Massimo Cacciari is one of the leading public intellectuals in today's Italy. This collection of essays on political topics provides the best introduction in English to his thought to date.This carefully curated collection includes chapters on Hofmannsthal, Luk\ cs, Benjamin, Nietzsche, Weber, Derrida, Schmitt, Canetti, and Aeschylus. Written between 1978 and 2006, these essays engagingly address the most hidden tradition in European political thought: the unpolitical. Far from being a refusal of politics, The Unpolitical represents a merciless critique of political reason and a way out of the now impracticable consolations of utopia and harmonious community.A lucid and engaging Introduction by Alessandro Carrera sets these essays in the context of Cacciari's work generally and in the broadest context of its historical and geographical backdrop.
Massimo Cacciari, one of the most influential social philosophers in Italy today, is the founder of the trend of criticism known as "negative thought" that focuses on the failure of traditional logic to explicate the problems of modernity. This book, which introduces his writings to an English-speaking audience, provides a striking social and philosophical account of the twentieth-century metropolis. Patrizia Lombardo's extensive introduction situates Cacciari's thought within the milieu of Italian political activism and philosophy between the 1960s and the 1980s, from his collaboration on the leftist journal Contropiano to his long association with Manfredo Tafuri." "Cacciari studies the relation between philosophy and modern architecture and applies the thinking of avant-garde architects, artists, and writers to the social and political problems raised by technological society. He begins by defining the modern metropolis, using the terms and ideas of Georg Simmel and Max Weber, but revealing where their frameworks are limited. He then examines the work of Adolf Loos and other architects and designers in early twentieth-century Vienna, showing how their architecture and criticism expose the alienation and utopianism in notions of the organic city. Cacciari demonstrates how architecture intersects with the city and the state but also with the interior of the private dwelling and with its resistance to the external world. Bringing together philosophy, sociology, urbanism, labor history, economics, and aesthetics, he helps us comprehend via these disciplines a crucial period in the history of modernity."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The first English translation of his work, The Withholding Power, offers a fascinating introduction to the thought of Italian philosopher Massimo Cacciari. Cacciari is a notoriously complex thinker but this title offers a starting point for entering into the very heart of his thinking. The Witholding Power provides a comprehensive and synthetic insight into his interpretation of Christian political theology and leftist Italian political theory more generally. The theme of katechon - originally a biblical concept which has been developed into a political concept - has been absolutely central to the work of Italian philosophers such as Agamben and Eposito for nearly twenty years. In The Withholding Power, Cacciari sets forth his startlingly original perspective on the influence the theological-political questions have traditionally exerted upon ideas of power, sovereignty and the relationship between political and religious authority. With an introduction by Howard Caygill contextualizing the work within the history of Italian thought, this title will offer those coming to Cacciari for the first time a searing insight into his political, theological and philosophical milieu.
Massimo Cacciari is one of the leading public intellectuals in today's Italy, both as an outstanding philosopher and political thinker and as now three times (and currently) the mayor of Venice. This collection of essays on political topics provides the best introduction in English to his thought to date. The political focus does not, however, prevent these essays from being an introduction to the full range of Cacciari's thought. The present collection includes chapters on Hofmannstahl, Lukács, Benjamin, Nietzsche, Weber, Derrida, Schmitt, Canetti, and Aeschylus. Written between 1978 and 2006, these essays engagingly address the most hidden tradition in European political thought: the Unpolitical. Far from being a refusal of politics, the Unpolitical represents a merciless critique of political reason and a way out of the now impracticable consolations of utopia and harmonious community. Drawing freely from philosophy and literature, The Unpolitical represents a powerful contribution to contemporary political theory. A lucid and engaging Introduction by Alessandro Carrera sets these essays in the context of Cacciari's work generally and in the broadest context of its historical and geographical backdrop.
