Chi è il filosofo, e chi è il poeta? Questo libro, nel suo compiersi, si è svelato via via per quello che era: una mistificazione, un anonimato palese e spudorato, un espediente per scendere sempre più a fondo nell'indicibile. Io non sono io, tu non sei tu, io non sono tu, tu non sei me. Eppure. La nostra vita è sempre quella degli altri. Ne siamo fatti. Gli altri ci vivono. * È possibile l'amicizia fra due uomini? Nonostante l'ingenuo ottimismo di molta psicologia contemporanea, la dimensione dell'Io e del Tu è un incidente, un'eccezione. Non è possibile risiedere in tale dimensione ma tutt'al più riceverne rare visitazioni, che sole ci permettono di autodefinirci umani.
Palazzo Grimani dall’Albero d’Oro opens its doors to culture, art and all those who wish to discover the history of this sumptuous building on the Grand Canal. The book offers a fascinating journey through time, the city and the lives of the illustrious guests who have lived in this patrician residence. With a personal “ narrated” tour and a narrative that never loses sight of scientific rigour, the authors take us through the magnificent rooms in a journey that weaves together, with careful reconstruction, the history of the families and collections once hosted in the palazzo. Massimo Favilla has taught Urban and Territorial Design at the IUAV University of Venice and the History of Architecture at the University of Padua. Ruggero Rugolo is responsible for publishing at the Istituto Veneto di Scienze, Lettere ed Arti and has taught the History of Modern Art at the University of Modena and Reggio and at Ca’ Foscari University in Venice. Their studies focus on Veneto art, in particular of the seventeenth and eighteenth centuries, and have led to the publication of numerous monographs, conference proceedings, exhibition catalogues and articles in academic journals.
The origin of the mechanical sciences can be traced to the studies of Aristotle and Archimedes, who set forth the principles that are the basis of mechanics. However, development in successive centuries advanced but slowly, with notable progress made during the Middle Ages, and would find its complete formal development and linguistic expression only in the Renaissance.The use of elementary static systems followed different courses, tied more to empiricism and constructive technologies than to theoretical science, resolving the problems that were mentioned from time to time by the architects and builders of antiquity. Such problems, formulated from the constructive practices of architecture and by the machines for building, were resolved using those very mechanical devices that are at the basis of the discipline, without a precise knowledge of their general semantic value, but rather with a awareness of statics and constructive empiricism that validated the choices made on the building site.
The birthplace of Boccaccio, Machiavelli, and the powerful Medici family, Florence was also the first great banking and commercial centre of continental Europe. The city’s middle-class merchants, though lacking the literary virtuosity of its most famous sons, were no less prolific as writers of account books, memoirs, and diaries. Written by ordinary men, these first-hand accounts of commercial life recorded the everyday realities of their businesses, families, and personal lives alongside the high drama of shipwrecks, plagues, and political conspiracies. Published in Italian in 1986, Vittore Branca’s collection of these accounts established the importance of the genre to the study of Italian society and culture. This new English translation of Merchant Writers includes all the texts from the original Italian edition in their entirety. Moreover, it offers a gripping personal introduction to the mercantile world of medieval and Renaissance Florence.
Claudio Monteverdi's historical position in music has been compared to that of Shakespeare in literature: almost exact contemporaries, each worked from traditional beginnings to transform nearly every genre he attempted. In this book, Massimo Ossi delves into the most significant aspect of Monteverdi's career: the development, during the first years of the seventeenth century, of a new compositional style he called the seconda prattica or "second manner." Challenged in print for the unconventional aspects of his music, Monteverdi found himself at the center of a debate between defenders of Renaissance principles and the newest musical currents of the time. The principles of the seconda prattica, Ossi argues in this sophisticated analysis of Monteverdi's writings, music, and approaches to text-setting, were in fact much more significant to the course of Monteverdi's career than previously thought by modern scholars-not only did Monteverdi continue to pursue their aesthetic and theoretical implications for the rest of his life, but they also affected his dramatic compositions as well as his chamber vocal music and sacred works. Ossi "divines the oracle" of Monteverdi's ambiguous theoretical concepts in a clear way and in terms of pure music; his book will enhance our understanding of Monteverdi as one of the most significant figures in western music history.
Massimo Cacciari is one of the leading public intellectuals in today's Italy, both as an outstanding philosopher and political thinker and as now three times (and currently) the mayor of Venice. This collection of essays on political topics provides the best introduction in English to his thought to date. The political focus does not, however, prevent these essays from being an introduction to the full range of Cacciari's thought. The present collection includes chapters on Hofmannstahl, Lukács, Benjamin, Nietzsche, Weber, Derrida, Schmitt, Canetti, and Aeschylus. Written between 1978 and 2006, these essays engagingly address the most hidden tradition in European political thought: the Unpolitical. Far from being a refusal of politics, the Unpolitical represents a merciless critique of political reason and a way out of the now impracticable consolations of utopia and harmonious community. Drawing freely from philosophy and literature, The Unpolitical represents a powerful contribution to contemporary political theory. A lucid and engaging Introduction by Alessandro Carrera sets these essays in the context of Cacciari's work generally and in the broadest context of its historical and geographical backdrop.
