This second edition of a popular introduction to the Qur’an includes an essential updated reference guide, including a chronology of the revelation, links to internet resources, and suggestions for further reading. Exploring the Qur'an's reception through history, its key teachings, and its place in contemporary thought and belief, this volume analyzes: the Qur'an as the word of God; its reception and communication by the Prophet Muhammad; the structure and language of the text; conceptions of God, the holy law, and jihad; and Islamic commentaries on Qur’anic teachings through the ages. The Qur'an: The Basics, Second Edition is a concise and accessible introduction.
This book examines the philosophy of al-Ghazali, analysing his conception of God within Islamic theology. Seeking to contribute to the greater understanding of Muslim thought, it analyses his ‘orthodox’ theory, based on the notion that the spiritual struggle (jihad) and philosophical enquiry are informed by the possession of firm science (‘ilm). Exploring a wide range of Arab texts and Arab primary literature, this book therefore examines a crucial period of Medieval Islamic history, whilst emphasizing the multifarious and by no means monolithic components of the Muslim outlook. In seeking to understand Islamic religion as a creative and progressive heritage, it also demonstrates the moderate and equilibrate character of mainstream Islam, and ultimately argues that al-Ghazali’s thought is the best expression of Islamic intellectuality and spirituality. Taking a theoretical approach, this book will be useful to students and scholars of Islamic philosophy, theology and history.
Ritual and the Sacred discusses some of the most important issues of modern socio-political life through the lens of a neo-Durkheimian perspective. Building on the main lesson of Durkheim's Elementary Forms of Religious Life, this book articulates values and practices common to non-Western and religious traditions that have the capacity to shape our modern way of living. Central to this volume is the question of modernity and scepticism with regard to mainstream Western wisdom; Rosati focuses on the notion of societal self-reassessment and self-revision, illustrating a willingness to learn from ’primitive’ societies. This reassessment necessitates us to rethink the central roles played by ritual and the sacred as building blocks of social and individual life, both of which remain salient features within the modern world. This title will be of key interest to sociologists of religion, philosophy politics and social theorists.
This second edition of a popular introduction to the Qur’an includes an essential updated reference guide, including a chronology of the revelation, links to internet resources, and suggestions for further reading. Exploring the Qur'an's reception through history, its key teachings, and its place in contemporary thought and belief, this volume analyzes: the Qur'an as the word of God; its reception and communication by the Prophet Muhammad; the structure and language of the text; conceptions of God, the holy law, and jihad; and Islamic commentaries on Qur’anic teachings through the ages. The Qur'an: The Basics, Second Edition is a concise and accessible introduction.
In this expanded and thoroughly updated English edition of the Italian edition (2008), Massimo Faggioli offers us a history and broader context of the so-called ecclesial movements of which Focolare, Community of Sant'Egidio, Neocatechumenal Way, Legionaries of Christ, Communion and Liberation, and Opus Dei are only some of the most recognizable names. Their history goes back to the period following the First Vatican Council, crosses Vatican II, and develops throughout the twentieth century. It is a history that prepares the movements' rise in the last three decades, from John Paul II to Francis. These movements are a complex phenomenon that shapes the Church now more than before, and they play a key role for the future of Catholicism as a global community, in transition from a Eurocentric tradition to a world Church.
The Qur’an: Modern Muslim Interpretations offers a lucid guide to how Muslims have read the Qur’an in the twentieth and twenty-first centuries. Massimo Campanini explores early approaches to the understanding of the Qur’an, including that of the Salafis and the construction of the Islamic Renaissance Movement, contrasting the development of traditionalist and ‘scientific’ interpretations and examining the work of the phenomenologists who followed. This lively book explores the radical ideas of Sayyid Qutb and his followers, a significant part of what is known as political Islamism, and investigates the idea of exegesis as a liberation theology, through the work of Esack and Wadud. Students taking courses on the interpretation of the Qur’an will find this an invaluable aid to their study, and it is essential reading for all those interested in how Muslims have understood the Qur’an in the contemporary period.
This book explores the possibility of a hermeneutics of the Qur'an. It starts from the presupposition that the Qur'an can be studied as a philosophical book. Thus the analysis is theoretical more than historical. Many philosophers commented the Qur'an and many supported their theories by resorting to the Qur'an. Thinkers like Fakhr al-Din al-Razi connected traditional theology and philosophy in their Qur'anic commentary. Others like Nasr Abu Zayd used philosophy to deconstruct the Qur'an paving the way for a modern humanistic hermeneutics. This book tries to go a step further: it aims to offer a path within the Qur'an that - through philosophy - leads to a fresh understanding of fundamental tenets of Islamic thought, most importantly tawhid - God's oneness - and to a fresh reading of the Qur'anic text. This book applies the phenomenological and ontological hermeneutics of Edmund Husserl and Martin Heidegger to the study of the Qur'an going far beyond Annemarie Schimmel's phenomenological approach that is neither philosophical nor properly phenomenological (in Husserl's sense).
