The spotted hyena had probably heard the kill, and took off towards the sound to see what it could scavenge. It managed to walk off with a small piece of the hind section of the antelope, and used the convenient Mohave Highway to drag the hunk of nourishment the three or so miles back to its den, where its hungry pups were waiting. In doing all of this, it left behind a few cryptic clues in the sand, those clues waiting for someone, maybe a Bushman, or maybe just someone who wanted to be a little bit more like a Bushman, to happen upon them and to uncover this story of life and death in the bundu, before a vehicle drove down the road, the wind kicked up, a herd of elephant walked by, or it started to rain, and the story disappeared forever into the ether. ..
From interviews with rock climbing royalty to tales of mere amateurs floundering up boulders, this short collection of climbing stories illustrates life's "little adventures"-weekend and other relatively short trips here and there designed to quench your desire for wildness. Because even the shortest outing can leave a lasting imprint and remind us all that it's not the size of the adventure that counts-it's how you enjoy it. Oh, and beer. Don't forget the beer.
From the wilds of Africa to local trails and boulders, the fourth installment in the A Life Outside series is the perfect companion for those unfortunate times when you can't do what you really want to do: get outside and enjoy the natural world. An American myth perpetuated in the Botswana wilderness. Wildlife in the wild, and even wilder wildlife in wild dreams. Interviews with rock climbing royalty. Bouldering. Bikes. Beer. Injuries. More Bouldering. More bikes. And more beer. Compassion. Love. Death. It's all here. In the end, A Life Outside 4 is about finding your place in the outdoors-the place that defines you, the place where you could spend your life, and the place where you could die.
The second volume in the A Life Outside series brings together 15 all-new essays and stories about the outdoor lifestyle. A Life Outside 2 maintains the trademark humor of the first volume while also looking more closely at the meaning of the experiences. But whether mountain biking, hiking, kayaking, rock climbing, mountaineering, fishing, or doing something else, the author reveals each activity for what it truly is--just an excuse to get outside, enjoy life, and maybe learn something along the way.
I'm getting older. I'm slowing down. I can't do everything that I used to. And as the steamroller of old age continues its relentless advance, there's not much I can do about it. Except complain. And write. Many of the outdoor stories I've been writing over the last three or so years share a common theme: reflections on aging, and how it's changing my perspective on life and my relationship with the outdoors. And thus this little compilation was born. The road may end ahead, but there is still quite a distance left to travel...
From Death Valley to Joshua Tree; from Yellowstone to Victoria Falls, Matt Artz's short collection of outdoor stories illustrates how outings in national parks can quench our thirst for wildness and leave lifelong impressions.
From local lakes to the Sierra Nevada Mountains and beyond, this short collection of kayaking stories illustrate life's "little adventures"-day, weekend, and other relatively short trips here and there designed to quench your desire for wildness. Because even the shortest outing can leave a lasting imprint and remind us all that it's not the size of the adventure that counts-it's how you enjoy it.
Slim Roamer recently embarked on a cross-country road trip of indefinite length and with no set itinerary. His goals are two-fold: to find the best rock in the southwest, and to find himself. He has promised to provide us with occasional updates on his quest for climbing enlightenment. Printed here is the first installment of his journey." Max Armpet. "Mad" Joe Jiminez. Merve the Perve. Randolph the Indifferent Circus Midget. The Mouth. A rotating cast of characters punctuates the pungent poetry of this climbing road trip to enlightenment gone psychotic. Now pop open an ice cold one and let's get this over with...
A funny, irreverent look at outdoor activities from rock climbing and mountaineering to kayaking and mountain biking, A Life Outside brings together a selection of non-fiction and fiction writings by Matt Artz. Former editor of mOthEr rOck and FunPig magazines, and contributor to TopRope, Dirt Rag, Vertical Jones, What's the Beta?, Rock & Ice, and other publications, Artz has never met an outdoor activity he didn't at least marginally enjoy (with the possible exception of golf).
From scaling tall mountains to tiny boulders and everything in between, this short collection of rock climbing stories illustrates life's "little adventures"--weekend and other relatively short trips here and there designed to quench your desire for wildness. Because even the shortest outing can leave a lasting imprint and remind us all that it's not the size of the adventure that counts--it's how you enjoy it.
From the High Sierra to his own backyard, Matt Artz's short collection of mountain biking stories illustrate life's "little adventures"-weekend and other relatively short trips here and there designed to quench your desire for wildness. Because even the shortest outing can leave a lasting imprint and remind us all that it's not the size of the adventure that counts-it's how you enjoy it.
From Southern California to Botswana, the Sierra Nevada Mountains to South Africa, and Greece to the Mojave Desert, this short collection of hiking stories illustrates life's "little adventures"-weekend and other relatively short trips here and there designed to quench your desire for wildness. Because even the shortest outing can leave a lasting imprint and remind us all that it's not the size of the adventure that counts-it's how you enjoy it.
