This book synthesises current knowledge on entrepreneurial finance. It provides a comprehensive and up-to-date overview of the state-of-the-art in entrepreneurial finance, with a focus on its ecosystem and main players. It analyses different channels of funding for young and growing ventures, namely debt financing, venture capital, business angels, and new forms of alternative finance, highlighting their advantages and disadvantages from an entrepreneur's perspective. It further discusses the characteristics of financial markets in entrepreneurial finance, examining financial gaps and public policies.This book is ideal for students in entrepreneurship, innovation, finance and business at the graduate and post-graduate levels. Entrepreneurs and policymakers interested in financial issues related to start-ups and new ventures will also find this book interesting.
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
The fascinating and highly relevant history of the turbulent relationship between the United States and the Holy See, recounted and analyzed by Italian journalist and Vatican insider Massimo Franco Drawing on unique access to the archives of the Holy See and a range of sources both in Washington, D.C. and Rome, Parallel Empires charts the path of U.S.-Vatican relations to reveal the dramatic religious and political tensions that have shaped their dealings and our world. Starting with the Holy See’s initial diplomatic overtures to the United States in the 1780’s, Franco illuminates a two-hundred-year-old history of alliances, mutual exploitation, and misperceptions. From the nativist anti-Catholicism of the nineteenth century, through JFK’s election as America’s first Catholic president and the cold war anti-Communist partnership between the United States and the Holy See, to the establishment of full diplomatic relations in 1984, the story has never before been told quite like this. With U.S.-Vatican affairs still evolving in the present day, Parallel Empires also details the most recent developments of this ever-changing and often-tenuous relationship, including contemporary disagreements over the Iraq War and engagement with the Islamic world, and the Papacy of Benedict XVI. Parallel Empires leaves no doubt regarding the impact that the struggle between these two great powers—one of secular might and the other of moral influence—has had on both our history and on today’s world. Franco’s insights are sure to have lasting relevance as U.S.-Vatican relations continue to evolve, and with religion’s undeniable influence on everything from domestic elections to international terrorism, his work will prove invaluable in coming years.
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