Laurie and Matt Krieg are in a mixed-orientation marriage: Laurie is primarily attracted to women—and so is Matt. With vulnerability and wisdom, they tell the story of how they met and got married, the challenges and breakthroughs of their journey, and what they've learned about how marriage is meant to point us to the love and grace of Jesus.
Laurie and Matt Krieg are in a mixed-orientation marriage: Laurie is primarily attracted to women—and so is Matt. With vulnerability and wisdom, they tell the story of how they met and got married, the challenges and breakthroughs of their journey, and what they've learned about how marriage is meant to point us to the love and grace of Jesus.
Whether you're a die-hard booster from the days of Hank Stram and Len Dawson or a newer supporter of Andy Reid and Patrick Mahomes, these are the 100 things all Kansas City Chiefs fans needs to know and do in their lifetime. The book contains every essential piece of Chiefs knowledge and trivia as well as must-do activities, and ranks them all from one to 100. With an entertaining and easy-to-follow checklist for readers use to track their progress, 100 Things Chiefs Fans Should Know & Do Before They Die is the ultimate resources guide for true diehards.
From 1933 onward, Nazi Germany undertook massive and unprecedented industrial integration, submitting an entire economic sector to direct state oversight. This innovative study explores how German professionals navigated this complex landscape through the divergent careers of business managers in two of the era’s most important trade organizations. While Jakob Reichert of the iron and steel industry unexpectedly resisted state control and was eventually driven to suicide, Karl Lange of the machine builders’ association achieved security for himself and his industry by submitting to the Nazi regime. Both men’s stories illuminate the options available to industrialists under the Third Reich, as well as the real priorities set by the industries they served.
Der Aphrodite-Plan war dazu gedacht, die Menschheit vor der kompletten Auslöschung zu bewahren. Durch technisch-genetische Methoden sollten menschliche Wesen entstehen, die überleben konnten, um die Erde neu zu bevölkern - doch es lief ganz anders als gedacht...
The Seven Years War has been described as the first global conflict in history. It engulfed the Euro-Atlantic world from 1756 to 1763, and engaged the energies of European cabinets as never before. More than previous conflicts, the Seven Years War involved a variety of approaches to war, and taxed the military, material and moral resources of the powers involved. Drawing on a diverse array of archival, printed primary and secondary sources, The Seven Years War: A Transatlantic History covers the war’s origins, its conduct on land and at sea, its effects on logistics and finance, its interactions with domestic politics, its influence on international relations and its approach to peace. The book highlights the role of personality, alongside the enduring importance of communication, misperception and understanding. In so doing, it endeavours not merely to chronicle the war’s events, but to situate them in the context of mid-eighteenth century warfare, finance, politics and diplomacy. The Seven Years War will be of great interest to students of the European history, American history, maritime history, diplomatic and military history.
Since the moment after the fall of the Berlin Wall, important German theater artists have created plays and productions about unification. Some have challenged how German history is written, while others opposed the very act of storytelling. Performing Unification examines how directors, playwrights, and theater groups including Heiner Müller, Frank Castorf, and Rimini Protokoll have represented and misrepresented the past, confronting their nation’s history and collective identity. Matt Cornish surveys German-language history plays from the Baroque period through the documentary theater movement of the 1960s to show how German identity has always been contested, then turns to performances of unification after 1989. Cornish argues that theater, in its structures and its live gestures, on pages, stages, and streets, helps us to understand the past and its effect on us, our relationships with others in our communities, and our futures. Engaging with theater theory from Aristotle through Bertolt Brecht and Hans-Thies Lehmann’s “postdramatic” theater, and with theories of history from Hegel to Walter Benjamin and Hayden White, Performing Unification demonstrates that historiography and dramaturgy are intertwined.
