2007 Lambda Literary Awards finalist The Singing of Swans tells the story of Madalene Ross, a thirty-year-old American who "lives in her head," cut off from her body, her heart, and her sense of purpose in the world. En route to and from her job as a computer programmer in Minneapolis, Madalene is hounded on the downtown streets by a homeless woman who asks "Got a match?" At night bizarre dreams haunt her sleep. Women fly through rooftops, chant in ancient temples, paint tongues of fire on vivid white canvases. Madalene's story is interwoven with the lives of three women: Rosalina, a priestess of Persephone in 70 B.C.E. Sicily; Ziza, a strega (Italian witch) in 16th century northeastern Italy, and Ibla, an herbalist and painter in 18th century southern Italy. Sicily's Lake Pergusa and the Black Madonna also act as a portal to the rich tradition of pre-Christian spirituality that lies beneath Church dogma. The Singing of Swans takes readers on a multi-century journey to uncover long-silenced traditions, crack Madalene's spiritual code and reclaim her soul. Elements of magical realism dovetail with historical storytelling as this compelling tale of redemption unfolds. "The Singing of Swans is a remarkable narrative calling -- even compelling -- us to connect with our own ancestral roots, to seek our own inner wisdom, and to reclaim, our own inner voices," says Margaret Starbird, author of The Woman with the Alabaster Jar & Mary Magdalene: Bride in Exile. "The Roman poet Ovid sang of the beautiful Sicilian lake where Persephone descended to the otherworld -- a lake now dying from overdevelopment," says Patricia Monaghan, author of The Goddess Path and The Red-Haired Girl from the Bog. "No siren's song could be more commanding than this novel centered on that magical lake. Generations of women of the streghe tradition -- call them pagans, call them witches -- join their voices in this tightly wrought magical chorus.
In the 1480s, twin sister healers in a remote village in the mountainous Barbagia region of Sardinia encounter a heretic-obsessed Spanish priest. Antonio Albóndiga is sent to Sardinia after mishaps in his homeland, and is eventually banished to the village of Orune. Half the villagers—including Sarda and Shardana—follow a pre-Christian religion, while the other half observe a makeshift version of Catholicism and paganism. Hate holds the priest's heart hostage, and he scorns Sarda and Shardana's adherence to ancient ways. Despite their suspicions, the healers and their village attempt not only to accept the stranger but to transform him.
Prior to the Civil War, publishing in America underwent a transformation from a genteel artisan trade supported by civic patronage and religious groups to a thriving, cut-throat national industry propelled by profit. Literary Dollars and Social Sense represents an important chapter in the historical experience of print culture, it illuminates the phenomenon of amateur writing and delineates the access points of the emerging mass market for print for distributors consumers and writers. It challenges the conventional assumptions that the literary public had little trouble embracing the new literary marketing that emerged at mid-century. The book uncover the tensions that author's faced between literature's role in the traditional moral economy and the lure of literary dollars for personal gain and fame. This book marks an important example in how scholars understand and conduct research in American literature.
She Is Everywhere! Volume 3 presents a bold, brave, and beautiful compilation of womanist/feminist essays, poems, and artwork showcasing work from an international community of women and men who honor the Sacred Female. The fifty contributors in this anthologyscholars, creative writers, and visual artistsshare their vision for a world that reclaims the inviolability of the Divine Female in all Her many and varied manifestations. She Is Everywhere! Volume 3 is the latest edition of a leading-edge series which, like its predecessors, offers an invaluable contribution to womens spirituality, religion, philosophy, and womens studies. The contemporary voices contained within its pages echo an ancient clarion call to embrace the values of justice with compassion, equality for all people, and transformation. We have a calling in this worldnamely, to prevent the destruction from continuing. Claudia von Werlhof I am in the presence of a divine Mother, and She is fulfilling a deep longing inside of me. Nicole Margiasso-Tran She was, I am, my daughter is because we are all Her. Etoyle McKee Just as dark matter (mother) in space shapes galaxies and holds them together, we are shaped and held by the African Dark Mother who has given us Her life force, and resides in the very depths of our being, where the macrocosm is literally reflected in the microcosm. Leslene della-Madre
Everyday Ideas: Socioliterary Experience among Antebellum New Englanders takes an unprecedented look at the use of literature in everyday life in one of history's most literate societies-the home ground of the American Renaissance. Using information pulled from four thousand manuscript letters and diaries, Everyday Ideas provides a comprehensive picture of how the social and literary dimensions of human existence related in antebellum New England. Penned by ordinary people-factory workers, farmers, clerks, storekeepers, domestics, and teachers and other professionals-the writings examined here brim with thoughtful references to published texts, lectures, and speeches by the period's canonized authors and lesser lights. These personal accounts also give an insider's perspective on issues ranging from economic problems, to social status conflicts, to being separated from loved ones by region, state, or nation. Everyday Ideas examines such references and accounts and interprets the multiple ways literature figured into the lives of these New Englanders. An important aid in understanding historical readers and social authorship practices, Everyday Ideas is a unique resource on New England and provides a framework for understanding the profound role of ideas in the everyday world of the antebellum period.
