They say the Bible is true, but does it ring true? Does it resonate? In this journey through the Gospel of Matthew, Matt Woodley considers the audacious idea of a God with us--confronting us in the midst of all we've invested ourselves in and dedicated ourselves to, and encouraging us with the promise that the God who made us has a better life in mind for us. The Resonate series recovers the ancient wisdom of Scripture for a complex world. The stories and insights of each book of the Bible are brought into conversation with contemporary voices of hope and lament--the cultural messages we interact with on a daily basis. The Scriptures become a meeting ground where God is confronted with the pressing concerns of our day, and we are confronted in turn with a fresh experience of God's truth.
Although Anselm Kiefer's work is routinely compared with the Gesamtkunstwerk, the total work of art pioneered by Richard Wagner, Disorders at the Borders represents the first time this relationship has been thoroughly investigated. But it is a relationship that involves much more than just aesthetics. Furthermore, it is a highly ambivalent one. The Gesamtkunstwerk was an embodiment of a certain view of nationhood, and nationhood is a concept that Kiefer has spent much of his career rendering thoroughly problematic. But Wagner's innovative, inclusive art form was intended above all as a counter to the individualism that the composer was far from alone in identifying as the besetting sin of modernity, and that was widely thought at the time to be most evident in America. It can thus be contextualized within the long German tradition of counter-Americanism - as, to a large extent, can Kiefer. For whilst he owes his spectacular success in no small degree to the positive reception of his work in America, he has throughout his career displayed a resistance to the artistic influence of that country. Moreover, he and Wagner take a mutual stance regarding a series of questions: can art be separated from society, or the individual arts from each other? Is painting purely visual, and music purely sonic? Do things, in short, ever really exist or operate in isolation? That they answer in the negative to all of these is what, ultimately, connects Kiefer with Wagner.
These inspirational articles were originally sent to youth leaders while Matt served as a state youth director for his denomination from 2006-2008. Now they are being made available to a wider audience with the release of this book. Whether as tools for devotion or personal encouragement, Christians will be able to apply the lessons of each article to enrich their personal and professional lives.
A comprehensive text on the theory and practice of public participation Written by two leaders in the field, Public Participation for 21st Century Democracy explores the theory and practice of public participation in decision-making and problem-solving. It examines how public participation developed over time to include myriad thick, thin, and conventional opportunities, occurring in both face-to-face meetings and online settings. The book explores the use of participation in various arenas, including education, health, land use, and state and federal government. It offers a practical framework for thinking about how to engage citizens effectively, and clear explanations of participation scenarios, tactics, and designs. Finally, the book provides a sensible approach for reshaping our participation infrastructure to meet the needs of public officials and citizens. The book is filled with illustrative examples of innovative participatory activities, and numerous sources for more information. This important text puts the spotlight on the need for long-term, cross-sector, participation planning, and provides guidance for leaders, citizens, activists, and others who are determined to improve the ways that participation and democracy function. Public Participation for 21st Century Democracy: Helps students and practitioners understand the history, theory, and practice of public participation Contains a wealth of case studies that explore the application of public participation in different settings Covers vital issues such as education, health, land use, and state and federal government Has accompanying instructor resources, such as PowerPoint slides, discussion questions, sample assignments, case studies and research from www.participedia.net, and classroom activities.
An investigation into gentrification and displacement, focusing on the case of Portland, Oregon's systematic dispersal of black residents from its Albina neighborhood. Portland, Oregon, is one of the most beautiful, livable cities in the United States. It has walkable neighborhoods, bike lanes, low-density housing, public transportation, and significant green space—not to mention craft-beer bars and locavore food trucks. But liberal Portland is also the whitest city in the country. This is not circumstance; the city has a long history of officially sanctioned racialized displacement that continues today. Over the last two and half decades, Albina—the one major Black neighborhood in Portland—has been systematically uprooted by market-driven gentrification and city-renewal policies. African Americans in Portland were first pushed into Albina and then contained there through exclusionary zoning, predatory lending, and racist real estate practices. Since the 1990s, they've been aggressively displaced—by rising housing costs, developers eager to get rid of low-income residents, and overt city policies of gentrification. Displacement and dispossessions are convulsing cities across the globe, becoming the dominant urban narratives of our time. In What a City Is For, Matt Hern uses the case of Albina, as well as similar instances in New Orleans and Vancouver, to investigate gentrification in the twenty-first century. In an engaging narrative, effortlessly mixing anecdote and theory, Hern questions the notions of development, private property, and ownership. Arguing that home ownership drives inequality, he wants us to disown ownership. How can we reimagine the city as a post-ownership, post-sovereign space? Drawing on solidarity economics, cooperative movements, community land trusts, indigenous conceptions of alternative sovereignty, the global commons movement, and much else, Hern suggests repudiating development in favor of an incrementalist, non-market-driven unfolding of the city.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.