In history, this grand arterial 1500-mile waterway was always seen as the natural frontier between the northern provinces of the Iranian empires and the outer Turanian lands. It was for centuries central to Achaemenid and later Persian power. But, as the author shows, it has a prehistory which goes very much further back: and a succession of skilled yet still elusive Bronze Age cultures flourished here well before the rise of Cyrus the Great in the 6th century BCE. This richly illustrated book explores the fascinating history, art and archaeology of the region, including its primal trade in silk and foodstuffs; the mineral wealth of the Oxus basin; its exotic myths and beliefs; and the converging tribes and peoples which led to a new stability, economic growth and urbanism. The volume contains 150 full-colour photographs of notable artefacts, including silver decorated vessels, inlaid stone pots, agate beads and 25 'Bactrian Princesses': remarkable statuettes made in chlorite and limestone. Most of these rare objects have never been seen, let alone published, before.
In history, this grand arterial 1500-mile waterway was always seen as the natural frontier between the northern provinces of the Iranian empires and the outer Turanian lands. It was for centuries central to Achaemenid and later Persian power. But, as the author shows, it has a prehistory which goes very much further back: and a succession of skilled yet still elusive Bronze Age cultures flourished here well before the rise of Cyrus the Great in the 6th century BCE. This richly illustrated book explores the fascinating history, art and archaeology of the region, including its primal trade in silk and foodstuffs; the mineral wealth of the Oxus basin; its exotic myths and beliefs; and the converging tribes and peoples which led to a new stability, economic growth and urbanism. The volume contains 150 full-colour photographs of notable artefacts, including silver decorated vessels, inlaid stone pots, agate beads and 25 'Bactrian Princesses': remarkable statuettes made in chlorite and limestone. Most of these rare objects have never been seen, let alone published, before.
From the author of Death’s Dark Abyss and The Goodbye Kiss comes an extraordinary tale of life on the run. Massimo Carlotto’s odyssey began in 1976 when, as a member of a militant leftwing organization that had fallen awry of the ruling powers, he was arrested and falsely accused of murder. Unwilling to play the role of fall guy in a political power struggle, he chose to flee the country rather than wait for a verdict that the whole country knew was a foregone conclusion. He first went into hiding in the French underworld and then made his way to a Mexico embroiled in bloody class conflict. Betrayed by a Mexican lawyer, he returned to Italy in 1985 and spent six years in prison, during which time the “Carlotto case” became Italy’s most famous legal fiasco. Carlotto was finally freed with a presidential pardon in 1993. Subsequently, his case helped bring about significant changes to the Italian criminal code to ensure that similar judicial travesties would never happen again. The Fugitive is the first book that Carlotto wrote as a free man. It tells his story with verve and humor. Virtually a handbook on how to live life on the run, The Fugitive is also a vibrant novel full of vivid underworld characters and breathtaking moments that Carlotto recounts in the cool, lucid prose that has become his trademark.
