Maryann Corbett’s Street View is a panorama of views: suburban and urban avenues, shown in leaf and in snow; alleyways where misfits lurk in darkness, but also where “Adonis, charioteer of municipal waste collection, rides with the morning”; and boulevards of old buildings whose elegance remains undeniable, even when “prinked in the clown suit of commerce.” Street View also navigates the resiliency and failings of the human body, and the memories of family and pivotal acquaintances that shape viewpoints for good or ill. This is the work of a seasoned poet in command of her craft, and deservedly, a finalist for the 2016 Able Muse Book Award. PRAISE FOR STREET VIEW: Assaulted, as we all are, by relentless, restless noise-throbbing subwoofers, urban construction, cynical marketing and violent news, even our own banal chitchat-Maryann Corbett “strafe[s] back with the whole Roget/ and gun[s her] engine to its own rough strife. . . .” Though her weapons, her engines, are stillness, insight, and rhythm, there is indeed a sense in which the poems in Street View wallop their subjects with language. The exquisite, seemingly effortless grace of these poems with their penetrating music and humor deserve a commendation like that the poet gives Veronese: “This is the catechesis/ we need now, for the kind of sight we work with/ here, where the world kabooms.” -George David Clark Given her gift with detail, Maryann Corbett is the perfect person to offer a view, but an even more perfect person to offer a “street view,” the title of her new collection. While Corbett has made a career of being precise, she can be whimsical as well, right down to the “Northrop Mall . . . as fixed and formal as an English sonnet.” Yet perhaps her greatest strength is that she is not afraid to be the quiet steady gaze that takes in everything: all the things most people would miss. -Kim Bridgford Maryann Corbett takes the ode less traveled (not to mention the terzanelle less tried and the dactylic hexameter almost unheard of) to oddly familiar destinations: the West Side Y in New York City, Grand Avenue in St. Paul, the dentist’s clinic. She is a rhapsodist of times past and places lost or endangered, but she also lives very much in the present. She examines experiences with shrewdness and fascination, crafting them into poems that are breathtaking in their intelligence and brio. -Susan McLean In Maryann Corbett’s new book, we are given a Street View on the world, from Minneapolis to Jerusalem. These streets are populated with a variety of town characters, from the vagrant to the dangerous academic “Weirdo” with his void-sucked soul who makes one think of mass killings. Suffice it to say that the street view might be uglier than the view onto the mountains or the ocean, but in that ugliness can be found a clearer view on the truth of how we live today. -Tony Barnstone
In Code was born out of Maryann Corbett’s years of work for the Minnesota Legislature, with a nonpartisan office that mandated that she maintain a public silence about politics. In poems that go from elegiac to fiery to funny, she examines behind-the-scenes legislative labor and the people who do it, the tensions of working for government in a climate hostile to government, and the buildings and grounds that put a beautiful face on a history full of ambiguities. This well-honed collection, Corbett's fifth, reflects on doublespeak and public poses; on coworkers and commutes; on legalese, courts, and elections; on news and history; and at last on retirement—through poems masterfully deployed in a dazzling array of forms: including the prose poem, the sonnet, the ghazal, the villanelle, and the canzone. Maryann Corbett is a candid, wistful, purposeful, and meditative poet in command of her craft. Of her years working for the Minnesota Legislature, Maryann Corbett writes in Rattle: "There was the frisson supplied by the constant presence of the media, the satisfaction of believing one's work served the public, the thrill of working with smart, motivated people, the