Prior to the Civil War, publishing in America underwent a transformation from a genteel artisan trade supported by civic patronage and religious groups to a thriving, cut-throat national industry propelled by profit. Literary Dollars and Social Sense represents an important chapter in the historical experience of print culture, it illuminates the phenomenon of amateur writing and delineates the access points of the emerging mass market for print for distributors consumers and writers. It challenges the conventional assumptions that the literary public had little trouble embracing the new literary marketing that emerged at mid-century. The book uncover the tensions that author's faced between literature's role in the traditional moral economy and the lure of literary dollars for personal gain and fame. This book marks an important example in how scholars understand and conduct research in American literature.
Everyday Ideas: Socioliterary Experience among Antebellum New Englanders takes an unprecedented look at the use of literature in everyday life in one of history's most literate societies-the home ground of the American Renaissance. Using information pulled from four thousand manuscript letters and diaries, Everyday Ideas provides a comprehensive picture of how the social and literary dimensions of human existence related in antebellum New England. Penned by ordinary people-factory workers, farmers, clerks, storekeepers, domestics, and teachers and other professionals-the writings examined here brim with thoughtful references to published texts, lectures, and speeches by the period's canonized authors and lesser lights. These personal accounts also give an insider's perspective on issues ranging from economic problems, to social status conflicts, to being separated from loved ones by region, state, or nation. Everyday Ideas examines such references and accounts and interprets the multiple ways literature figured into the lives of these New Englanders. An important aid in understanding historical readers and social authorship practices, Everyday Ideas is a unique resource on New England and provides a framework for understanding the profound role of ideas in the everyday world of the antebellum period.
An in-depth look at the life, faith, and achievements of one of America’s most fascinating women. “One day I’ll be in that house,” said ten-year-old Condoleezza Rice as she gazed across the White House’s expansive front lawn. Of course, Condi made good on that promise. With poise and gracefulness—combined with an iron will and determination—rarely seen in Washington, Rice has become one of the most iconic and influential figures on the world stage. This is her story. Condi provides an in-depth study of the life, faith, and achievements of one of America’s most fascinating women. From her humble beginnings in segregated Alabama to her academic career, from her first days in Washington to her appointment as Secretary of State and beyond, Condi investigates Rice’s rise to political prominence. Drawing from in-depth research, Mary Beth Brown explores how Condi’s parents, mentors, faith, and defining moments have helped her grow into a position of power and global influence. Here is a story of inspiration, of principle, and of the limitless opportunities for those who pursue their dreams with unfailing hope and dogged determination.