Cacciari, academic (aesthetics, U. of Venice) and mayor of Venice as of 1993, surveys the history of angels in Judaic, Islamic, and Christian traditions; and how Dante, Rilke, Kafka, and other writers have used the metaphor of angels to speak about the phenomenology of language. Translated from the
Among today's Italian philosophers, Massimo Cacciari is perhaps the most assiduous commentator of Dante. Philosophy, Mysticism, and the Political collects all of Cacciari's writings on Dante to this day, from his masterful analysis of St. Francis of Assisi in Dante's Paradiso and Giotto's frescoes to a new consideration of Dante's "European" idea of empire as a federation of nations, peoples, and languages. Cacciari does not force Dante into any philosophical straitjacket. Rather, he walks with Dante, takes notes, asks questions, raises issues, and tries to understand the Divine Comedy in Dante's terms. Cacciari approaches Dante's Ulysses and the theologico-philosophical vertigo of Paradiso not as a critic but from the point of view of a faithful, assiduous, perceptive, sometimes perplexed, and sometimes worshipful reader. Cacciari's analysis shows once more that Dante does not belong to the past. Dante creates his own age and stays with us whenever we wish to follow his path.
In this weaving of radical political economy, Omnia Sunt Communia sets out the steps to postcapitalism. By conceptualising the commons not just as common goods but as a set of social systems, Massimo De Angelis shows their pervasive presence in everyday life, mapping out a strategy for total social transformation. From the micro to the macro, De Angelis unveils the commons as fields of power relations – shared space, objects, subjects – that explode the limits of daily life under capitalism. He exposes attempts to co-opt the commons, through the use of code words such as 'participation' and 'governance', and reveals the potential for radical transformation rooted in the reproduction of our communities, of life, of work and of society as a whole.
Cacciari, academic (aesthetics, U. of Venice) and mayor of Venice as of 1993, surveys the history of angels in Judaic, Islamic, and Christian traditions; and how Dante, Rilke, Kafka, and other writers have used the metaphor of angels to speak about the phenomenology of language. Translated from the
The first English translation of his work, The Withholding Power, offers a fascinating introduction to the thought of Italian philosopher Massimo Cacciari. Cacciari is a notoriously complex thinker but this title offers a starting point for entering into the very heart of his thinking. The Witholding Power provides a comprehensive and synthetic insight into his interpretation of Christian political theology and leftist Italian political theory more generally. The theme of katechon - originally a biblical concept which has been developed into a political concept - has been absolutely central to the work of Italian philosophers such as Agamben and Eposito for nearly twenty years. In The Withholding Power, Cacciari sets forth his startlingly original perspective on the influence the theological-political questions have traditionally exerted upon ideas of power, sovereignty and the relationship between political and religious authority. With an introduction by Howard Caygill contextualizing the work within the history of Italian thought, this title will offer those coming to Cacciari for the first time a searing insight into his political, theological and philosophical milieu.
Fatherhood today is in crisis. Fathers have gone missing, or have become their children’s playmates, and the symbolic authority of the father has lost its power. What remains of the father today in the wake of this decline, and what should the relation between children and parents now be? In addressing these questions, Massimo Recalcati draws inspiration from the story of Telemachus in Homer’s Odyssey. The Telemachus complex is the reverse of the Oedipus complex. Recalcati argues that children are possessed not just with a desire to annihilate their father, as their key rival in the contest to win the mother’s love, but also with a longing for a father-figure, as someone who brings meaning, structure and order to their lives and who imbues them with a sense of the future. This fresh and insightful account of the changing relations between parents and children in the era of the decline of the father will be of great interest to a wide general readership.
Cacciari discusses Vienna at a crucial turning point in Western thinking, as the 19th century ended, treating this extraordinarily rich concentration of people and events as the hub upon which wheeled into the 20th century.
The hypothesis from which this book starts is that the twentieth century has broken the link between time and history, thus producing a twofold consequence. On the one hand, time definitively loses the characteristics of linearity and coherence that it still had in Hegel, and will be conceived in terms of a multiplicity of heterogeneous temporal lines; on the other hand, and consequently, history tends to disappear from the philosophical horizon to give way to theses on a post-historical time, whose main characteristics are stasis, the inability to synthesize incoherent temporalities, the impossibility of producing openings towards the future. However, precisely within the short century – the one in which time has supposedly contracted to the point of expunging history from itself – critical reflections were produced, which, despite the acquisition of scientific and philosophical lessons about the multi- form and reversible nature of time, have recovered a fruitful relation with history in a cumulative and teleological sense.
