Chronicles the lives and careers of the members of the West Coast photography movement, including such famous names as Ansel Adams, Imogen Cunningham, Dorothea Lange, Willard Van Dyke, and Edward Weston.
Traces the life and career of Ansel Adams, including his childhood in San Francisco, his marriage and affairs, his relationship with the Native Americans of Yosemite, and the influences on his photography and painting of western landscapes.
Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually not considered architectural but that often take the built environment as their subject. Woods explores how photographers used their built environment to capture the disparate American landscapes prior to World War II, when urban and rural areas grew further apart in the face of skyscrapers, massive industrialization, and profound cultural shifts. Central to this study is the work of Alfred Stieglitz, Frances Benjamin Johnston, and Marion Post Wolcott, but Woods weaves a wider narrative that also includes Alice Austen, Gertrude Käsebier, Berenice Abbott, Margaret Bourke-White, Helen Levitt, Lisette Model, Louise Dahl-Wolfe, Morgan and Marvin Smith, Eudora Welty, Samuel Gottscho, Walker Evans, Max Waldman, and others. In such disparate places as New York City, the rural South, and the burgeoning metropolis of Miami, these unconventional architectural photographers observed buildings as deeply connected to their context. Whereas Stieglitz captured New York as the quintessential modern urban landscape in the period, the South was its opposite, a land supposedly frozen in the past. Yet just as this myth of the Old South crystallized in photographs like Johnston's, a New South shaped by popular culture and modern industry arose. Miami embodied both of these visions. In Wolcott's work, agricultural fields where stoop labor persisted were juxtaposed with Art Deco hotels, a popular modernism of the machine age that remade Miami Beach into a miniaturized "Manhattan on the beach." Beyond the Architect's Eye is a groundbreaking study that melds histories of American art, cities, and architecture with visual studies of landscape, photography, and cultural geography.
California is a region of rich geographic and human diversity. The Elusive Eden charts the historical development of California, beginning with landscape and climate and the development of Native cultures, and continues through the election of Governor Gavin Newsom. It portrays a land of remarkable richness and complexity, settled by waves of people with diverse cultures from around the world. Now in its fifth edition, this up-to-date text provides an authoritative, original, and balanced survey of California history incorporating the latest scholarship. Coverage includes new material on political upheavals, the global banking crisis, changes in education and the economy, and California's shifting demographic profile. This edition of The Elusive Eden features expanded coverage of gender, class, race, and ethnicity, giving voice to the diverse individuals and groups who have shaped California. With its continued emphasis on geography and environment, the text also gives attention to regional issues, moving from the metropolitan areas to the state's rural and desert areas. Lively and readable, The Elusive Eden is organized in ten parts. Each chronological section begins with an in-depth narrative chapter that spotlights an individual or group at a critical moment of historical change, bringing California history to life.
Published by the Ruth Chandler Williamson Gallery, Scripps College in association with Getty Publications This richly illustrated exhibition catalogue features photographs by three Mexican women, each representing a different generation, who have explored and stretched notions of Mexican identity in works that range from the documentary to the poetic. Revolution and Ritual looks first at the images of Sara Castrejón (1888–1962), the woman photographer who most thoroughly captured the Mexican Revolution. The work of photographic luminary Graciela Iturbide (born 1942) sheds light on Mexico’s indigenous cultures. Finally, the self-portraits of Tatiana Parcero (born 1967) splice images of her body with cosmological maps and Aztec codices, echoing Mexico’s layered and contested history. By bringing their work into conversation, Revolution and Ritual invites readers to consider how Mexican photography has been transformed over the past century.
This book is intended for use in a one- or two-semester course in environmental science, human ecology, or environmental studies at the college or advanced placement high school level. Because most students who will use this book are freshman or sophomore nonscience majors, the authors have tried to make the text readable and accessible without technical jargon or a presumption of prior science background. At the same time, enough data and depth are presented to make this book suitable for many upper-division classes and a valuable resource for students who will keep it in their personal libraries after their formal studies are completed.The goal of this book is to provide an up-to-date, introductory view of essential themes in environmental science along with emphasis on details and case studies that will help students process and retain the general principles.
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