CLICK HERE to download the chapter on "Lead Climbing" from Gym Climbing * Explains how to get started and advance your skills at the local climbing gym * Author is a pioneering instructor and gym climbing course developer * Key exercises reinforce fundamental skills, illustrated in sequential photos Gym climbing has evolved into a sport in its own right and Matt Burbach has been there to spur it on. He established, developed, and directed the Indoor Climbing School of Earth Treks Climbing Center in Maryland, at the time the largest climbing gym on the east coast. Now he presents the same techniques and training exercises honed by coaching hundreds of climbers. Burbach covers all aspects of indoor rock climbing in detail, including what to look for in a gym, analysis of equipment and how it works, proper top-rope systems management, and movement technique. More advanced indoor climbers will appreciate chapters on topics such as indoor leading, performance, competition climbing, and bouldering. For outdoor rock climbers now training in gyms, this guide aids the "reverse" transition from climbing on real rock to pulling on plastic. Throughout, Burbach not only demonstrates the proper techniques and skills, but goes one step further to explain why those practices are better.
Jetzt als eBook Das Attentat erschüttert die Vereinigten Arabischen Staaten bis ins Mark: Am 9.11.2001 fliegen zwei Flugzeuge in die Türme des Welthandelszentrums von Bagdad, ein drittes ins arabische Verteidigungsministerium in Riad, ein viertes stürzt in der Wüste ab. Die wirtschaftliche Supermacht sagt dem Terror den Kampf an und besetzt die Ostküste von Amerika – ein Entwicklungsland und die mutmaßliche Heimat der Terroristen. Doch acht Jahre später behauptet ein verhafteter Attentäter Unglaubliches: In Wahrheit seien nicht die Arabischen Staaten die Großmacht, sondern Amerika!
Collage of Myself presents a groundbreaking account of the creative story behind America's most celebrated collection of poems. In the first book length study of Walt Whitman's journals and manuscripts, Matt Miller demonstrates that until approximately 1854 (only a single year before the first publication of Leaves of Grass), Whitman---who once speculated that Leaves would be a novel or a play---was unaware that his ambitions would assume the form of poetry at all. Collage of Myself details Whitman's discovery of a remarkable new creative process that allowed him to transform a diverse array of texts into poems such as "Song of Myself" and "The Sleepers." Whitman embraced an art of fragments that encouraged him to "cut and paste" his lines into ever evolving forms based on what he called "spinal ideas." This approach to language, Miller argues, represents the first major use in the Western arts of the technique later know as collage, an observation with significant ramifications for our reception of subsequent artists and writers. Long before the modernists, Whitman integrated found text and ready made language into a revolutionary formulation of artistic production that anticipates much of what is exciting about modern and postmodern art. Using the Walt Whitman Archive's collection of digital images to study what were previously scattered and inaccessible manuscript pages, Miller provides a breakthrough in our understanding of the great American literary icon.
In addressing democracy, equality, and justice together, the book stimulates discussions that go beyond the sometimes increasingly technical and increasingly discrete literatures that now dominate the study of each concept. The chapters fall into four categories: on justice and democracy; justice and equality; justice and community; and justice and the future. Concerns of justice unite all the chapters in this volume. However, these concerns now manifest themselves in interesting and new directions. Politically, the book confronts urgent problems of democracy, equality, community, and of how to respond to potentially catastrophic climate change. The response to these problems cannot only be pragmatic and piecemeal. What emerges are a number of interlinking questions and themes that together constitute the central core of contemporary political philosophy. This book was previously published as a special issue of the Critical Review of Social and Political Philosophy.
This book is about haunting in modernist literature. Offering an extended and textually-sensitive reading of modernist spectrality that has yet to be undertaken by scholars of either haunting or modernism, it provides a fresh reconceptualization of modernist haunting by synthesizing recent critical work in the fields of haunting studies, Gothic modernisms, and mourning modernisms. The chapters read the form and function of the ghostly as it appears in the work of a constellation of important modernist contributors, including T. S. Eliot, Virginia Woolf, D. H. Lawrence, Elizabeth Bowen, Wyndham Lewis, Richard Aldington, and Ford Madox Ford. It is of particular significance to scholars and students in a wide range of fields of study, including modernism, literary theory, and the Gothic.
