An "extraordinary biography" (New York Times Book Review) of a brilliant pair of adventurers. Their marriage was both improbable and inevitable. Isabel Arundell was a schoolgirl, the scion of England's most distinguished Catholic family. When she first saw him while walking at a seaside resort, Richard Burton had already made his mark as a linguist (he was fluent in twenty-nine languages), scholar, soldier, and explorer--at once a symbol of Victorian England's vision of empire and an avowed rebel against its mores. When she turned and saw him staring after her, she decided that she would marry him. By their next meeting, Burton had become the first infidel to infiltrate Mecca as one of the faithful, and, in an expedition to discover the source of the Nile, would soon be the first white man to see Lake Tanganyika. After being married, the Burtons traveled and experienced the world, from diplomatic postings in Brazil and Africa to hair-raising adventures in the Syrian desert. In later life Richard courted further controversy as a self-proclaimed erotologist and the translator of The Kama Sutra. Based on previously unavailable archives, Mary Lovell has written a compelling joint biography that sets Isabel in her proper place as Burton's equal in daring and endurance, a fascinating figure in her own right.
Grammardog Teacher's Guide contains 16 quizzes for this Shakespearean tragedy. All sentences are from the play. Quizzes feature famous quotes ("Now is the winter of our discontent made glorious summer by this sun of York." "Conscience is but a word that cowards use devised at first to keep the strong in awe." "Was ever woman in this humour woo'd?" "An honest tale speeds best being plainly told." "Why grow the branches when the root is gone?" "I had a Harry, till a Richard killed him." "Who builds his hope in air of your good looks lives like a drunken sailor on a mast." "A horse! A horse! My kingdom for a horse!").
Enter into the imagination of a young boy to discover a booger-spitting dragon. Richard is turning eight and has begged his parents for a pet. His parents do not think he is responsible enough to care for a pet, but they may soon change their minds!
Even the most explicitly political contemporary approaches to Shakespeare have been uninterested by his tyrants as such. But for Shakespeare, rather than a historical curiosity or psychological aberration, tyranny is a perpetual political and human problem. Mary Ann McGrail's recovery of the playwright's perspective challenges the grounds of this modern critical silence. She locates Shakespeare's expansive definition of tyranny between the definitions accepted by classical and modern political philosophy. Is tyranny always the worst of all possible political regimes, as Aristotle argues in his Politics? Or is disguised tyranny, as Machiavelli proposes, potentially the best regime possible? These competing conceptions were practiced and debated in Renaissance thought, given expression by such political actors and thinkers as Elizabeth I, James I, Henrie Bullinger, Bodin, and others. McGrail focuses on Shakespeare's exploration of the conflicting and contradictory passions that make up the tyrant and finds that Shakespeare's dramas of tyranny rest somewhere between Aristotle's reticence and Machiavelli's forthrightness. Literature and politics intersect in Tyranny in Shakespeare, which will fascinate students and scholars of both.
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