The annals of field primatology are filled with stories about charismatic animals native to some of the most challenging and remote areas on earth. There are, for example, the chimpanzees of Tanzania, whose social and family interactions Jane Goodall has studied for decades; the mountain gorillas of the Virungas, chronicled first by George Schaller and then later, more obsessively, by Dian Fossey; various species of monkeys (Indian langurs, Kenyan baboons, and Brazilian spider monkeys) studied by Sarah Hrdy, Shirley Strum, Robert Sapolsky, Barbara Smuts, and Karen Strier; and finally the orangutans of the Bornean woodlands, whom Biruté Galdikas has observed passionately. Humans are, after all, storytelling apes. The narrative urge is encoded in our DNA, along with large brains, nimble fingers, and color vision, traits we share with lemurs, monkeys, and apes. In Storytelling Apes, Mary Sanders Pollock traces the development and evolution of primatology field narratives while reflecting upon the development of the discipline and the changing conditions within natural primate habitat. Like almost every other field primatologist who followed her, Jane Goodall recognized the individuality of her study animals: defying formal scientific protocols, she named her chimpanzee subjects instead of numbering them, thereby establishing a trend. For Goodall, Fossey, Sapolsky, and numerous other scientists whose works are discussed in Storytelling Apes, free-living primates became fully realized characters in romances, tragedies, comedies, and never-ending soap operas. With this work, Pollock shows readers with a humanist perspective that science writing can have remarkable literary value, encourages scientists to share their passions with the general public, and inspires the conservation community.
First published in 2003, this book examines the creative partnership of Elizabeth Barrett and Robert Browning, and provides a critical analysis of the poems written by this famous couple during the 16 year period of their friendship, courtship and marriage. Even quite early in their relationship, the Brownings shared a frame of reference: similar themes, narrative structures, and details of phrasing resonate in their works and suggest dialogue, rather than merely mutual influence. Pollock traces parallels between the Brownings' lives and works even before they met, and then throughout their courtship and married life, suggesting that their creative dialogue continued after Barrett Browning died in 1861, as her presence and themes continued to inform Browning's poetry for at least a decade afterward.
In The Evolution of Gerald Durrell: A Naturalist's Critical Biography, Mary Sanders Pollock revisits the life and work of Gerald Durrell, one of the most significant environmentalist figures of the 20th century. This new biography tracks Durrell's evolution from a free-range childhood on Corfu through his time in Africa, South America, and the islands of the Pacific and Indian Oceans. Durrell's early work is described in his numerous travel narratives, but his conservation activities culminated in “the stationary ark,” a conservation zoo on the Isle of Jersey which still plays an important role in global wildlife conservation efforts. This biography situates Durrell's writing, collecting, and conservation practices within the frameworks of animal studies, conservation biology, and postcolonial history. Familiarizing readers with the broad range of his cultural impact, from The Corfu Trilogy to his BBC television specials, Pollock shows how Durrell's approach offers models for how life on earth is to thrive and survive: scientists must make greater efforts to touch hearts and minds, and cultural workers must communicate more about science and the perilous existence of other species.
The annals of field primatology are filled with stories about charismatic animals native to some of the most challenging and remote areas on earth. There are, for example, the chimpanzees of Tanzania, whose social and family interactions Jane Goodall has studied for decades; the mountain gorillas of the Virungas, chronicled first by George Schaller and then later, more obsessively, by Dian Fossey; various species of monkeys (Indian langurs, Kenyan baboons, and Brazilian spider monkeys) studied by Sarah Hrdy, Shirley Strum, Robert Sapolsky, Barbara Smuts, and Karen Strier; and finally the orangutans of the Bornean woodlands, whom Biruté Galdikas has observed passionately. Humans are, after all, storytelling apes. The narrative urge is encoded in our DNA, along with large brains, nimble fingers, and color vision, traits we share with lemurs, monkeys, and apes. In Storytelling Apes, Mary Sanders Pollock traces the development and evolution of primatology field narratives while reflecting upon the development of the discipline and the changing conditions within natural primate habitat. Like almost every other field primatologist who followed her, Jane Goodall recognized the individuality of her study animals: defying formal scientific protocols, she named her chimpanzee subjects instead of numbering them, thereby establishing a trend. For Goodall, Fossey, Sapolsky, and numerous other scientists whose works are discussed in Storytelling Apes, free-living primates became fully realized characters in romances, tragedies, comedies, and never-ending soap operas. With this work, Pollock shows readers with a humanist perspective that science writing can have remarkable literary value, encourages scientists to share their passions with the general public, and inspires the conservation community.
In The Evolution of Gerald Durrell: A Naturalist's Critical Biography, Mary Sanders Pollock revisits the life and work of Gerald Durrell, one of the most significant environmentalist figures of the 20th century. This new biography tracks Durrell's evolution from a free-range childhood on Corfu through his time in Africa, South America, and the islands of the Pacific and Indian Oceans. Durrell's early work is described in his numerous travel narratives, but his conservation activities culminated in “the stationary ark,” a conservation zoo on the Isle of Jersey which still plays an important role in global wildlife conservation efforts. This biography situates Durrell's writing, collecting, and conservation practices within the frameworks of animal studies, conservation biology, and postcolonial history. Familiarizing readers with the broad range of his cultural impact, from The Corfu Trilogy to his BBC television specials, Pollock shows how Durrell's approach offers models for how life on earth is to thrive and survive: scientists must make greater efforts to touch hearts and minds, and cultural workers must communicate more about science and the perilous existence of other species.
First published in 2003, this book examines the creative partnership of Elizabeth Barrett and Robert Browning, and provides a critical analysis of the poems written by this famous couple during the 16 year period of their friendship, courtship and marriage. Even quite early in their relationship, the Brownings shared a frame of reference: similar themes, narrative structures, and details of phrasing resonate in their works and suggest dialogue, rather than merely mutual influence. Pollock traces parallels between the Brownings' lives and works even before they met, and then throughout their courtship and married life, suggesting that their creative dialogue continued after Barrett Browning died in 1861, as her presence and themes continued to inform Browning's poetry for at least a decade afterward.
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