In the mid-seventeenth century, Shabbatai Zvi, a rabbi from Izmir, claimed to be the Jewish messiah, and convinced a great many Jews to believe him. The movement surrounding this messianic pretender was enormous, and Shabbatai's mission seemed to be affirmed by the numerous supporting prophecies of believers. The story of Shabbatai and his prophets has mainly been explored by specialists in Jewish mysticism. Only a few scholars have placed this large-scale movement in its social and historical context. Matt Goldish shifts the focus of Sabbatean studies from the theology of Lurianic Kabbalah to the widespread seventeenth-century belief in latter-day prophecy. The intense expectations of the messiah in Christianity, Judaism, and Islam form the necessary backdrop for understanding the success of Sabbateanism. The seventeenth century was a time of deep intellectual and political ferment as Europe moved into the modern era. The strains of the Jewish mysticism, Christian millenarianism, scientific innovation, and political transformation all contributed to the development of the Sabbatean movement. By placing Sabbateanism in this broad cultural context, Goldish integrates this Jewish messianic movement into the early modern world, making its story accessible to scholars and students alike. Table of Contents: Preface Prologue 1. Messianic Prophecy in the Early Modern Context 2. Nathan of Gaza and the Roots of Sabbatean Prophecy 3. From Mystical Vision to Prophetic Explosion 4. Opponents and Observers Respond 5. Prophecy after Shabbatais Apostasy Notes Index Reviews of this book: Goldish looks at the Jewish messianic surge of the 17th century, which culminated with the Sabbatean movement, and places it in a broader multidimensional context...He has produced a well-written, scholarly addition and modification to the literature. --Paul Kaplan, Library Journal
This book takes a distinctive and innovative approach to a relatively under-explored question, namely: Why do we have human rights? Much political discourse simply proceeds from the idea that humans have rights because they are human without seriously interrogating this notion. Egalitarian Rights Recognition offers an account of how human rights are created and how they may be seen to be legitimate: rights are created through social recognition. By combining readings of 19th Century English philosopher T.H. Green with 20th Century political theorist Hannah Arendt, the author constructs a new theory of the social recognition of rights. He challenges both the standard ‘natural rights’ approach and also the main accounts of the social recognition of rights which tend to portray social recognition as settled norms or established ways of acting. In contrast, Hann puts forward a 10-point account of the dynamic and contingent social recognition of human rights, which emphasises the importance of meaningful socio-economic equality.
Informed, utterly blindsiding account." - Booklist, starred review It's falling from the sky and is in the air we breathe. It's in our food, our clothes, and our homes. It's microplastic and it's everywhere--including our own bodies. Scientists are just beginning to discover how these tiny particles threaten health, but the studies are alarming. A Poison Like No Other is the first book to fully explore this new dimension of the plastic crisis. Matt Simon follows the intrepid scientists who travel to the ends of the earth and the bottom of the ocean to understand the consequences of our dependence on plastic. Unlike other pollutants that are single elements or simple chemical compounds, microplastics represent a cocktail of toxicity linked to diseases ranging from diabetes to cancer. There is no easy fix, Simon warns. But we will never curb our plastic addiction until we begin to recognize the invisible particles all around us.
The American nineteenth century witnessed a media explosion unprecedented in human history. New communications technologies seemed to be everywhere, offering opportunities and threats that seem powerfully familiar to us as we experience today’s digital revolution. Walt Whitman’s poetry reveled in the potentials of his time: “See, the many-cylinder’d steam printing-press,” he wrote, “See, the electric telegraph, stretching across the Continent, from the Western Sea to Manhattan.” Still, as the budding poet learned, books neither sell themselves nor move themselves: without an efficient set of connections to get books to readers, the democratic media-saturated future Whitman imagined would have remained warehoused. Whitman’s works sometimes ran through the “many-cylinder’d steam printing press” and were carried in bulk on “the strong and quick locomotive.” Yet during his career, his publications did not follow a progressive path toward mass production and distribution. Even at the end of his life, in the 1890s as his fame was growing, the poet was selling copies of his latest works by hand to visitors at his small house in Camden, New Jersey. Mass media and centralization were only one part of the rich media world that Whitman embraced. Whitman’s Drift asks how the many options for distributing books and newspapers shaped the way writers wrote and readers read. Writers like Whitman spoke to the imagination inspired by media transformations by calling attention to connectedness, to how literature not only moves us emotionally, but moves around in the world among people and places. Studying that literature and how it circulated can help us understand not just how to read Whitman’s works and times, but how to understand what is happening to our imaginations now, in the midst of the twenty-first century media explosion.