pleasure of being surrounded by the striking buildings and gardens of the Capitol grounds, the sense of history. There was also the uncomfortable awareness that with every legislative session there are winners and losers, and that the same battles for justice are fought, and often lost, by the same people, year after year." In Code features poems that reflect on both those pleasures and that discomfort, as in these lines from "Seven Little Poems about Making Laws": Capitol café: German proverbs, whitewashed since 1917, are restored to view with bright applause. Old hatreds have new objects now. PRAISE FOR MARYANN CORBETT: Ned Balbo: . . . an extraordinary poet. Tony Barnstone: . . . metrical poetry infused with gorgeous imagery and the vernacular of our scientized world. Richard Wilbur: . . . accurate and delightful. Rhina P. Espaillat: . . . every section touches me and keeps calling me back. A.M. Juster: . . . wit without meanness, warmth without sentimentality, and craft without pretension. Geoffrey Brock: . . . one of the best-kept secrets of American poetry. Marilyn Taylor: . . . poignant, perceptive, exquisitely formed poems . . . a poet to be genuinely grateful for. Peter Campion: . . . a poet of the first order. Willis Barnstone: . . . a newborn Robert Frost, with a wicked eye for contemporary life. Susan McLean: . . . a stunner. ABOUT THE AUTHOR: Maryann Corbett earned a doctorate in English in 1981, with a specialization in medieval literature and linguistics. She expected to be teaching Beowulf and Chaucer and the history of the English language. Instead, she spent almost thirty-five years working for the Minnesota Legislature, helping attorneys to write in plain English and coordinating the creation of finding aids for the law. She is the author of five books of poetry and is a past winner of the Richard Wilbur Award and the Willis Barnstone Translation Prize. Her work is widely published in journals on both sides of the Atlantic and is included in anthologies like Measure for Measure: An Anthology of Poetic Meters and The Best American Poetry 2018.
Maryann Corbett’s second full-length collection, Credo for the Checkout Line in Winter, draws on profound experience of deep winter in the lived environment, while keeping alive faith that the thaw will come and bring with it the bloom of “uncountable rows of petals.” The themes of this finalist for the 2011 Able Muse Book Award range from the quotidian to the metaphysical. Corbett’s keen eye brings to focus uncommon detail. Her masterful technical repertoire spans received forms, metrical inventiveness, and free verse. This is poetry that amply rewards the reader with its boundless imagination, insight and visionary delight. PRAISE FOR CREDO FOR THE CHECKOUT LINE IN WINTER: The crafted poems in Maryann Corbett’s new book are vibrant. She is a newborn Robert Frost, with a wicked eye for contemporary life. Each poem surprises. Read her poems and feel the howling snow, the mud, and the jubilance of the first warm fertile spring days. —Willis Barnstone What makes Maryann Corbett such a rare, excellent writer must be her talent for weaving together various artistic impulses, so that her poems often sound both traditional and brand new, both humorous and serious, both worldly-wise and, as John Keats once put it, “capable of being in uncertainties.” [She] remains a poet of the first order, and her poems are cause for gratitude, and deep enjoyment. —Peter Campion (from the foreword) Corbett is as comfortable and affecting within the tight confines of the Old English alliterative meter (“Cold Case”) and the Sapphic stanza (“Paint Store”) as she is with her supple blank verse and terza rima. Yet never does her rigorous craft interfere with the thoughtful, insightful content of these poems. A stunning collection, from one of America’s most gifted contemporary poets. —Marilyn L. Taylor Do not dismiss this collection as “domestic poetry,” “women’s verse.” Though grounded in seasonal rhythms and familiar settings, it is as vigorous, as