This is the first comprehensive study in English of Flaubert's least well-known masterpiece, the final version of his Tentation de saint Antoine (1874). By assuming no prior knowledge of the work, its versions, debates, or contexts, Mary Orr opens up new readings of the seven tableaux which comprise it, and new ways of interpreting the whole. Newcomers and specialists are therefore invited to contemplate afresh this central work in Flaubert's oeuvre and in nineteenth-century French studies." "For specialists in nineteenth-century French literature and in Flaubert studies, this book challenges received critical wisdom on a number of fronts. Flaubert's 'realism', 'anti-clericalism', and 'orientalism' are all remapped through the text's unlikely protagonist-visionary speaking to the religious and scientific controversies of nineteenth-century France."--BOOK JACKET.
Here, Mary Orr offers a new approach to Flaubert's fiction and to the field of gender studies. Various received ideas about Flaubert, his novels, patriarchy, realism and the primacy of gender over sex are re-evaluated.
History from below uncovers overlooked protagonists contributing to (inter)national endeavour often against considerable odds. Mrs T. Edward Bowdich then Mrs R. Lee (1791–1856) is indicative. When women allegedly cannot participate in early nineteenth-century scientific exploration, discovery and publication, Sarah’s multiple specialist contributions to French and British natural history have attracted no book-length study. This first appraisal of Sarah’s unbroken production of discipline-changing scientific work over three decades – in modern ichthyology, in historical geography of West Africa and in the next-generational dissemination of expert scientific knowledge – does more than fill this gap. The book also pivotally investigates the intercultural, interdisciplinary and multi-genre reach of Sarah’s pioneering perspectives and contributions, and how she could achieve her work independently in her own name(s) over three decades. Sarah’s larger significance is then to provide a very different narrative for women at work in expert nineteenth-century natural history-making. By everywhere challenging the secondary, minor and domestic frames for women’s contributions of the period, the pioneering perspectives of Sarah’s story also provide alternative paradigms to the ‘leaky-pipeline’ modelstill informing women’s careers and work in STEM(M) today.
This book is a comprehensive introduction to the idea of intertextuality and the debates surrounding it, focusing on the four key thinkers whose work has been central to these debates - Kristeva, Barthes, Bloom and Genette. A comprehensive introduction to 'intertextuality', a term which describes the idea that meaning only exists between a text and all the other texts to which it refers and relates. Focuses on the four key thinkers whose work has been central to these debates - Kristeva, Barthes, Bloom and Genette, guiding the reader through the original texts of each of these. Of special importance is the author’s reading (and translation) of other parts of Kristeva’s Semeiotiké. Takes a fresh approach to the rival French critics - Angenot, Derrida, Girard and Ricoeur - who also worked on intertexuality and tackles the 'language' of intertextuality, shining new light on some of the terminology most commonly associated with this concept.
THE STORIES: WOMEN MUST WEEP. After years of hardship and suffering the War Between the States is nearing its end and while the Southern women, like their men at the front, are reluctant to admit it, the fate of the Confederacy grows progressively
After years of hardship and suffering, the War Between The States is nearing its end and while the Southern women, like their men at the front, are reluctant to admit it, the fate of the Confederacy grows progressively blacker.
THE STORY: The setting is the living room of a boarded-up hunting lodge in rural Ohio, the secret hideaway of a prominent U.S. Senator. A young couple, on the run after having accidentally killed a gas station attendant during a robbery, break into
THE STORY: Adapted from the story by Mary Orr, on which the film All About Eve and the hit musical APPLAUSE were based. An engrossing and revealing inside story of life in New York's theatre world, told in terms of an unscrupulous ingenue's rise to Broa
THE STORY: The scene is a comfortable apartment on lower Fifth Avenue, in New York City, which is shared by two divorcees. They are awaiting the arrival of a third bachelor lady to join them in dividing their living expenses. Their new roommate t
Here, Mary Orr offers a new approach to Flaubert's fiction and to the field of gender studies. Various received ideas about Flaubert, his novels, patriarchy, realism and the primacy of gender over sex are re-evaluated.
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