Cities throughout the Roman Empire flourished during the reign of Hadrian (A.D. 117–138), a phenomenon that not only strengthened and legitimized Roman dominion over its possessions but also revealed Hadrian as a masterful negotiator of power relationships. In this comprehensive investigation into the vibrant urban life that existed under Hadrian's rule, Mary T. Boatwright focuses on the emperor's direct interactions with Rome's cities, exploring the many benefactions for which he was celebrated on coins and in literary works and inscriptions. Although such evidence is often as imprecise as it is laudatory, its collective analysis, undertaken for the first time together with all other related material, reveals that over 130 cities received at least one benefaction directly from Hadrian. The benefactions, mediated by members of the empire's municipal elite, touched all aspects of urban life; they included imperial patronage of temples and hero tombs, engineering projects, promotion of athletic and cultural competitions, settlement of boundary disputes, and remission of taxes. Even as he manifested imperial benevolence, Hadrian reaffirmed the self-sufficiency and traditions of cities from Spain to Syria, the major exception being his harsh treatment of Jerusalem, which sparked the Third Jewish Revolt. Overall, the assembled evidence points to Hadrian's recognition of imperial munificence to cities as essential to the peace and prosperity of the empire. Boatwright's treatment of Hadrian and Rome's cities is unique in that it encompasses events throughout the empire, drawing insights from archaeology and art history as well as literature, economy, and religion.
Using all available sources, Boatwright explores the constraints and activities of the women of Rome's imperial families from 35 BCE to 235 CE. Livia, Agrippina the Younger, Julia Domna, and others feature in this richly illustrated investigation of change, continuity, historical contingency, and personal agency in imperial women's pursuits and representations.
INSTANT NEW YORK TIMES BESTSELLER Best Books of 2023: New Yorker, The Economist, Smithsonian Most Anticipated Books of Fall: Washington Post, Los Angeles Times, TODAY, Literary Hub, and Publishers Weekly "A vivid way to re-examine what we know, and don’t, about life at the top.... Emperor of Rome is a masterly group portrait, an invitation to think skeptically but not contemptuously of a familiar civilization." —Kyle Harper, Wall Street Journal A sweeping account of the social and political world of the Roman emperors by “the world’s most famous classicist” (Guardian). In her international bestseller SPQR, Mary Beard told the thousand-year story of ancient Rome, from its slightly shabby Iron Age origins to its reign as the undisputed hegemon of the Mediterranean. Now, drawing on more than thirty years of teaching and writing about Roman history, Beard turns to the emperors who ruled the Roman Empire, beginning with Julius Caesar (assassinated 44 BCE) and taking us through the nearly three centuries—and some thirty emperors—that separate him from the boy-king Alexander Severus (assassinated 235 CE). Yet Emperor of Rome is not your typical chronological account of Roman rulers, one emperor after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Instead, Beard asks different, often larger and more probing questions: What power did emperors actually have? Was the Roman palace really so bloodstained? What kind of jokes did Augustus tell? And for that matter, what really happened, for example, between the emperor Hadrian and his beloved Antinous? Effortlessly combining the epic with the quotidian, Beard tracks the emperor down at home, at the races, on his travels, even on his way to heaven. Along the way, Beard explores Roman fictions of imperial power, overturning many of the assumptions that we hold as gospel, not the least of them the perception that emperors one and all were orchestrators of extreme brutality and cruelty. Here Beard introduces us to the emperor’s wives and lovers, rivals and slaves, court jesters and soldiers, and the ordinary people who pressed begging letters into his hand—whose chamber pot disputes were adjudicated by Augustus, and whose budgets were approved by Vespasian, himself the son of a tax collector. With its finely nuanced portrayal of sex, class, and politics, Emperor of Rome goes directly to the heart of Roman fantasies (and our own) about what it was to be Roman at its richest, most luxurious, most extreme, most powerful, and most deadly, offering an account of Roman history as it has never been presented before.
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