Some of the loveliest works of Archaic art were the Athenian korai—sculptures of beautiful young women presenting offerings to the goddess Athena that stood on the Acropolis. Sculpted in the sixth and early fifth centuries B.C., they served as votives until Persians sacked the citadel in 480/79 B.C. Subsequently, they were buried as a group and forgotten for nearly twenty-four centuries, until archaeologists excavated them in the 1880s. Today, they are among the treasures of the Acropolis Museum. Mary Stieber takes a fresh look at the Attic korai in this book. Challenging the longstanding view that the sculptures are generic female images, she persuasively argues that they are instead highly individualized, mimetically realistic representations of Archaic young women, perhaps even portraits of real people. Marshalling a wide array of visual and literary evidence to support her claims, she shows that while the korai lack the naturalism that characterizes later Classical art, they display a wealth and realism of detail that makes it impossible to view them as generic, idealized images. This iconoclastic interpretation of the Attic korai adds a new dimension to our understanding of Archaic art and to the distinction between realism and naturalism in the art of all periods.
This first in-depth account of Euripides' relationship with the visual arts demonstrates how frequently the tragedian used language to visual effect, whether through allusion or actual references to objects, motifs built around real or imaginary objects, or the use of technical terminology.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Family and faith are the cornerstones of a happy, fulfilling life. God intended it to be this way, and our memories with our loved ones can sustain us even through those times when life can be overwhelming and full of challenges. In Marys Musings, author, sister, wife, mother, and grandmother Mary Kula Zoeller shares heartfelt and inspirational stories about her family, and this touching devotional provides both humorous anecdotes and a few sad tales that will inspire fellow Christian believers to reflect on their own families and faith. Mary dwells on her life in Christ, encouraging us to recognize the power of prayer and to ask the Lord for peace and joy. Songs and scriptures also accompany Marys reflections, inviting us to turn to the Word of God and ponder Gods truth. If time is of the essence but you can relate to families, friends, and funnot to mention being together in eternitythen Marys Musings is just the devotional you can use to find daily inspiration. May God richly bless us all!
At age four, Mary, the mother of Jesus of Nazareth, made her first journey. Accompanied by her mother Anne, her father Joachim, her sister Mary Heli, and her niece Mary Cleophas, Mary went to Jerusalem for her Presentation to the Temple. Some of the other journeys that folowed included trips to Sephoris, Bethlehem, Matarea, and Heiropolis as well as many other trips to Jerusalem. When her son, Jesus, began his public ministry, Mary moved from Nazareth to Capharnaum. With her friends, the Holy Women, she followed Jesus as he travelled around Galilee and throughout the Holy Land. Ultimately, Mary followed Jesus to Golgotha and the foot of the cross. After the Crucifixion and Ascension, Mary relocated to Ephesus, Turkey. She travelled to Jerusalem and back again to Ephesus before ending her earthly life there. The Journeys of Mary is the story of Mary's life and the life, Passion, and death of her son. In Part I of a trilogy, Mary leaves for Ephesus. As she travels with St. John the Evangelist and her maidservant Leah, Mary reflects on her early life and the journeys she took with her husband, St. Joseph. With him as her escort, Mary travelled to visit her cousin Elizabeth in the hill country around Sephoris. As the wife of Joseph, she travelled to Bethlehem where her son was born. When the life of Jesus is threatened, Joseph takes Mary and the child to Egypt where they lived for many years until their return to Nazareth. The Journeys of Mary is the story of both the interior journey that Mary takes as the mother of Jesus and the exterior journeys she takes as she lives out her life fulfilling the will of God.
Who is Mary and why does she pray for change? Mary wants you to know “it is well in my soul.” I am blessed and highly favored with this anointing given by God to share my prayers. Father God has revealed his love and friendship to me that I should give you what he has given to me. What a beautiful friend you are to me to be willing to touch and agree. My thirty heart-filled prayers have blessed and encouraged me. Let them give you revelation to exalt God as your true friend to the end. Prayers in times of trouble and in the times of victory are shared. There is power in the prayer of intercession. Amen. Humble and courageous hopes keep you prayerful. Hallelujah! Let us share in prayer, and we will be victorious in God’s care for others. I thank Father God for you and hope these prayers will multiply your blessings. In all things, give God the glory and praise. Amen.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The first volume of her autobiography in which Mary Scott describes her life as a distinguished journalist, including her time as women's editor in The Guardian, 1957-72.
Introduces the reader to the lives, sayings, and stories of the fourth- and fifth-century women who were foundational members of the early Christian community in the Mediterranean region; invites readers to explore their own spiritual journeys"--Provided by publisher.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Some of the loveliest works of Archaic art were the Athenian korai—sculptures of beautiful young women presenting offerings to the goddess Athena that stood on the Acropolis. Sculpted in the sixth and early fifth centuries B.C., they served as votives until Persians sacked the citadel in 480/79 B.C. Subsequently, they were buried as a group and forgotten for nearly twenty-four centuries, until archaeologists excavated them in the 1880s. Today, they are among the treasures of the Acropolis Museum. Mary Stieber takes a fresh look at the Attic korai in this book. Challenging the longstanding view that the sculptures are generic female images, she persuasively argues that they are instead highly individualized, mimetically realistic representations of Archaic young women, perhaps even portraits of real people. Marshalling a wide array of visual and literary evidence to support her claims, she shows that while the korai lack the naturalism that characterizes later Classical art, they display a wealth and realism of detail that makes it impossible to view them as generic, idealized images. This iconoclastic interpretation of the Attic korai adds a new dimension to our understanding of Archaic art and to the distinction between realism and naturalism in the art of all periods.
This first in-depth account of Euripides' relationship with the visual arts demonstrates how frequently the tragedian used language to visual effect, whether through allusion or actual references to objects, motifs built around real or imaginary objects, or the use of technical terminology.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.