In his new history of food, acclaimed historian Massimo Montanari traces the development of medieval tastes—both culinary and cultural—from raw materials to market and captures their reflections in today's food trends. Tying the ingredients of our diet evolution to the growth of human civilization, he immerses readers in the passionate debates and bold inventions that transformed food from a simple staple to a potent factor in health and a symbol of social and ideological standing. Montanari returns to the prestigious Salerno school of medicine, the "mother of all medical schools," to plot the theory of food that took shape in the twelfth century. He reviews the influence of the Near Eastern spice routes, which introduced new flavors and cooking techniques to European kitchens, and reads Europe's earliest cookbooks, which took cues from old Roman practices that valued artifice and mixed flavors. Dishes were largely low-fat, and meats and fish were seasoned with vinegar, citrus juices, and wine. He highlights other dishes, habits, and battles that mirror contemporary culinary identity, including the refinement of pasta, polenta, bread, and other flour-based foods; the transition to more advanced cooking tools and formal dining implements; the controversy over cooking with oil, lard, or butter; dietary regimens; and the consumption and cultural meaning of water and wine. As people became more cognizant of their physicality, individuality, and place in the cosmos, Montanari shows, they adopted a new attitude toward food, investing as much in its pleasure and possibilities as in its acquisition.
The fields of performance studies, empirical musicology, and the musicology of recordings have seen a tremendous development in recent years, shedding new light on the recent history of our performing tradition and conveying essential information to music practitioners, critics and audiences. This innovative work considers the notion of bel canto and the manner in which this vibrant tradition lives in the records of Luisa Tetrazzini (1871-1940), one of the most celebrated sopranos ever. Tetrazzini, whose discographic career includes about 120 recordings, belongs to that generation of inspirational performers who heralded the dawn of a new era of music appreciation, alongside such iconic figures as Enrico Caruso, Adelina Patti and Nellie Melba. Drawing on a vast body of scholarship and a number of contemporary reviews, Massimo Zicari establishes Tetrazzini’s role in the Italian operatic tradition and its much disputed set of performing conventions. His transcriptions of her recorded interpretations from Rossini, Donizetti, Bellini and Verdi will prove invaluable to singers and conductors interested in a tradition that goes back to legendary figures such as Jenny Lind and Maria Malibran. The author also discusses her voice quality and technique, tempo flexibility, her use of vibrato and portamento—features of musical performance that question several widely-held, normative views about aesthetics and interpretative tradition. The volume includes eighty-eight musical examples and its closing section consists of the vocal scores of thirteen operatic arias. The musical material (both examples and transcriptions) is entirely original. This unique approach seeks to combine an academic perspective with the making of the music, in the hope that the plea for originality may be enhanced by models from the past.
The Mediterranean, both a sea and a theatre, has served throughout history as a fundamental crossroads for the political-religious dynamics and international tensions that characterize the various worlds, east and west, south and north, that meet in this basin. Starting from these premises, the present work examines - within a chronological span that goes from the conclusion of the Second World War to the end of Pius XII’s pontificate - the contribution offered by the Holy See and by Catholics from different national contexts in deciphering the role of the Mediterranean Sea within the wider global context. As such, it constitutes a reflection on this geographical space with its peculiar cultural, economic, political, and religious realities by highlighting the role played by the Mediterranean in the elaboration of visions and projects of civilization. This work is the fruit of a wider research programme called Occidentes - Horizons and projects of civilization in the Church of Pius XII. It brings together the work of seven historians from different European Universities.
This book examines the philosophy of al-Ghazali, analysing his conception of God within Islamic theology. Seeking to contribute to the greater understanding of Muslim thought, it analyses his ‘orthodox’ theory, based on the notion that the spiritual struggle (jihad) and philosophical enquiry are informed by the possession of firm science (‘ilm). Exploring a wide range of Arab texts and Arab primary literature, this book therefore examines a crucial period of Medieval Islamic history, whilst emphasizing the multifarious and by no means monolithic components of the Muslim outlook. In seeking to understand Islamic religion as a creative and progressive heritage, it also demonstrates the moderate and equilibrate character of mainstream Islam, and ultimately argues that al-Ghazali’s thought is the best expression of Islamic intellectuality and spirituality. Taking a theoretical approach, this book will be useful to students and scholars of Islamic philosophy, theology and history.
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