She Is Everywhere! Volume 3 presents a bold, brave, and beautiful compilation of womanist/feminist essays, poems, and artwork showcasing work from an international community of women and men who honor the Sacred Female. The fifty contributors in this anthology-scholars, creative writers, and visual artists-share their vision for a world that reclaims the inviolability of the Divine Female in all Her many and varied manifestations. She Is Everywhere! Volume 3 is the latest edition of a leading-edge series which, like its predecessors, offers an invaluable contribution to women's spirituality, religion, philosophy, and women's studies. The contemporary voices contained within its pages echo an ancient clarion call to embrace the values of justice with compassion, equality for all people, and transformation. "We have a calling in this world-namely, to prevent the destruction from continuing." -Claudia von Werlhof "I am in the presence of a divine Mother, and She is fulfilling a deep longing inside of me." -Nicole Margiasso-Tran "She was, I am, my daughter is because we are all Her." -Etoyle McKee Just as dark matter (mother) in space shapes galaxies and holds them together, we are shaped and held by the African Dark Mother who has given us Her life force, and resides in the very depths of our being, where the macrocosm is literally reflected in the microcosm." -Leslene della-Madre Front cover: Black Madonna Cradles the Earth (c) 2010 Yvonne M. Lucia Back cover: Contemplate Creation (c) 2006 Sheila Marie Hennessy
Born the 7th girl in my family, I have experienced extraordinary miracles. You will be amazed at the many ways our Lord chose and is choosing to communicate with me. You will be inspired and sometimes in disbelief however, it has all happened to me and here is my story. The Seventh Girl assist you to manage your life with the understanding that there is a Higher Power. For me my Higher Power is my Lord and Savior Jesus Christ. Too many of us turn to the dark side in times of troubles and problems in our lives. I have certainly had troubles and dark problems in my life. I am going to mention only a couple of them here. A tropical storm destroyed my home and everything inside the home, all vehicles and I was going through a divorce at the time. They say when it rains, it pours. It poured in my life at that time. There was only one answer for me and that was to bring Jesus Christ in my life far deeper than the surface. I chose Christ and miracles began to happen. I refused to allow the problems in this life to destroy me. There is a God and he came to me in more than one way over and over again. I learned to live by his promise that he would never leave us and that he will always be with us. Jesus was all I had and it turns out that he was all I needed. Enjoy and brace yourself for what you are about to read. I stand in awe and sometimes in disbelief that I was chosen to bring attention to these mighty works. Heir to the Royal Kingdom
Allow the Mother of Jesus to teach you new ways to pray. This new series of books is designed to open up the meaning of one ancient way of Christian prayer in a relatively short amount of time. In Praying with Mary you will discover: * The mother of Jesus--in all of her simplicity and complexity. * How to prayerfully follow Mary's footsteps toward God. "This book drew me to reflect in a new way on Mary's distinctive choices and gifts." --Thomas H. Smolich, SJ, President, Jesuit Conference USA "With the turn of every page, the mystery of Mary unfolds." --Lauren Artress, Canon of Grace Cathedral and author of Walking a Sacred Path Package of 5 units
Education was decisive in recasting women's subjectivity and the lived reality of their collective experience in post-Revolutionary and antebellum America. Asking how and why women shaped their lives anew through education, Mary Kelley measures the significant transformation in individual and social identities fostered by female academies and seminaries. Constituted in a curriculum that matched the course of study at male colleges, women's liberal learning, Kelley argues, played a key role in one of the most profound changes in gender relations in the nation's history: the movement of women into public life. By the 1850s, the large majority of women deeply engaged in public life as educators, writers, editors, and reformers had been schooled at female academies and seminaries. Although most women did not enter these professions, many participated in networks of readers, literary societies, or voluntary associations that became the basis for benevolent societies, reform movements, and activism in the antebellum period. Kelley's analysis demonstrates that female academies and seminaries taught women crucial writing, oration, and reasoning skills that prepared them to claim the rights and obligations of citizenship.
Traveling with—and learning from—the women saints While visiting Siena, Italy, Mary Lea Carroll grew fascinated with the remarkable story of St. Catherine of Siena and made a resolution: Whenever she was lucky enough to travel, if a shrine dedicated to a female saint was nearby, she'd visit it and learn about her. What started as a hobby grew into a journey she never expected, one rich with challenges and cappuccinos, doubts and inspiration, glasses of wine with strangers and moments of transcendence. Over eight quests, Carroll takes readers along with her as she seeks to learn something from a few great women of history, while looking for ways to be a better citizen of the world.
In the 1480s, twin sister healers in a remote village in the mountainous Barbagia region of Sardinia encounter a heretic-obsessed Spanish priest. Antonio Albóndiga is sent to Sardinia after mishaps in his homeland, and is eventually banished to the village of Orune. Half the villagers—including Sarda and Shardana—follow a pre-Christian religion, while the other half observe a makeshift version of Catholicism and paganism. Hate holds the priest's heart hostage, and he scorns Sarda and Shardana's adherence to ancient ways. Despite their suspicions, the healers and their village attempt not only to accept the stranger but to transform him.
