This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Poetry and Identity in Quattrocento Naples approaches poems as acts of cultural identity and investigates how a group of authors used poetry to develop a poetic style, while also displaying their position toward the culture of others. Starting from an analysis of Giovanni Pontano’s Parthenopeus and De amore coniugali, followed by a discussion of Jacopo Sannazaro’s Arcadia, Matteo Soranzo links the genesis and themes of these texts to the social, political and intellectual vicissitudes of Naples under the domination of Kings Alfonso and Ferrante. Delving further into Pontano’s literary and astrological production, Soranzo illustrates the consolidation and eventual dispersion of this author’s legacy by looking at the symbolic value attached to his masterpiece Urania, and at the genesis of Sannazaro’s De partu Virginis. Poetic works written in neo-Latin and the vernacular during the Aragonese domination, in this way, are examined not only as literary texts, but also as the building blocks of their authors’ careers.
In 2003, the occupation of a state-owned building in Rome led to the emergence of a new extreme-right youth movement: CasaPound Italia (CPI). Its members described themselves as 'Fascists of the Third Millennium', and were unabashed about their admiration for Benito Mussolini. Over the next 15 years, they would take to the street, contest national elections, open over a hundred centres across Italy, and capture the attention of the Italian public. While CPI can count only on a few thousands votes, it enjoys disproportionate attention in public debates from the media. So what exactly is CasaPound? How can we explain the high profile achieved by such a nostalgic group with no electoral support? In this book, Caterina Froio, Pietro Castelli Gattinara, Giorgia Bulli and Matteo Albanese explore CasaPound Italia and its particular political strategy combining the organization and style of both political parties and social movements and bringing together extreme-right ideas and pop-culture symbols. They contend that this strategy of hybridization allowed a fringe organization like CasaPound to consolidate its position within the Italian far-right milieu, but also, crucially, to make extreme-right ideas routine in public debates. The authors illustrate this argument drawing on unique empirical material gathered during five years of research, including several months of overt observation at concerts and events, face-to-face interviews, and the qualitative and quantitative analysis of online and offline campaigns. By describing how hybridization grants extremist groups the leeway to expand their reach and penetrate mainstream political debates, this book is core reading for anyone concerned about the nature and growth of far-right politics in contemporary democracies. Providing a fresh insight as to how contemporary extreme-right groups organize to capture public attention, this study will also be of interest to students, scholars and activists interested in the complex relationship between party competition and street protest more generally.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.