A funny, irreverent look at outdoor activities from rock climbing and mountaineering to kayaking and mountain biking, A Life Outside brings together a selection of non-fiction and fiction writings by Matt Artz. Former editor of mOthEr rOck and FunPig magazines, and contributor to TopRope, Dirt Rag, Vertical Jones, What's the Beta?, Rock & Ice, and other publications, Artz has never met an outdoor activity he didn't at least marginally enjoy (with the possible exception of golf).
Despite winning control of twenty-four new state governments since 1992, Republicans have failed to enact policies that substantially advance conservative goals. This book offers the first systematic assessment of the geography and consequences of Republican ascendance in the states and yields important lessons for both liberals and conservatives.
What brought the ape out of the trees, and so the man out of the ape, was a taste for blood. This is how the story went, when a few fossils found in Africa in the 1920s seemed to point to hunting as the first human activity among our simian forebears—the force behind our upright posture, skill with tools, domestic arrangements, and warlike ways. Why, on such slim evidence, did the theory take hold? In this engrossing book Matt Cartmill searches out the origins, and the strange allure, of the myth of Man the Hunter. An exhilarating foray into cultural history, A View to a Death in the Morning shows us how hunting has figured in the western imagination from the myth of Artemis to the tale of Bambi—and how its evolving image has reflected our own view of ourselves. A leading biological anthropologist, Cartmill brings remarkable wit and wisdom to his story. Beginning with the killer-ape theory in its post–World War II version, he takes us back through literature and history to other versions of the hunting hypothesis. Earlier accounts of Man the Hunter, drafted in the Renaissance, reveal a growing uneasiness with humanity’s supposed dominion over nature. By delving further into the history of hunting, from its promotion as a maker of men and builder of character to its image as an aristocratic pastime, charged with ritual and eroticism, Cartmill shows us how the hunter has always stood between the human domain and the wild, his status changing with cultural conceptions of that boundary. Cartmill’s inquiry leads us through classical antiquity and Christian tradition, medieval history, Renaissance thought, and the Romantic movement to the most recent controversies over wilderness management and animal rights. Modern ideas about human dominion find their expression in everything from scientific theories and philosophical assertions to Disney movies and sporting magazines. Cartmill’s survey of these sources offers fascinating insight into the significance of hunting as a mythic metaphor in recent times, particularly after the savagery of the world wars reawakened grievous doubts about man’s place in nature. A masterpiece of humanistic science, A View to a Death in the Morning is also a thoughtful meditation on what it means to be human, to stand uncertainly between the wilderness of beast and prey and the peaceable kingdom. This richly illustrated book will captivate readers on every side of the dilemma, from the most avid hunters to their most vehement opponents to those who simply wonder about the import of hunting in human nature.
Painting has long dominated discussions of Netherlandish art. Yet in the sixteenth century sculpture was held in considerably higher regard than painting, especially in foreign lands. This beautifully illustrated book is the first comprehensive study of sixteenth-century Netherlandish sculpture, and it opens an important window onto the works and milieu of these artists. Netherlanders dominated the sculptural world of northern Europe. They made the most prestigious tombs and altarpieces, alabaster reliefs, and boxwood collectibles for patrons throughout Iberia, France, and Central Europe. Even in Italy they were a formidable presence; the most famous sculptor in Europe in the second half of the sixteenth century was Giambologna, a Fleming who spent the greater part of his career in Florence. A great many of these artists immigrated to foreign courts—so many that the history of Netherlandish sculpture in the second half of the sixteenth century plays out largely abroad. Netherlandish carvers and casters relocated to what are today Austria, Denmark, England, France, Germany, Italy, Poland, Portugal, Spain, Sweden, and Ukraine. Sculpture, more so than painting, was an essential tool in discourses of power. Offering an essential new perspective on a fascinating period in art history, Actors Carved and Cast will appeal to scholars of sculpture and all those interested in Northern Renaissance art.
This highly illustrated book explains the business of logging railroads and provides examples of prototype operations. Photos of locomotives, equipment, and structures set the stage for modeling logging scenes and designing a logging layout.
From mountaineering to kayaking to rock climbing and more, this short collection of outdoor adventure stories from the Sierra Nevada Mountains illustrates life's "little adventures"-weekend and other relatively short trips here and there designed to quench your desire for wildness. Because even the shortest outing can leave a lasting imprint and remind us all that it's not the size of the adventure that counts-it's how you enjoy it.
Exhilarating, delightful, disturbing, amusing, and overall intensely personal, Down to Africa is the story of an American teenager living in southern Africa in the 1970s. It was a time of change--the beginning of the end of the apartheid era, when the term Soweto became synonymous with discrimination and the repressive policies of the white minority South Africa government were exposed on the world stage. Incredible wildlife, breathtaking scenery, riots, and even war, the experiences capture a vivid picture of the time and place, and of an individual who comes back changed. And in the end, it's about a desire to return once again to that special place.
An American teenager moves to southern Africa in the 1970s during a time of great change, and comes back changed himself. After a 35 year absence, he returns to southern Africa to volunteer for a conservation and research program in the Tuli Wilderness of Botswana. Despite close encounters with lions, hyenas, and elephants, it's the people of southern Africa that once again left the biggest impression on him.
