Sometimes no matter how vigilant you are, you can't keep loved ones save. --- Dana McCluskey and her father know very well that there can be dangers around every corner. They wanted to keep Emmy safe. --- But it is impossible to see some dangers coming. And there are those corners that you'd never see, out-of-the-way places just beyond our grasp where loved ones can get very lost — and the danger there is very real indeed.
While a moon hurtles toward certain destruction, taking with it a Weyland-Yutani bioweapons lab, talks on a nearby colony could lead to all-out war among the colonies. HYGIEIA—AN OUTER RIM COLONY—IS DOOMED The moon on which it was built hurtles toward an inevitable collision with the dead planet Hephaestus. The clock is ticking, yet when a distress signal arrives from a Weyland-Yutani biowarfare outpost, a desperate plan is launched to evacuate the trapped scientists. Meanwhile, across the galaxy a mysterious black substance rains down on Earth settlements, creating hideous monsters from indigenous creatures... and from human beings. Terran governments point the accusingfinger at one another.Thus on LV-846—a United Americas colony—high-level talks convene to address the galaxy-wide hostilities, but there's a plot brewing among the participants. One which could plunge the colonies into all-out war. The only hope for peace may lie with the deadliest ally imaginable... BONUS FEATURE An exclusive new role playing game scenario based on the massively popular, award-winning Alien RPG from Free League Publishing!
In the town of Lakehaven, New Jersey, an evil has returned from between dimensions. It is looking for vengeance. It is looking to destroy, body and soul. Dave Kohlar and his friend Erik fought an evil like it once before, and they were nearly killed trying to defeat it. They had hoped that it was over, and their lives could be peaceful and happy. But this kind is different; it is hungrier, it is angry, and it is very, very strong. With loved ones falling prey to its all-encompassing hate, Dave and Erik and some new friends look to close the door on it for good.
Bram Stoker award-nominated author Mary SanGiovanni returns with a terrifying tale of madness, murder, and mind-shattering evil . . . Nilhollow—six-hundred-plus acres of haunted woods in New Jersey’s Pine Barrens—is the stuff of urban legend. Amid tales of tree spirits and all-powerful forest gods are frightening accounts of hikers who went insane right before taking their own lives. It is here that Julia Russo flees when her violent ex-boyfriend runs her off the road . . . here that she vanishes without a trace. State Trooper Peter Grainger has witnessed unspeakable things that have broken other men. But he has to find Julia and can’t turn back now. Every step takes him closer to an ugliness that won’t be appeased—a centuries-old, devouring hatred rising up to eviscerate humankind. Waiting, feeding, surviving. It’s unstoppable. And its time has come. Praise for the novels of Mary SanGiovanni “A feast of both visceral and existential horror.” —F. Paul Wilson on Thrall “Filled to the brim with mounting terror.” —Gary A. Braunbeck on The Hollower “Nightmarish and vivid.” —FearZone on The Hollower
Occult specialist Kathy Ryan returns in this thrilling novel of paranormal horror from Mary SanGiovanni, the author of Chills . . . Some doors should never be opened . . . In the rural town of Zarepath, deep in the woods on the border of New Jersey and Pennsylvania, stands the Door. No one knows where it came from, and no one knows where it leads. For generations, folks have come to the Door seeking solace or forgiveness. They deliver a handwritten letter asking for some emotional burden to be lifted, sealed with a mixture of wax and their own blood, and slide it beneath the Door. Three days later, their wish is answered—for better or worse. Kari is a single mother, grieving over the suicide of her teenage daughter. She made a terrible mistake, asking the powers beyond the Door to erase the memories of her lost child. And when she opened the Door to retrieve her letter, she unleashed every sin, secret, and spirit ever trapped on the other side. Now, it falls to occultist Kathy Ryan to seal the door before Zarepath becomes hell on earth . . . Praise for the novels of Mary SanGiovanni “A feast of both visceral and existential horror.”—F. Paul Wilson on Thrall “Filled to the brim with mounting terror.”—Gary A. Braunbeck on The Hollower “A fast-building, high-tension ride.”—James A. Moore on The Hollower
Antonio Gardano's publications are among the most important sources of sixteenth-century music. This final volume in Mary Lewis's three volume set completes the catalogue of Antonio Gardano's publications, covering the years 1560-1569.
Italian Folk Magic is a fascinating journey through the magical, folkloric, and healing traditions of Italy with an emphasis on the practical. The reader learns uniquely Italian methods of magical protection and divination and spells for love, sex, control, and revenge. The book contains magical and religious rituals and prayers and explores divination techniques, crafting, blessing rituals, witchcraft, and, of course, the evil eye, known as malocchio in Italian--the author explains what it is, where it comes from, and, crucially, how to get rid of it. This book can help Italians regain their magical heritage, but Italian folk magic is a beautiful, powerful, and effective magical tradition that is accessible to anyone who wants to learn it.
