Hey You! You should respect each other’s differences You need to accept peoples skin colors You shouldn’t condone injustice You must appreciate cultural varieties Hey, you won’t ignore the aged You have to be less of a bigot You best not be religion prejudiced You shalt not scoff at people with disabilities You will help the homeless You will crusade for Human Rights for all. Hey, you must remember we are all brothers/sisters You can’t judge a person by their last name EXCEPT ME! I don’t have to because I am superior! I am better! I don’t like you! I don’t know you! I don’t care about you! I don’t respect you! But YOU have to.......
MATTEA is an example of what we can be thankful for. Parents and young children can learn how we can be thankful in the interactive pages. More books of different animals to come. ENJOY!
Savoir-Faire is a comprehensive account of France’s rich culinary history, which is not only full of tales of haute cuisine, but seasoned with myths and stories from a wide variety of times and places—from snail hunting in Burgundy to female chefs in Lyon, and from cheese appreciation in Roman Gaul to bread debates from the Middle Ages to the present. It examines the use of less familiar ingredients such as chestnuts, couscous, and oysters; explores French food in literature and film; reveals the influence of France’s overseas territories on the shape of French cuisine today; and includes historical recipes for readers to try at home.
One of the few women pioneers of cinema and a committed feminist, Germaine Dulac strongly believed that the public had a role to play in shaping the history of cinema and the kinds of films that filmmakers could make. This book draws on a wealth of archival material – both films and writing – to study Dulac’s ‘behind the scenes’ work on filmmaking and her social/political activism in the field of cinema. The biographical and historical introduction contextualises Dulac’s situation at the heart of the avant-garde. Three chapters organise her films and career around the kinds of cinema that she promoted: ‘psychological’, ‘pure’ and ‘documentary’. The conclusion contrasts Dulac’s contributions with those of Alice Guy Blaché, another early woman film pioneer, highlighting their differing paths to recognition.
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