This book examines the development and issuance of the Balfour Declaration, the document that set the stage for the creation of the state of Israel, within its global setting. The heart of the book demonstrates that the Declaration developed and contributed to a juncture in a global dialogue about the nature and definition of nation at the outset of the twentieth century. Embedded in this examination are gendered, racial, nationalistic, and imperial considerations. The work posits that the Balfour Declaration was a specific tool designed by the manipulation of these ideas. Once established, the Declaration helped, and hindered, established imperial powers like the British, nascent imperial powers like the Japanese and Indians, and emerging nationalist movements like the Zionists, Irish, Palestinians, and East Africans, to advocate for their own vision of national definition.
Representations of Islam in United States Comics, 1880-1922 examines the depiction of Islam, Muslims, and the Islamic world in U.S. popular culture, particularly comics and related artifacts, between 1880 and 1922. Through cartoons, comics, editorial cartoons, serialized advertisements and other materials the book unfolds a narrative about how the Islamic world and its people were understood by the American government and its people. This “knowledge,” garnered from popular culture of the day, produced a lens through which domestic and international relationships were created and maintained. Representing a wide swath of U.S. popular culture and discourse, the reflections these artifacts offer are united in their depiction of the “Oriental” in an era that is largely assumed to have been marked by American un-interest in the region, peoples and religion. An exciting contribution to a growing field, this book resituates the U.S. within the Islamic world, using the everyday medium of comics to provide a fresh perspective on the subject.
Representations of Islam in United States Comics, 1880-1922 examines the depiction of Islam, Muslims, and the Islamic world in U.S. popular culture, particularly comics and related artifacts, between 1880 and 1922. Through cartoons, comics, editorial cartoons, serialized advertisements and other materials the book unfolds a narrative about how the Islamic world and its people were understood by the American government and its people. This “knowledge,” garnered from popular culture of the day, produced a lens through which domestic and international relationships were created and maintained. Representing a wide swath of U.S. popular culture and discourse, the reflections these artifacts offer are united in their depiction of the “Oriental” in an era that is largely assumed to have been marked by American un-interest in the region, peoples and religion. An exciting contribution to a growing field, this book resituates the U.S. within the Islamic world, using the everyday medium of comics to provide a fresh perspective on the subject.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.