readers can hold in their hands.
When Tommaso discovers that a line is missing from his favorite drawing, he goes looking for it all around town and notices many lines he never saw before.
In Windows on the World, architect and artist Matteo Pericoli explores the idea of staring out a window, searching for inspiration by pairing his own line drawings alongside fifty writers from around the globe. From Orhan Panuk in Istanbul and Daniel Kehlmann in Berlin, to Chimamanda Ngozi Adichie in Lagos and Xi Chuan in Beijing, the views from each window resonate with each other.
We propose using a Bayesian time-varying coefficient model estimated with Markov chain-Monte Carlo methods to measure contagion empirically. The proposed measure works in the joint presence of heteroskedasticity and omitted variables and does not require knowledge of the timing of the crisis. It distinguishes contagion not only from interdependence but also from structural breaks and can be used to investigate positive as well as negative contagion. The proposed measure appears to work well using both simulated and actual data.
Stellina was a bird: “CHEEP.” A very little bird: “Cheep! cheep!”So begins critically acclaimed author Matteo Pericoli’s all-true story of how he and his wife, Holly, came to rescue and raise a little finch, Stellina, in the middle of New York City. When no zoo would take the abandoned bird, fallen from her nest onto a busy street, Holly took her home and gave her the best life she could. And there, in a Manhattan apartment, Stellina leaned how to eat, fly, and sing.
This book investigates the economic, intellectual and political history of late medieval and early modern Genoa and the historical origins of the Genoese presence in the Spanish Atlantic. Salonia describes Genoa’s late medieval economic expansion and commercial networks through several case studies, from the Black Sea to southern England, and briefly compares it to the state-run military expansion of Venice’s empire. The author links the adaptability and entrepreneurial skills of Genoese merchants and businessmen to the constitutional history of the Genoese commune and to the specific idea of freedom progressively protected by its constitutions and embodied by institutions like the Bank of St. George. Moreover, this book offers an unprecedented account of the actions with which Ferdinand the Catholic protected Genoese merchants in his dominions and of the later, mutual understanding between the Genoese community and emperor Charles V during the Italian Wars, and in particular during the 1520s. These developments in Hispanic-Genoese diplomatic and economic relations are of great significance. The sixteenth-century Hispanic-Genoese alliance is important to understand the characteristics of Habsburg governance and the resilience of Genoa’s republican conservatism. Genoa’s republicanism (based on private wealth and private arms) contradicts historiographical narratives that assume the inevitability of the emergence of the modern, militarized and centralized state. It also shows the inadequacy of Tuscan-centric historical accounts of Renaissance republicanism. The last chapter of the book reveals the consequences of the 1528 Hispanic-Genoese alliance by considering case studies that illustrate the Genoese presence in the Spanish Americas, from Chile to Mexico, since the early stages of conquest and settlement.
When Tommaso discovers that a line is missing from his favorite drawing, he goes looking for it all around town and notices many lines he never saw before.
Over 12 million people each year are wowed by Matteo Pericoli's spectacular skyline mural in New York's JFK Airport. This work renders that mural in the accordion format of Pericoli's previous book, 'Manhattan Unfurled' - shrinking it down to a ten-foot foldout scroll of paper that readers can hold in their hands.
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