In this direct sequel to "The Hollower," the grotesque, faceless creature that thrives on fear and guilt has come back and sets out to destroy the humans who had thought they had killed him. Original.
DIVRecognized authority in the field discusses painting methods used by such masters as Alberti, Cennini, Vasari, and Borghini; also comments on causes of fresco destruction and how to restore works of art. /div
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
If you teach middle school math and have wanted to promote social justice, but haven’t been sure how to get started, you need to check out this book. It incorporates lessons you can use immediately as well as how to foster the kind of classroom community where students will thrive. It’s the kind of book you’ll want to have alongside you to support you throughout your journey." Robert Kaplinsky Author and Consultant Long Beach, CA Empower young adolescents to be the change—join the teaching mathematics for social justice movement! Students of all ages and intersecting identities—through media and their lived experiences— bear witness to and experience social injustices and movements around the world for greater justice. However, when people think of social justice, mathematics rarely comes to mind. With a user-friendly design, this book brings middle school mathematics content to life by connecting it to issues students see or experience. Developed for use by Grades 6-8 educators, the contributed model lessons in this book walk teachers through the process of applying critical frameworks to instruction, using standards-based mathematics to explore, understand, and respond to social injustices. Learn to plan daily instruction that engages young adolescents in mathematics explorations through age-appropriate, culturally relevant topics such as health and economic inequality, human and civil rights, environmental justice, and accessibility. Features include: Content cross-referenced by mathematical concept and social issues Connection to Learning for Justice’s social justice standards Downloadable teacher materials and lesson resources Guidance for lessons driven by young adolescents’ unique passions and challenges Connections between research and practice Written for teachers committed to developing equitable and empowering practices through the lens of mathematics content and practice standards as well as social justice standards, this book will help connect content to young adolescents’ daily lives, strengthen their mathematical understanding, and expose them to issues that will support them in becoming active agents of change and responsible leaders.
This is a story about Our Blessed Mother Mary and all the times she was presented with an unexpected situation. How would she respond to them? Read and find out.
Mary Gibbons's appraisal provides the first scholarly study of Giambologna's remarkably original religious sculpture in relief. In their pictorial austerity and unabashedly metallic forms, Giambologna's bronze narratives present us with bold innovations. This study offers new photographic documentation, archival discoveries, and, most significantly, new ideas and fresh perceptions of Giambologna's art."--Malcolm Campbell, University of Pennsylvania "This timely interdisciplinary study makes a major contribution, integrating Genoa into Late Medieval, Renaissance, and Baroque studies. Mary Gibbons illuminates the late career of this major Mannerist court artist. Her use of new documents to reconstruct and redate the commission argues for a more contextual approach to Giambologna in relation to the Genoese old nobility, the Genoese Republic, Catholic reform, and Genoese-Florentine relations within the Hapsburg Empire at the end of the Cinquecento."--George L. Gorse, Pomona and Scripps Colleges "Mary Weitzel Gibbons's book successfully challenges the received wisdom that Giambologna as a sculptor was concerned only with the formal appearance of his figures in the round. In this highly original analysis of his work in the Grimaldi Chapel in Genoa, Gibbons takes on the largely neglected field of sixteenth-century relief sculpture, placing Giambologna's contribution properly in the larger discourse of narrative practices in both painting and sculpture."--Sheila Folliott, George Mason University
This is a collection of two volumes covering the History of Art and its relationship with human development, religion and cultures. Volume One starts from the early civilisations and the origins of art in early artifacts, the kingdoms of Mesopotamia and Ancient Egypt, Eastern Mediterranean and the empire in China. It continues onto the sixteenth century, taking in Classical Greece and Rome; Byzantine Art, the Carolingian Empire, explain to the rise of Islamic African Art and the development of India Art around the religions of Buddhism, Jainism and Hinduism, as well as Chinese Art of Taoism and Confucianism. Much of art in the medieval age was influenced by the conquests, religion and faith as well as gothic and Italian City State art. The early renaissance of the fifteenth century is heavily steeped in the history of Florence and the Papacy as well as the princes and merchants of northern Europe; compassing Venetian art at the end of the sixteenth century. Volume Two continues until the twentieth century, looking at the themes of power and image in the European courts as well as the Muslim Courts. The strength of the Catholic church influences the Roman and Baroque art developments of the seventeenth century, as well as expeditions to the Americas, Spain and the Netherlands. The frivolity and extravagance dominates eighteenth century art with the arrival of Rococo and a return to neoclassicism, which moved to romanticism in the nineteenth century and the freedom of realism, impressionism, and the new materials of the industrial revolution in the twentieth century. Both volumes contain an index of names and places.
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