The extraordinarily productive life of curator, artist, and activist Margaret Burroughs was largely rooted in her work to establish and sustain two significant institutions in Chicago: the South Side Community Art Center (SSCAC), founded in 1940, and the DuSable Museum of African American History, founded in her living room in 1961. As Mary Ann Cain's South Side Venus: The Legacy of Margaret Burroughs reveals, the primary motivations for these efforts were love and hope. Burroughs was spurred by her love for Chicago's African American community—largely ill served by mainstream arts organizations—and by her hope that these new, black-run cultural centers would welcome many generations of aspiring artists and art lovers. This first, long–awaited biography of Burroughs draws on interviews with peers, colleagues, friends, and family, and extensive archival research at the DuSable Museum, the Art Institute of Chicago, and the Chicago Public Library. Cain traces Burroughs's multifaceted career, details her work and residency on Chicago's South Side, and highlights her relationships with other artists and culture makers. Here, we see Burroughs as teacher and mentor as well as institution builder. Anchored by the author's talks with Burroughs as they stroll through her beloved Bronzeville, and featuring portraits of Burroughs with family and friends, South Side Venus will enlighten anyone interested in Chicago, African American history, social justice, and the arts.
This work surveys Edwin Dickinson's life and career, both of which revolved around Cape Cod, Buffalo, and New York's Finger Lakes region. It covers the artist's influential career as a teacher, and analyzes Dickinson's self-portraits and major symbolic paintings.
Covering WPA murals to more current artwork, this handbook features full-color illustrations of nearly 200 Chicago murals with accompanying entries that describe their history. 204 color plates. 35 halftones.
Between 1953 and 1966, New York assemblage artist Joseph Cornell created more than twenty works in homage to Juan Gris, specifically inspired by the Cubist’s collage masterpiece, The Man at the Café(1914). Cornell’s Gris boxes have as their centerpiece the image of a bird, the great white-crested cockatoo, whose delightful and erudite connections to the Cubist’s oeuvre and to Cornell’s own hobbies, love of music, and distinctive approach to modern art are comprehensively documented here for the first time.
This volume, published in conjunction with the Milwaukee Museum of Art's Granvil and Marcia Specks collection, presents a collection of the Museum's German Expressionist prints. German Expressionism refers to a creative movement beginning in Germany before the First World War that reached a peak in Berlin, during the 1920s. The author has included a body of imagery that reveals the myriad concerns of the age -- the joys and the pain of life in Germany from the 1890s to the 1930s. The prints of Kathe Kollwitz, Karl Schmidt-Rottluff, George Grosz and Lionel Feininger are only a few of the wide range of artists whose work reflected the fragile years from the Second Empire to the rise of the Nazis. This work showcases etchings and drypoints of biting spontaneity and intensity, lithographs of corrosive ingenuity, and woodcuts to stir the soul heralded an era of individuality and democracy.
This volume presents the life and works of American painter Mary Cassatt (1844-1926), with over 50 color plates of her artwork. In a Victorian age when most women were confined to the circumscribed world of marriage, homemaking and motherhood, Cassatt blazed like a shooting star across the firmament of the male dominated international art world. She was the only American, male or female, to become a member of the French Impressionists.
Often regarded as merely the creator of sentimental images of mothers and children or an expatriate heavily influenced by Impressionism, Mary Cassatt is not typically regarded as an artist of radical convictions. This text re-evaluates these dismissals and presents a complete overview of her mural.
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