Challenging traditional gender expectations, thousands of girls of Gibson's generation not only aspired to public careers as writers, artists, educators, and even doctors but also began to experiment with new forms of "female masculinity" in attitude, bearing, behavior, dress, and sexuality--a pattern only gradually domesticated by the nonthreatening image of the "tomboy." Some, such as Gibson, at once realized and reenacted their dreams on the pages of antebellum story papers. This first modern scholarly edition of Mary Gibson's early fiction features ten tales of teenage girls (seemingly much like Gibson herself) who fearlessly appropriate masculine traits, defy contemporary gender norms, and struggle to fulfill high worldly ambitions.
This annotated bibliography constitutes a thoroughly revised and more easily readable study of Behn's publications, of those edited or translated by her, of publications that included her works, and of writings ascribed to her, along with an annotated bibliography of over 1600 works about her from 1671 to 2001, with an unannotated update covering 2002. The augmented primary bibliography describes all known editions and issues of her works to 1702, and adds a catalogue of editions to 2002, including on-line sources. The secondary bibliography adds close to 1000 items published since 1984 to the original 600 of the first edition along with about 175 more from 1671 to 1984, with attention to materials not in English. New appendices include a list of dedicatees, actors, recent productions (with reviews), and provenances. This volume will be invaluable for book dealers, collectors and librarians, as well as students and scholars of Aphra Behn and of Restoration literature.
Includes a preview of The New Kitchen Mystic, the next book Mary Hayes Grieco. Forgiveness is about more than just letting go. It’s about healing wounds and wiping away scars. It’s about feeling better—physically and emotionally. It’s about living your life with purpose and truly moving forward. In Unconditional Forgiveness, Mary Hayes Grieco offers the Eight Steps to Freedom, a simple, effective eight-step program that teaches readers how to completely forgive in order to achieve both emotional and physical well-being. This step-by-step method incorporates emotional, energetic, and spiritual components that are accessible to everyone and offer lasting success. The Eight Steps to Freedom are: Step One: Use Your Will Declare your intention through the power of will to begin the process of forgiveness. Step Two: Express Your Emotional Pain You are given complete freedom to express your honest emotions without judgment or fear. Step Three: Release Expectations from Your Mind Identify and let go of the expectations you had surrounding the person or situation that you are forgiving. Step Four: Restore Your Boundaries Firmly separate yourself from the harmful actions and attitudes of the other person or situation. Step Five: Open Up to Getting Your Needs Met in a Different Way Emotions have been released, expectations have been let go, and you no longer demand anything from the person or situation that you are forgiving. Step 6: Receive Healing Energy from Spirit Reach to a higher level, bringing unconditional love and light into your being. Step Seven: Send Unconditional Love to the Other Person or Situation and Release Unconditional love and light is freely given to the person or situation you are forgiving. Step Eight: See the Good in the Person or Situation Now that you are free from the past pain and grievance, recognize the good that can be taken from the person or situation. Grieco walks the reader through each step and addresses the entire spectrum of painful issues, from the everyday mundane to the most difficult, as well as providing a way to forgive one’s self, when necessary. The how to appendix provides a perennial, off-the-shelf reference to swiftly guide readers through the process whenever the need arises. With Grieco’s in-depth yet simple program, your healing can be as swift as it is lasting.