reflective, as important as any man’s. Sharply visual, skillfully and cleverly crafted, her poems draw out essences, “concentrated” and persisting. “Beauty changes us,/ calling up wonder from our deepest selves/ to its right place.” —Catharine Savage Brosman These masterful poems announce themselves as winter pieces, and indeed they are so full of sleet and snow that readers may wish to dress warmly. But Corbett’s winter, a season when “dull forms come in the mail” and we eat “tasteless, stone-hard, gassed tomatoes,” is always lushly haunted by the other seasons, the way a house in one of her poems is fronted by a “three-season porch.” Corbett is one of the best-kept secrets of American poetry, and this is one of the best new collections I’ve read in years. —Geoffrey Brock
In Code was born out of Maryann Corbett’s years of work for the Minnesota Legislature, with a nonpartisan office that mandated that she maintain a public silence about politics. In poems that go from elegiac to fiery to funny, she examines behind-the-scenes legislative labor and the people who do it, the tensions of working for government in a climate hostile to government, and the buildings and grounds that put a beautiful face on a history full of ambiguities. This well-honed collection, Corbett's fifth, reflects on doublespeak and public poses; on coworkers and commutes; on legalese, courts, and elections; on news and history; and at last on retirement—through poems masterfully deployed in a dazzling array of forms: including the prose poem, the sonnet, the ghazal, the villanelle, and the canzone. Maryann Corbett is a candid, wistful, purposeful, and meditative poet in command of her craft. Of her years working for the Minnesota Legislature, Maryann Corbett writes in Rattle: "There was the frisson supplied by the constant presence of the media, the satisfaction of believing one's work served the public, the thrill of working with smart, motivated people, the pleasure of being surrounded by the striking buildings and gardens of the Capitol grounds, the sense of history. There was also the uncomfortable awareness that with every legislative session there are winners and losers, and that the same battles for justice are fought, and often lost, by the same people, year after year." In Code features poems that reflect on both those pleasures and that discomfort, as in these lines from "Seven Little Poems about Making Laws": Capitol café: German proverbs, whitewashed since 1917, are restored to view with bright applause. Old hatreds have new objects now. PRAISE FOR MARYANN CORBETT: Ned Balbo: . . . an extraordinary poet. Tony Barnstone: . . . metrical poetry infused with gorgeous imagery and the vernacular of our scientized world. Richard Wilbur: . . . accurate and delightful. Rhina P. Espaillat: . . . every section touches me and keeps calling me back. A.M. Juster: . . . wit without meanness, warmth without sentimentality, and craft without pretension. Geoffrey Brock: . . . one of the best-kept secrets of American poetry. Marilyn Taylor: . . . poignant, perceptive, exquisitely formed poems . . . a poet to be genuinely grateful for. Peter Campion: . . . a poet of the first order. Willis Barnstone: . . . a newborn Robert Frost, with a wicked eye for contemporary life. Susan McLean: . . . a stunner. ABOUT THE AUTHOR: Maryann Corbett earned a doctorate in English in 1981, with a specialization in medieval literature and linguistics. She expected to be teaching Beowulf and Chaucer and the history of the English language. Instead, she spent almost thirty-five years working for the Minnesota Legislature, helping attorneys to write in plain English and coordinating the creation of finding aids for the law. She is the author of five books of poetry and is a past winner of the Richard Wilbur Award and the Willis Barnstone Translation Prize. Her work is widely published in journals on both sides of the Atlantic and is included in anthologies like Measure for Measure: An Anthology of Poetic Meters and The Best American Poetry 2018.
