In 2015, New Madrid County Missouri celebrated its courthouse centennial. To mark the occasion, the classical Greek revival courthouse gained a spruced-up stained glass dome over the rotunda, a resurrected 1821 County Seal, new portraits of founding fathers, festive banners surrounding the building and branching down Main Street, and special events for the citizens. This book recounts tales, old and new, of the courthouse. The reader begins in the frontier world of early judges sitting in unheated or stifling log cabins as they sort out justice and bring the law to a wilderness area. Hear how in the old days, the all-male jurors were sequestered in the attic overnight. A sheriff tells how he reluctantly hung two men convicted of murder. He had to do it; he had asked for the office. One official found himself running for office against his own son. This story made news all around the state. Come inside the distinguished courthouse building today, as county officials talk candidly about their current roles as well as recall a few tall tales.
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.
In 2015, New Madrid County Missouri celebrated its courthouse centennial. To mark the occasion, the classical Greek revival courthouse gained a spruced-up stained glass dome over the rotunda, a resurrected 1821 County Seal, new portraits of founding fathers, festive banners surrounding the building and branching down Main Street, and special events for the citizens. This book recounts tales, old and new, of the courthouse. The reader begins in the frontier world of early judges sitting in unheated or stifling log cabins as they sort out justice and bring the law to a wilderness area. Hear how in the old days, the all-male jurors were sequestered in the attic overnight. A sheriff tells how he reluctantly hung two men convicted of murder. He had to do it; he had asked for the office. One official found himself running for office against his own son. This story made news all around the state. Come inside the distinguished courthouse building today, as county officials talk candidly about their current roles as well as recall a few tall tales.
Gifted harpist Edna Phillips (1907–2003) joined the Philadelphia Orchestra in 1930, becoming not only that ensemble's first female member but also the first woman to hold a principal position in a major American orchestra. Plucked from the Curtis Institute of Music in the midst of her studies, Phillips was only twenty-three years old when Leopold Stokowski, one of the twentieth century's most innovative and controversial conductors, named her principal harpist. This candid, colorful account traces Phillips's journey through the competitive realm of Philadelphia's virtuoso players, where she survived--and thrived--thanks to her undeniable talent, determination, and lively humor. Drawing on extensive interviews with Phillips, her family, and colleagues as well as archival sources, One Woman in a Hundred chronicles the training, aspirations, setbacks, and successes of this pioneering woman musician. Mary Sue Welsh recounts numerous insider stories of rehearsal and performance with Stokowski and other renowned conductors of the period such as Arturo Toscanini, Fritz Reiner, Otto Klemperer, Sir Thomas Beecham, and Eugene Ormandy. She also depicts Phillips's interactions with fellow performers, the orchestra management, and her teacher, the wily and brilliant Carlos Salzedo. Blessed with a nimble wit, Phillips navigated a plethora of challenges, ranging from false conductors' cues to the advances of the debonair Stokowski and others. She remained with the orchestra through some of its most exciting years from 1930 to 1946 and was instrumental in fostering harp performance, commissioning many significant contributions to the literature. This portrait of Phillips's exceptional tenure with the Philadelphia Orchestra also reveals the behind-the-scenes life of a famous orchestra during a period in which Rachmaninoff declared it "the finest orchestra the world has ever heard." Through Phillips's perceptive eyes, readers will watch as Stokowski melds his musicians into a marvelously flexible ensemble; world-class performers reach great heights and make embarrassing flubs; Greta Garbo comes to Philadelphia to observe her lover Leopold Stokowski at work; and the orchestra encounters the novel experience of recording for Walt Disney's Fantasia. A colorful glimpse into a world-class orchestra at the height of its glory, One Woman in a Hundred tells the fascinating story of one woman brave enough and strong enough to overcome historic barriers and pursue her dreams.
A memoir of glamorous 1960s London—with bonus dinner party recipes. In this book, famed interior designer Mary Gilliatt recounts some of the dinner parties she enjoyed with her husband, who was the best man at Princess Margaret’s wedding. The political, royal, publishing, and entertainment worlds collided at these elegant tables, and Gilliatt shares reminiscences of Peggy Guggenheim, Spike Milligan, Peter Sellers, Marlene Dietrich, Arthur Koestler, Oliver Sacks, and many more. In addition, she includes some of the recipes used—a mixture of the indulgent and the doable—so you can create some memorable dinner parties of your own.
The New York Times's best-selling author of Reviving Ophelia, Mary Pipher connects us with our greater family--the human family. Over the past decade, Mary Pipher has been a great source of wisdom, helping us to better understand our family members. Now she connects us with the newest members of the American family--refugees. In cities all over the country, refugees arrive daily. Lost Boys from Sudan, survivors from Kosovo, families fleeing Afghanistan and Vietnam: they come with nothing but the hope and desire to experience the American dream. Their endurance in the face of tragedy and their ability to hold on to the virtues of family, love, and joy are a lesson for all Americans. Their stories will make you laugh and weep, and give you a deeper understanding of the wider world in which we live. The Middle of Everywhere moves beyond the headlines into the homes of refugees from around the world. Working as a cultural broker, teacher, and therapist, Mary Pipher has once again opened our eyes--and our hearts--to those with whom we share the future.
A facsimile reprint of the Second Edition (1994) of this genealogical guide to 25,000 descendants of William Burgess of Richmond (later King George) County, Virginia, and his only known son, Edward Burgess of Stafford (later King George) County, Virginia. Complete with illustrations, photos, comprehensive given and surname indexes, and historical introduction.