Over two and a half decades, what began as the story of Hunter Rose, the talented young author who became the city's most feared assassin and criminal overlord, evolved into a prolonged examination of authority, society, and that dark mechanism of nature — violence. Now, take a step inside one of the most daring comic book projects ever created as Matt Wagner guides you through the artwork that changed contemporary comics forever. As beautiful and graceful as it is thrilling and surprising, each piece — many seen for the first time or previously long out of print — brings you deeper into the seductive mystery that is Grendel.
This is a collection of paintings, a one-man bestiary of monsters, weirdos, beasties, and anthropomorphs, all painted in Furie's meticulous brand of representational surrealism. Furie's cheerful, anthropomorphic comics character, Pepe the Frog, became a meme that was appropriated by hate groups (as seen in the documentary Feels Good Man, which premiered at the Sundance Film Festival.) Furie’s recent paintings reflect this experience. This is a showcase for an unsettling menagerie; creatures seem to be hiding their true intentions. Furie is plumbing darker depths in these works, despite the paintings' inviting colors and friendly cartoon iconography.
Inspired by one of the world’s greatest novels, Ohio artist Matt Kish set out on an epic voyage of his own one day in August 2009. More than one hundred and fifty years following the original publication of Moby-Dick, Kish began illustrating Herman Melville’s classic, creating an image a day over the next eighteen months based on text selected from every page of the 552-page Signet Classics paperback edition. Completely self-taught, Kish refused to set any boundaries for the artwork and employed a deliberately low-tech approach in response to the increasing popularity of born-digital art and literature. He used found pages torn from old, discarded books, as well as a variety of mediums, including ballpoint pen, marker, paint, crayon, ink, and watercolor. By layering images on top of existing words and images, Kish has crafted a visual masterpiece that echoes the layers of meaning in Melville’s narrative.
Every Canteen Kate story ever published--22 in all--is collected for the first time in "The Lost Art of Matt Baker (Vol. 1)," judiciously restored and enlarged 20 percent over their original published size. A rich introduction by veteran comics writer Steven Ringgenberg provides insightful historical and biographical context, and a bonus gallery spotlights Baker's skills as a cover artist. Best of all, Baker and his good-time gal bring you weapons-grade guffaws as well as art that will leave you eager to see more from this master draftsman. Regardless of what comics Baker drew, one quality always emerged: his naturalistically gorgeous women. This master of "good girl" art drew every installment of the candid wartime cutie, from her premiere in "Fightin' Marines" (1951) to her final bow in "Anchors Andrews" (1953), all contained in this volume. Unlike the jingoistic comics typically published during the Korean War, Canteen Kate tales were designed to be morale-boosting screwball fun. Volume 2 in "The Lost Art of Matt Baker" series will collect his entire output for the "Wartime Romances" comic, and Volume 3 will provide a sampling of his best war, western, and suspense stories (forthcoming in 2014). This volume on Matt Baker represents the sixth release from the much-lauded Lost Art Books line. Lost Art Books, the flagship series from Picture This Press, collects and preserves the works of illustrators and cartoonists from the first half of the 20th century. Too many of these artists have gone underappreciated for too long, with much of their work uncollected or unexamined for decades, if at all. The Lost Art Books series aims to preserve this cultural heritage by re-introducing these artists to new generations of working illustrators, historians, and admirers of things beautiful.
Every Canteen Kate story ever published--22 in all--is collected for the first time in "The Lost Art of Matt Baker (Vol. 1)," judiciously restored and enlarged 20 percent over their original published size. A rich introduction by veteran comics writer Steven Ringgenberg provides insightful historical and biographical context, and a bonus gallery spotlights Baker's skills as a cover artist. Best of all, Baker and his good-time gal bring you weapons-grade guffaws as well as art that will leave you eager to see more from this master draftsman. Regardless of what comics Baker drew, one quality always emerged: his naturalistically gorgeous women. This master of "good girl" art drew every installment of the candid wartime cutie, from her premiere in "Fightin' Marines" (1951) to her final bow in "Anchors Andrews" (1953), all contained in this volume. Unlike the jingoistic comics typically published during the Korean War, Canteen Kate tales were designed to be morale-boosting screwball fun. Volume 2 in "The Lost Art of Matt Baker" series will collect his entire output for the "Wartime Romances" comic, and Volume 3 will provide a sampling of his best war, western, and suspense stories (forthcoming in 2014). This volume on Matt Baker represents the sixth release from the much-lauded Lost Art Books line. Lost Art Books, the flagship series from Picture This Press, collects and preserves the works of illustrators and cartoonists from the first half of the 20th century. Too many of these artists have gone underappreciated for too long, with much of their work uncollected or unexamined for decades, if at all. The Lost Art Books series aims to preserve this cultural heritage by re-introducing these artists to new generations of working illustrators, historians, and admirers of things beautiful.
The worlds of 1950's sitcoms and atomic-age science fiction again collide as the critically acclaimed series returns with this one-shot featuring two titanic full-length tales starring Charlie Hobson and the rest of the small town of Greenview!"--Back cover.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.