In Black on the Block, Mary Pattillo—a Newsweek Woman of the 21st Century—uses the historic rise, alarming fall, and equally dramatic renewal of Chicago’s North Kenwood–Oakland neighborhood to explore the politics of race and class in contemporary urban America. There was a time when North Kenwood–Oakland was plagued by gangs, drugs, violence, and the font of poverty from which they sprang. But in the late 1980s, activists rose up to tackle the social problems that had plagued the area for decades. Black on the Block tells the remarkable story of how these residents laid the groundwork for a revitalized and self-consciously black neighborhood that continues to flourish today. But theirs is not a tale of easy consensus and political unity, and here Pattillo teases out the divergent class interests that have come to define black communities like North Kenwood–Oakland. She explores the often heated battles between haves and have-nots, home owners and apartment dwellers, and newcomers and old-timers as they clash over the social implications of gentrification. Along the way, Pattillo highlights the conflicted but crucial role that middle-class blacks play in transforming such districts as they negotiate between established centers of white economic and political power and the needs of their less fortunate black neighbors. “A century from now, when today's sociologists and journalists are dust and their books are too, those who want to understand what the hell happened to Chicago will be finding the answer in this one.”—Chicago Reader “To see how diversity creates strange and sometimes awkward bedfellows . . . turn to Mary Pattillo's Black on the Block.”—Boston Globe
Makris and Gatta engage in a rich ethnographic investigation of Asbury Park to better understand the connection between jobs and seasonal gentrification and the experiences of longtime residents in this beach-community city. They demonstrate how the racial inequality in the founding of Asbury Park is reverberating a century later. This book tells an important and nuanced tale of gentrification using an intersectional lens to examine the history of race relations, the too often overlooked history of the postindustrial city, the role of the LGBTQ population, barriers to employment and access to amenities, and the role of developers as the city rapidly changes. Makris and Gatta draw on in-depth interviews, focus groups, ethnographic observation, as well as data analysis to tell the reader a story of life on the West Side of Asbury Park as the East Side prospers and to point to a potential path forward.
With the transformation and expansion of the nineteenth-century American literary canon in the past two decades, the work of the era's American women poets has come to be widely anthologized. But scant scholarship has arisen to make full sense of it. From School to Salon responds to this glaring gap. Mary Loeffelholz presents the work of nineteenth-century women poets in the context of the history, culture, and politics of the times. She uses a series of case studies to discuss why the recovery of nineteenth-century women's poetry has been a process of anthologization without succeeding analysis. At the same time, she provides a much-needed account of the changing social contexts through which nineteenth-century American women became poets: initially by reading, reciting, writing, and publishing poetry in school, and later, by doing those same things in literary salons, institutions created by the high-culture movement of the day. Along the way, Loeffelholz provides detailed analyses of the poetry, much of which has received little or no recent critical attention. She focuses on the works of a remarkably diverse array of poets, including Lucretia Maria Davidson, Lydia Sigourney, Maria Lowell, Frances Ellen Watkins Harper, Emily Dickinson, Helen Hunt Jackson, and Annie Fields. Impeccably researched and gracefully written, From School to Salon moves the study of nineteenth-century women's poetry to a new and momentous level.
This is a story about Our Blessed Mother Mary and all the times she was presented with an unexpected situation. How would she respond to them? Read and find out.
2007 Lambda Literary Awards finalist The Singing of Swans tells the story of Madalene Ross, a thirty-year-old American who "lives in her head," cut off from her body, her heart, and her sense of purpose in the world. En route to and from her job as a computer programmer in Minneapolis, Madalene is hounded on the downtown streets by a homeless woman who asks "Got a match?" At night bizarre dreams haunt her sleep. Women fly through rooftops, chant in ancient temples, paint tongues of fire on vivid white canvases. Madalene's story is interwoven with the lives of three women: Rosalina, a priestess of Persephone in 70 B.C.E. Sicily; Ziza, a strega (Italian witch) in 16th century northeastern Italy, and Ibla, an herbalist and painter in 18th century southern Italy. Sicily's Lake Pergusa and the Black Madonna also act as a portal to the rich tradition of pre-Christian spirituality that lies beneath Church dogma. The Singing of Swans takes readers on a multi-century journey to uncover long-silenced traditions, crack Madalene's spiritual code and reclaim her soul. Elements of magical realism dovetail with historical storytelling as this compelling tale of redemption unfolds. "The Singing of Swans is a remarkable narrative calling -- even compelling -- us to connect with our own ancestral roots, to seek our own inner wisdom, and to reclaim, our own inner voices," says Margaret Starbird, author of The Woman with the Alabaster Jar & Mary Magdalene: Bride in Exile. "The Roman poet Ovid sang of the beautiful Sicilian lake where Persephone descended to the otherworld -- a lake now dying from overdevelopment," says Patricia Monaghan, author of The Goddess Path and The Red-Haired Girl from the Bog. "No siren's song could be more commanding than this novel centered on that magical lake. Generations of women of the streghe tradition -- call them pagans, call them witches -- join their voices in this tightly wrought magical chorus.
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