This book is the outcome of a bibliographical research and historical analysis of the evolution of the international literature on J.A. Schumpeter. The research has been carried out in the last few years with the organizational support of the "International Joseph A. Schumpeter Society" and through the establishment of connections with libraries, universities and research institutes throughout the world. Schumpeter's papers at the Harvard University archives have also been scrutinized. The volume includes a historical and critical assessment of the literature on the Austrian economist - according to the most important and specific Schumpeterian "categories": biography, methodology, development, money, cycle, sociology, politics, and history. The book is characterized by the completeness and richness of its information and by the homogeneous treatment of all the possible sources which could have provided news on Schumpeter. Besides Europe and the US, the research has been extended to the USSR, Latin America, Eastern Europe and, above all, to Japan where the Schumpeterian tradition is very deep-rooted.
The European Union and the single currency have given Europe more stability than it has known in the past thousand years, yet Europe seems to be in perpetual crisis about its global role. The many European empires are now reduced to a multiplicity of ethnicities, traditions, and civilizations. Europe will never be One, but to survive as a union it will have to become a federation of “islands” both distinct and connected. Though drawing on philosophers of Europe’s past, Cacciari calls not to resist Europe’s sunset but to embrace it. Europe will have to open up to the possibility that in few generations new exiles and an unpredictable cultural hybridism will again change all we know about the European legacy. Though scarcely alive in today’s politics, the political unity of Europe is still a necessity, however impossible it seems to achieve.
Cacciari discusses Vienna at a crucial turning point in Western thinking, as the 19th century ended, treating this extraordinarily rich concentration of people and events as the hub upon which wheeled into the 20th century.
Among today's Italian philosophers, Massimo Cacciari is perhaps the most assiduous commentator of Dante. Philosophy, Mysticism, and the Political collects all of Cacciari's writings on Dante to this day, from his masterful analysis of St. Francis of Assisi in Dante's Paradiso and Giotto's frescoes to a new consideration of Dante's "European" idea of empire as a federation of nations, peoples, and languages. Cacciari does not force Dante into any philosophical straitjacket. Rather, he walks with Dante, takes notes, asks questions, raises issues, and tries to understand the Divine Comedy in Dante's terms. Cacciari approaches Dante's Ulysses and the theologico-philosophical vertigo of Paradiso not as a critic but from the point of view of a faithful, assiduous, perceptive, sometimes perplexed, and sometimes worshipful reader. Cacciari's analysis shows once more that Dante does not belong to the past. Dante creates his own age and stays with us whenever we wish to follow his path.
Friedrich Neitzsche imagined himself belonging to a society of visionaries, thinkers, architects, poets, musicians, and artists running ahead of the mainstream. They were condemned to be misunderstood or ignored in the present, but their work would become significant in the future. To them he addressed the aphorism from which Massimo Cacciari's book takes its name, saying "It is only after death that we will enter our life and come alive, oh, very much alive, we posthumous people!" Cacciari isolates Vienna as the European capitol of posthumous people at a crucial turning point in Western thinking, as the nineteenth century ended. There he finds Ludwig Wittgenstein, together with Peter Altenberg, Robert Walser, Lou Andreas-Salomé, Adolf Loos, Martin Buber, Egon Schiele, Karl Kraus, Gustav Klimt, and many others. Cacciari treats this extraordinarily rich concentration of activity as the hub upon which European culture wheeled into the twentieth century. He reaches directly to the intellectual content in each of the various figures he discusses.
Assesses the current situation of Europe ten years after the adoption of the single currency. Examines the genealogy of the idea of Europe from the Greek confrontation with the Asia to the conflict between the Roman Empire and Christianity. Discusses the role of secularization in the shaping of modern Europe"--
Fatherhood today is in crisis. Fathers have gone missing, or have become their children’s playmates, and the symbolic authority of the father has lost its power. What remains of the father today in the wake of this decline, and what should the relation between children and parents now be? In addressing these questions, Massimo Recalcati draws inspiration from the story of Telemachus in Homer’s Odyssey. The Telemachus complex is the reverse of the Oedipus complex. Recalcati argues that children are possessed not just with a desire to annihilate their father, as their key rival in the contest to win the mother’s love, but also with a longing for a father-figure, as someone who brings meaning, structure and order to their lives and who imbues them with a sense of the future. This fresh and insightful account of the changing relations between parents and children in the era of the decline of the father will be of great interest to a wide general readership.
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