A commonly held impression is that Pope Francis is a compassionate shepherd and determined leader but that he lacks the intellectual depth of his recent predecessors. Massimo Borghesi’s The Mind of Pope Francis: Jorge Mario Bergoglio’s Intellectual Journey dismantles that image. Borghesi recounts and analyzes, for the first time, Bergoglio’s intellectual formation, exploring the philosophical, theological, and spiritual principles that support the profound vision at the heart of this pope’s teaching and ministry. Central to that vision is the church as a coincidentia oppositorum, holding together what might seem to be opposing and irreconcilable realities. Among his guiding lights have been the Jesuit saints, Ignatius and Peter Faber; philosophers Gaston Fessard, Romano Guardini, and Alberto Methol Ferrer; and theologians Henri de Lubac and Hans Urs von Balthasar. Recognizing how these various strands have come together to shape the mind and heart of Jorge Mario Bergoglio offers essential insights into who he is and the way he is leading the church. Notably, this groundbreaking book is informed by four interviews provided to the author, via audio recordings, by the pope himself on his own intellectual formation, major portions of which are published here for the first time.
Exploring the fascinating cross-cultural influences between Jews and Christians in Italy from the Renaissance to the twentieth century, Acculturation and Its Discontents assembles essays by leading historians, literary scholars, and musicologists to present a well-rounded history of Italian Jewry. The contributors offer rich portraits of the many vibrant forms of cultural and artistic expression that Italian Jews contributed to, but this volume also pays close attention to the ways in which Italian Jews - both freely and under pressure - creatively adapted to the social, cultural, and legal norms of the surrounding society. Tracing both the triumphs and tragedies of Jewish communities within Italy over a broad span of time, Acculturation and Its Discontents challenges conventional assumptions about assimilation and state intervention and, in the process, charts the complex process of cultural exchange that left such a distinctive imprint not only on Italian Jewry, but also on Italian society itself. This collection of rigorous and thought-provoking essays makes a major contribution to both the history of Italian culture and the cultural influence and significance of European Jews.
Ariosto's correspondence paints a detailed portrait of the world he lived and wrote in. While some letters illuminate his day-to-day life, including his work as a provincial commissioner for the ruling Este family of Ferrara, others shed light on the composition and production of his poems and plays, allowing a glimpse of the man in his creative workshop. Herbal Doctor, a parody of humanism in general and neoplatonic philosophy in particular, may mark a defense of Ariosto's decision to turn away from the philological world of his contemporaries in order to pursue a different kind of learning.
Focusing on the anthropological consequences of the disappearing of materiality and sensory embodiment, On Insignificance highlights some of the most perturbing patterns of insignificance that have seeped into our everyday lives. Seeking to explain the semiotic causes of feelings of meaninglessness, Leone posits that caring for the singularities of the world is the most viable way to resist the alienating effects of the digital bureaucratization of meaning. The book will be of interest to scholars of anthropology, cultural studies, semiotics, aesthetics, communication studies, and social theory.
A Roma tra i primi decenni del IV secolo e la prima metà del XIV secolo (quindi nell'arco di circa 1000 anni) furono costruite 549 chiese, delle quali 145 sono ancora esistenti, seppure nel corso dei secoli modificate, ampliate, restaurate, ricostruite almeno parzialmente. Per ogni chiesa si sono forniti i principali dati storici, relativi al periodo di costruzione, di restauri o ricostruzioni, di eventuale scomparsa, e si è indicata la zona topografica. Queste 549 chiese (basiliche, oratori, cappelle) sono state dedicate a 168 santi, vissuti tra il I e l'inizio del XIII secolo, per ognuno dei quali si ricostruisce brevemente la vita e la santità. Una raccolta di chiese, in gran parte scomparse, e di santi, molti dei quali dimenticati, per ricostruire una parte essenziale di Roma medievale e della sua religiosità.
The achievements of Romance language corpus-driven studies deserve more attention from the scientific community at the world level for both their quantity and quality. This book contains papers given at the 3rd International LABLITA Workshop in Corpus Linguistics (Italian Department, University of Florence, June 4th-5th 2008), and it aims at integrating new ideas and results derived from Romance language corpora in the framework of the overall achievements of Corpus Linguistics. The volume contains the contribution of a leading scholar of Corpus Linguistics (Douglas Biber), and a set of articles presented to Biber by notable European researchers and those from other countries. Papers report on long-term studies ranging from Italian to Spanish, French, Brazilian Portuguese and Japanese.
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