“Think The Sopranos meets Goodfellas—without the Americanized gloss . . . [A] not-for-the-faint-hearted novel by an Italian master” (Reading Matters). In The Colombian Mule, the author called “the reigning king of Mediterranean noir” (The Boston Phoenix) and “the best living Italian crime writer” (Il Manifesto) brings to riveting life the story of Arías Cuevas, who sets in motion a chain of bloody events when police catch him trying to carry a shipment of La Tía’s cocaine into Italy. The intended recipient of the coke appears to have been art smuggler Nazzareno Corradi. But Corradi has been set up. He hires a PI known as “the Alligator” to get him out of the mess he’s in. Meanwhile, La Tía, a notoriously ruthless figure in the Colombian drug trade, is determined to move her operation to Italy, where cocaine has become all the rage among the professional classes. There’s only one thing standing in her way: the Alligator. The Alligator, an ex-con-turned-investigator, and his two companions, former underworld heavy Beniamino Rossini and Max the Memory, are among Massimo Carlotto’s most vivid noir creations. Together, the three men will wade deep into a criminal world of few scruples, testing their own strict and specific moral code along the way. “The morally ambiguous tone makes this an intriguing read, and the suspense is well maintained.” —Manchester Evening News “A fascinating glimpse into Italian culture and justice system. It’s sparely written and though quite short, there’s a lot of action . . . dark and gritty.” —Euro Crime “[A] brilliant book.” —The Friendly Shelf
PI Marco “the Alligator” Buratti returns in a thriller from the author whose “brand of crime writing is tougher than even the toughest American noir” (Josh Bazell, national bestselling author). Massimo Carlotto has been described as “the reigning king of Mediterranean noir” (Boston Phoenix), “about as gritty as they come” (The New York Times), and “the best living Italian crime writer” (Il Manifesto). Now, he gives his American readers his most memorable character yet: ex-con turned private investigator Marco Buratti, a.k.a. the Alligator. Closing the door on a crime-ridden past, Buratti plans to spend the rest of his days in the darkness of a seedy nightclub sipping Calvados and listening to the blues. But things don’t quite work out as he planned: though he may be through with his past, his past isn’t through with him. When his gangster friend Beniamino Rossini’s girlfriend is kidnapped, Buratti is forced to investigate a case of international drug dealing. He will be thrown headfirst into the underworld he has struggled to escape. In the world of Massimo Carlotto’s fiction, new and old criminal organizations collide and innocent bystanders are as hard to find as honest cops. “A cocktail of mystery and romanticism, a novel in which there are no real heroes and no signs of redemption. In short, classic Carlotto.” —Rolling Stone (Italy) “A gripping novel that can be read on different levels, as a breathtakingly dark noir novel or as a means of penetrating reality. These two levels magically blend in Massimo Carlotto’s books.” —Il Manifesto “The setting is beautifully—if grimly—realized. La dolce vita it ain’t—but this is top-notch Mediterranean noir.” —Kirkus Reviews
Mediterranean noir is about telling big stories, stories that recount great transformations, stories that denounce what is wrong but at the same time posit the culture of solidarity as an alternative to that of greed and violence." —Massimo Carlotto Giorgio Pellegrini, the unforgettable hero of The Goodbye Kiss, has been living an "honest" life for eleven years. But that's about to change. His lawyer has been playing him, and now Giorgio is forced into service as an unwilling errand boy for an organized crime syndicate. At one time, Giorgio wouldn't have thought twice about robbing, kidnapping and killing in order to get what he wanted or to get out of a mess like this. But these days he's too long in the tooth to face his enemies head-on. To get back to his peaceful life as a successful businessman he's going to have to find another way to shake off the mob. Fortunately, though Giorgio's circumstances may have changed, deep down he's still the ruthless killer he used to be.
A woman has gone missing. Her husband, too ashamed to admit to the police that he and his wife were part of a ring of sexual adventurers that organized sadomasochistic orgies, turns instead to the Alligator. Marco, a.k.a the Alligator, enters a depraved demi-world where ferocious deviants prey upon lonely victims. But the savagery of this world is only the first surprise this investigation holds in store for the Alligator. Encountering such violence and desperation triggers memories of his own time in prison. And while the unwritten rule of ex-cons is that you must never talk about your experiences behind bars, the Alligator and his two long-time associates, Max Memory and Beniamino Rossini, are forced to confront demons they thought long buried. In The Master of Knots, "the reigning king of Mediterranean Noir" Massimo Carlotto gives his readers a work of hardboiled noir fiction that is darker than ever before as he digs into the shadowy corners of human experience. This stunning novel sets a new standard in the history of the Mediterranean Noir novel.
A brand new Carlotto, darker than ever... A robbery goes wrong and ends with a brutal murder. The police investigation turns up nothing. Two years later, Marco Buratti, alias "the Alligator," is asked to look into the crime and find out who was responsible. Buratti's employer is young, the youngest client he has ever had; he is only 12 years old, the son of one of the victims. The Alligator senses right from the start that the truth is cloaked, twisted, shocking. Together with his trusted associates, Beniamino Rossini and Max the Memory, he will find himself mixed up in a story of contraband gold and blood vendettas between criminal gangs. Carlotto once again provides a unique perspective on the criminal and social dynamics that dominate contemporary Italy.
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