Freshwater Ecology, Second Edition, is a broad, up-to-date treatment of everything from the basic chemical and physical properties of water to advanced unifying concepts of the community ecology and ecosystem relationships as found in continental waters.With 40% new and expanded coverage, this text covers applied and basic aspects of limnology, now with more emphasis on wetlands and reservoirs than in the previous edition. It features 80 new and updated figures, including a section of color plates, and 500 new and updated references. The authors take a synthetic approach to ecological problems, teaching students how to handle the challenges faced by contemporary aquatic scientists.This text is designed for undergraduate students taking courses in Freshwater Ecology and Limnology; and introductory graduate students taking courses in Freshwater Ecology and Limnology. Expanded revision of Dodds' successful text. New boxed sections provide more advanced material within the introductory, modular format of the first edition. Basic scientific concepts and environmental applications featured throughout. Added coverage of climate change, ecosystem function, hypertrophic habitats and secondary production. Expanded coverage of physical limnology, groundwater and wetland habitats. Expanded coverage of the toxic effects of pharmaceuticals and endocrine disrupters as freshwater pollutants More on aquatic invertebrates, with more images and pictures of a broader range of organisms Expanded coverage of the functional roles of filterer feeding, scraping, and shredding organisms, and a new section on omnivores. Expanded appendix on standard statistical techniques. Supporting website with figures and tables - http://www.elsevierdirect.com/companion.jsp?ISBN=9780123747242
For fans of the TV series MINDHUNTER! What makes someone kill? The age old question of nature (genetics) versus nurture (conditioning) is still open to debate. What is not open for debate is Brandon's need to kill. But it isn't for revenge or fame or money...it's for penance. He may have had the perfect life of being a model by day and partier by night but underneath he is a tormented, murderous soul. And as the investigating detectives along with the FBI find out, this is a motive enough that fuels a mad quest which can be unstoppable. Brandon's coming for you, sinners. THIS ISSUE: The race is on to stop Brandon's murderous quest for earning penance. As the circle of the detectives and FBI closes in, Brandon is compelled to continue his bloody orgy, regardless of the consequences. The exciting conclusion to the two part Divine Comedy story from writer Matt Nicholls (Collateral) and artist Simon Wright (Zombie Cities). A Caliber Comics release.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST, NPR, AND KIRKUS REVIEWS A scathing portrait of an urgent new American crisis Over the last two decades, America has been falling deeper and deeper into a statistical mystery: Poverty goes up. Crime goes down. The prison population doubles. Fraud by the rich wipes out 40 percent of the world’s wealth. The rich get massively richer. No one goes to jail. In search of a solution, journalist Matt Taibbi discovered the Divide, the seam in American life where our two most troubling trends—growing wealth inequality and mass incarceration—come together, driven by a dramatic shift in American citizenship: Our basic rights are now determined by our wealth or poverty. The Divide is what allows massively destructive fraud by the hyperwealthy to go unpunished, while turning poverty itself into a crime—but it’s impossible to see until you look at these two alarming trends side by side. In The Divide, Matt Taibbi takes readers on a galvanizing journey through both sides of our new system of justice—the fun-house-mirror worlds of the untouchably wealthy and the criminalized poor. He uncovers the startling looting that preceded the financial collapse; a wild conspiracy of billionaire hedge fund managers to destroy a company through dirty tricks; and the story of a whistleblower who gets in the way of the largest banks in America, only to find herself in the crosshairs. On the other side of the Divide, Taibbi takes us to the front lines of the immigrant dragnet; into the newly punitive welfare system which treats its beneficiaries as thieves; and deep inside the stop-and-frisk world, where standing in front of your own home has become an arrestable offense. As he narrates these incredible stories, he draws out and analyzes their common source: a perverse new standard of justice, based on a radical, disturbing new vision of civil rights. Through astonishing—and enraging—accounts of the high-stakes capers of the wealthy and nightmare stories of regular people caught in the Divide’s punishing logic, Taibbi lays bare one of the greatest challenges we face in contemporary American life: surviving a system that devours the lives of the poor, turns a blind eye to the destructive crimes of the wealthy, and implicates us all. Praise for The Divide “Ambitious . . . deeply reported, highly compelling . . . impossible to put down.”