In Giovanni Aurelio Augurello (1441–1524) and Renaissance Alchemy, Matteo Soranzo offers the first in-depth study of the life and works of Augurello, Italian alchemist, poet and art connoisseur from the time of Giorgione. Analysed, annotated and translated into English for the first time, Augurello’s poetry reveals a unique blend of late medieval alchemical doctrines, Northern Italian antiquarianism and Marsilio Ficino’s Platonism, enriching conventional narratives of Renaissance humanism.
Poetry and Identity in Quattrocento Naples approaches poems as acts of cultural identity and investigates how a group of authors used poetry to develop a poetic style, while also displaying their position toward the culture of others. Starting from an analysis of Giovanni Pontano’s Parthenopeus and De amore coniugali, followed by a discussion of Jacopo Sannazaro’s Arcadia, Matteo Soranzo links the genesis and themes of these texts to the social, political and intellectual vicissitudes of Naples under the domination of Kings Alfonso and Ferrante. Delving further into Pontano’s literary and astrological production, Soranzo illustrates the consolidation and eventual dispersion of this author’s legacy by looking at the symbolic value attached to his masterpiece Urania, and at the genesis of Sannazaro’s De partu Virginis. Poetic works written in neo-Latin and the vernacular during the Aragonese domination, in this way, are examined not only as literary texts, but also as the building blocks of their authors’ careers.
Orlando Innamorato of Matteo Maria Boiardo. Translated into prose from the Italian of Francesco Berni and interspersed with extracts in the same stanza as the original by William Stewart Rose. Orlando Innamorato (Orlando in Love) is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). The beautiful Angelica, daughter of the king of Cataio (Cathay), comes to Charlemagne's court for a tournament in which both Christians and pagans can participate. She offers herself as a prize to whoever will defeat her brother, Argalia, who in the consequent competition fighting imprisons many Christians. But then Ferraguto (aka Ferrau) kills Argalia and Angelica flees, chased by many paladins, especially Orlando and Rinaldo. Stopping in the Ardenne forest, she drinks at the Stream of Love (making her fall in love with Rinaldo), while Rinaldo drinks at the fount of hate (making him conceive a passionate hatred of Angelica): first reversal. She asks the magician Malagigi to kidnap Rinaldo, and the magician brings him to an enchanted island, while she returns to Cataio where she is besieged by king Agricane, another of her admirers, in the fortress of Albracca. Orlando comes to kill Agricane and to free her, and he succeeds. Afterwards, Rinaldo tries to convince him to return to France to fight alongside Charlemagne: consequently, Orlando and Rinaldo duel furiously. In the meantime the Saracen king Agramante has invaded France with a massive army (along with Rodomonte, Ferrau, Gradasso, and many others), to avenge his father Troiano, previously killed by Orlando. Rinaldo rushes back to France, chased by Angelica in love with him, in turn chased by Orlando. Back in the Ardenne forest, this time Rinaldo and Angelica drink at the opposite founts: second reversal. Orlando and Rinaldo duel again for Angelica, and Charlemagne decides to entrust her to the old and wise duke Namo, offering her to the one who will fight most valorously against the infidels. In the meantime, the Saracen paladin Ruggiero and Rinaldo's sister, Bradamante, fall in love. The poem stops there abruptly, with Boiardo's narrator explaining that he can write no more because Italy has been invaded by French troops headed by king Charles VIII. (Ariosto's Orlando Furioso will resume from that point.)
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