Maryann Corbett’s Street View is a panorama of views: suburban and urban avenues, shown in leaf and in snow; alleyways where misfits lurk in darkness, but also where “Adonis, charioteer of municipal waste collection, rides with the morning”; and boulevards of old buildings whose elegance remains undeniable, even when “prinked in the clown suit of commerce.” Street View also navigates the resiliency and failings of the human body, and the memories of family and pivotal acquaintances that shape viewpoints for good or ill. This is the work of a seasoned poet in command of her craft, and deservedly, a finalist for the 2016 Able Muse Book Award. PRAISE FOR STREET VIEW: Assaulted, as we all are, by relentless, restless noise-throbbing subwoofers, urban construction, cynical marketing and violent news, even our own banal chitchat-Maryann Corbett “strafe[s] back with the whole Roget/ and gun[s her] engine to its own rough strife. . . .” Though her weapons, her engines, are stillness, insight, and rhythm, there is indeed a sense in which the poems in Street View wallop their subjects with language. The exquisite, seemingly effortless grace of these poems with their penetrating music and humor deserve a commendation like that the poet gives Veronese: “This is the catechesis/ we need now, for the kind of sight we work with/ here, where the world kabooms.” -George David Clark Given her gift with detail, Maryann Corbett is the perfect person to offer a view, but an even more perfect person to offer a “street view,” the title of her new collection. While Corbett has made a career of being precise, she can be whimsical as well, right down to the “Northrop Mall . . . as fixed and formal as an English sonnet.” Yet perhaps her greatest strength is that she is not afraid to be the quiet steady gaze that takes in everything: all the things most people would miss. -Kim Bridgford Maryann Corbett takes the ode less traveled (not to mention the terzanelle less tried and the dactylic hexameter almost unheard of) to oddly familiar destinations: the West Side Y in New York City, Grand Avenue in St. Paul, the dentist’s clinic. She is a rhapsodist of times past and places lost or endangered, but she also lives very much in the present. She examines experiences with shrewdness and fascination, crafting them into poems that are breathtaking in their intelligence and brio. -Susan McLean In Maryann Corbett’s new book, we are given a Street View on the world, from Minneapolis to Jerusalem. These streets are populated with a variety of town characters, from the vagrant to the dangerous academic “Weirdo” with his void-sucked soul who makes one think of mass killings. Suffice it to say that the street view might be uglier than the view onto the mountains or the ocean, but in that ugliness can be found a clearer view on the truth of how we live today. -Tony Barnstone
An all-inclusive, easy-to-use primer to all things wine Want to learn about wine, but don't know where to start? Wine All-In-One For Dummies provides comprehensive information about the basics of wine in one easy-to-understand volume. Combining the bestselling Wine For Dummies with our regional and specific wine titles, this book gives you the guidance you need to understand, purchase, drink and enjoy wine. You'll start at the beginning as you discover how wine is made. From there you'll explore grape varieties and vineyards, read labels and wine lists, and discover all the nuances of tasting wine. You'll see how to successfully store wine and serve it to your guests-and even build up an impressive collection of wine. Plus, you'll find suggestions for perfect food pairings and complete coverage on wines from around the world. Features wine tasting, serving, storing, collecting, and buying tips, all in a single authoritative volume Includes information on California wines, as well as other domestic and foreign locations including the US, Canada, France, Italy, Spain, Portugal, Germany, Austria, Hungary, Greece, Australia, New Zealand, South Africa, Chile, and Argentina. Helps you choose the best vintage for your needs Also covers champagne, sherry, and port wine Ed McCarthy and Mary Ewing-Mulligan are the authors of seven Dummies books on wine including the bestselling Wine For Dummies, 4th Edition, other contributing authors are recognized wine experts and journalists in Australia, New Zealand, and Canada Whether you're a wine novice or a budding sommelier, Wine All-In-One For Dummies is the one guide you need on your shelf to make your wine experience complete.
Designed for pre-service teachers and teachers new to the field of ELT, What English Teachers Need to Know Volumes I, II, and III are companion textbooks organized around the key question: What do teachers need to know and be able to do in order for their students to learn English? In the Second Edition of Volume I, Murray and Christison return to this essential question and call attention to emerging trends and challenges affecting the contemporary classroom. Addressing new skills and strategies that EFL teachers require to meet the needs of their shifting student populations who are impacted by changing demographics, digital environments, and globalization, this book, which is grounded in current research, offers a strong emphasis on practical applications for classroom teaching. This updated and expanded Second Edition features: a new chapter on technology in TESOL new and updated classroom examples throughout discussions of how teachers can prepare for contemporary challenges, such as population mobility and globalization The comprehensive texts work for teachers across different contexts—where English is the dominant language, an official language, or a foreign language; for different levels—elementary/primary, secondary, university, or adult education; and for different learning purposes—general English, workplace English, English for academic purposes, or English for specific purposes.
The Wandering Mind introduces readers to dissociative states and helps them understand the nature of serious dissociative disorders, such as those involving multiple personalities. The authors pinpoint the differences between normal dissociation and disordered thinking that requires evaluation and treatment.
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