This is not an ordinary book . . . it exists through grace. By the time I found the metaphysical teaching called Science of Mind in 1989, the local church had grown from a few people in a living room to about 175. Still meeting in an array of hotel ballrooms and clubs, the principles for successful living shared every Sunday were already deeply held beliefs in my life, so it immediately felt like home. One weekend we invited the elders of the church over to discuss church history and what a rich history it was. An afternoon with Bill and Win Siefert, Bruce and Dorothy Johnson, Marilyn and Joe Vondracek, Bob and Dorothy Huntoon, Harry and Frances Bleile, and Rev. James and Rev. Andrea Golden was magical. How many ministers have taken their congregation skydiving? White water rafting? On wilderness treks? How many change lives through deep introspection at family retreats in rustic cabins deep in the woods? How many invite congregants and friends to pound thousands of nails for an old fashioned barn raising to build a sanctuary? Whether the name was the Science of Mind Center, Church of Religious Science, Spiritual Enrichment Center, or Center for Spiritual Living, over the years we all learned to jump into life in one new way or another. The list of events by year presented in the appendix creates a picture of a community that loves to laugh and play together, always mindful of doing their spiritual practices. What a life! What a community! What a history! Rev. Mary E. Mitchell
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.
The fifth edition of this indispensable history of photography spans the history of the medium, from its early development to current practice, and providing a focused understanding of the cultural contexts in which photographers have lived and worked throughout, this remains an all-encompassing survey. Mary Warner Marien discusses photography from around the world and through the lenses of art, science, travel, war, fashion, the mass media and individual photographers. Professional, amateur and art photographers are all represented, with 'Portrait' boxes devoted to highlighting important individuals and 'Focus' boxes charting particular cultural debates. Mary Warner Marien is also the author of 100 Ideas that Changed Photography and Photography Visionaries. New additions to this ground-breaking global survey of photography includes 20 new images and sections on advances in technology and the influence of social media platforms. An essential text for anyone studying photography.
Talking College shows that language is fundamental to Black and African American culture and that linguistic justice is crucial to advancing racial justice, both on college campuses and throughout society. Writing from a linguistics-informed, Black-centered educational framework, the authors draw extensively on Black college students’ lived experiences to present key ideas about African American English and Black language practices. The text presents a model of how Black students navigate the linguistic expectations of college. Grounded in real-world examples of Black undergraduates attending colleges and universities across the United States, the model illustrates the linguistic and cultural balancing acts that arise as Black students work to develop their full linguistic selves. Talking College provides Black students with the knowledge they need to make sense of anti-Black linguistic racism and to make decisions about their linguistic experiences in college. It also offers key insights to help college faculty and staff create the liberating and linguistically just educational community that Black students deserve. Book Features: Weaves together information and approaches drawn from the authors’ extensive experience working with Black and other students of color in higher education.Provides an up-to-date discussion of Black language practices and their role in Black students’ college experiences.Discusses the racial politics of language, including anti-Black linguistic racism and the struggle for linguistic justice as part of racial justice.Offers a detailed model of Black college students’ diverse linguistic and racial identities. Outlines concrete steps toward racial and linguistic justice that students and faculty can take today.Accessible to students and faculty without a background in linguistics, while also engaging and informative for linguistics scholars.
Virtually every San Antonio citizen over a certain age with any interest in literature will have vivid memories of Rosengren's Books. It was the absolute center of literary culture not only in San Antonio, but in Texas, for decades. Indeed, from the 1930s to the 1980s, Rosengren's Books was considered to be the one of the finest bookstores between New York and San Francisco. It was a mid-continent haven for writers as diverse as Frost, John Dos Pasos, J. Frank Dobie, and Larry McMurtry. Rosengren's Books: An Oasis for Mind and Spirit is the story of a great American family of independent booksellers and the important literary institution they created. Beginning as a rare book store in Chicago, Frank and Florence Rosengren brought the store to San Antonio, Texas, in 1935. Located in various downtown locations, it became most well known as the charming book shop behind the Alamo, where it was visited by hundreds of thousands of tourists from around the world. At the heart of the story is Florence Rosengren, whom former San Antonio mayor Phil Hardberger calls the "Sylvia Beach of South Texas" and Texas Observer founding editor Ronnie Dugger described as "the chief guardian of civilization from here to Mexico City.
Teacher TV: Sixty Years of Teachers on Television examines some of the most influential teacher characters presented on television from the earliest sitcoms to contemporary dramas and comedies. Both topical and chronological, the book follows a general course across decades and focuses on dominant themes and representations, linking some of the most popular shows of the era to larger cultural themes. Some of these include: - a view of how gender is socially constructed in popular culture and in society - racial tensions throughout the decades - educational privileges for elite students - the mundane and the provocative in teacher depictions on television - the view of gender and sexual orientation through a new lens - life in inner-city public schools - the culture of testing and dropping out Every pre-service and classroom teacher should read this book. It is also a valuable text for upper-division undergraduate and graduate level courses in media and education as well.
Each of the eight chapters takes a period of up to forty years and examines the medium through the lenses of art, science, social science, travel, war, fashion, the mass media and individual practitioners.-Back Cover.
Originally published in 1983, this title lists and annotates reference sources which will help readers select primary materials useful in studies of the literary portraits of women and their societal roles. The years 1961 to 1981 were set as boundaries for this volume because the author’s initial research revealed that a twenty-year span was a manageable unit, because the novels published between those dates yielded abundant materials for such a reference work, and because significant changes in the way portraits of adolescent females were being drawn took place during the period – for example, sex-role stereotyping became a shade less prevalent, young women’s sexuality was discussed more forthrightly, and some topics (such as single women’s pregnancies and lesbianism) were treated more overtly, sometimes less judgementally.
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