—The New York Times Book Review “These are the stories that will keep you up at night. . . . The Divide is not just a report from the new America; it is advocacy journalism at its finest.”—Los Angeles Times “Taibbi is a relentless investigative reporter. He takes readers inside not only investment banks, hedge funds and the blood sport of short-sellers, but into the lives of the needy, minorities, street drifters and illegal immigrants. . . . The Divide is an important book. Its documentation is powerful and shocking.”—The Washington Post “Captivating . . . The Divide enshrines its author’s position as one of the most important voices in contemporary American journalism.”—The Independent (UK) “Taibbi [is] perhaps the greatest reporter on Wall Street’s crimes in the modern era.”—Salon
Get your football fanatic readers into the action. Inside the NFL uses chronological narratives to tell the beginnings of the Detroit Lions, relate the greatest and lowest moments of the team, introduce the best players and coaches, and share other fun facts that help round out Lions' history. Mini-biographies, sidebars, fun facts, fantastic quotes, and full-color, action-packed photographs will bring the NFL to your library.
For fans of the TV series MINDHUNTER! What makes someone kill? The age old question of nature (genetics) versus nurture (conditioning) is still open to debate. What is not open for debate is Brandon's need to kill. But it isn't for revenge or fame or money...it's for penance. He may have had the perfect life of being a model by day and partier by night but underneath he is a tormented, murderous soul. And as the investigating detectives along with the FBI find out, this is a motive enough that fuels a mad quest which can be unstoppable. Brandon's coming for you, sinners. Collects issues 1 and 2. From writer Matt Nicholls (Collateral) and artist Simon Wright (Zombie Cities). A Caliber Comics release.
This text provides a "state-of-the-art" account of atypical (abnormal) and clinical psychology for undergraduate freshmen. It includes a large volume of research providing detailed accounts of the major theories and treatments for a range of psychological problems.
For fans of the TV series MINDHUNTER! What makes someone kill? The age old question of nature (genetics) versus nurture (conditioning) is still open to debate. What is not open for debate is Brandon's need to kill. But it isn't for revenge or fame or money...it's for penance. THIS ISSUE: Brandon has a seemingly perfect life. Model by day and indulging in all the parties at night. But under the surface, Brandon hides his terrible past...one that he believes he has paid insufficient penance. But as he sees it there is a way out of this predicament and that means he is coming for you, sinners. From writer Matt Nicholls (Collateral) and artist Simon Wright (Zombie Cities). A Caliber Comics release.
This book provides young leaders or future high-potentials the guidance needed for how to deal with the challenges of leading teams in modern organizations. Leading ones first team can be a daunting and sometimes overwhelming experience, requiring self-reflection, self-discipline, communication, and organizational skills as well as no small amount of guts and values. This book provides young leaders or future high-potentials the guidance needed for how to deal with the challenges of leading teams in modern organizations. Understanding the power of strengths-based leadership using clear two-way communication and, in particular, identifying with one’s own leadership philosophy are central themes in this book. It highlights the typical mistakes made by first-time leaders and offers theoretical and practical advice to deal with the difficulties of management.
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